The changes in the Central National Wushu Museum attracted the attention of a tabloid reporter. After asking, he hid and prepared to fabricate gossip.

At this time, Zhang Zhijiang sent Jiang Rongqiao and Jin Yiming to report to the National Museum. The two of them would support the editorial department, with Jiang Rongqiao as director and Jin Yiming as editorial officer. Tang Hao left the editorial department because he wanted to take over Wang Hong's teaching with Yan Naikang.

Jiang Rongqiao, a native of Cangzhou, learned the secret sect of his family at a young age, and later studied Xingyi and Bagua boxing from Zhang Zhankui. He also learned Taishi whip from Li Linchun, Wudang sword from Li Jinglin, Qingping sword from Li Yusan, and Tai Chi from his good friend Tang Shilin. Li Jinglin once praised him: He is especially good at interpreting theories. It is his expertise in the editorial department.

Jin Yiming, a native of Yangzhou, was good at martial arts in his childhood and studied under Tang Dianqing and Zen Master Dichen. Later, he studied Xingyiquan and Sun's Tai Chi by Sun Lutang, and was particularly good at using methods. He was also considered Wang Hong's qualifying senior brother.

Wang Hong asked the students to help find someone and made a set of his imitation Song Gu sword, iron, wood, practicing, and murderous people, and they all made two of them.

That afternoon, the things were delivered. Jiang Rongqiao happened to pass by. Seeing Wang Hong fiddling with these swords, he came over.

Jiang Rongqiao knew the four sword techniques of Wudang Sword, Bodhidharma Sword, Kunwu Sword, and Qingping Sword. Not only that, he also learned a set of Taishi Whip. When he saw these short swords, he felt very strange.

These swords are shorter than ordinary swords, and are longer in martial arts flying swords and daggers, and have thick spines like steel maces. He asked Wang Hong the source of the short sword.

When he heard that it was from the Bian family, Jiang Rongqiao said, "The Bian family's thick spine and short body have long been famous. Is there a sword score?"

Wang Hong said: "The Bian family uses this thing as a job, and passes it down from generation to generation, leaving only how to practice it, there is no sword score. I thought to put this sword technique back when I go back to Shandong. It is also popular to hold long spears and short spears there, and no one has worked hard to practice the sword technique."

Jiang Rongqiao wanted to know how to use this short sword, so he said, "I like swordsmanship very much, so I'll find time to let me see it."

That's what the two said.

But I don’t know who heard it. Not long after, Jiang Rongqiao wanted to see Wang Hong’s sword, and the Manchu Museum was all said.

This is the first time that the little sword immortal has fought with an expert who uses swords.

The two of them didn't know what was going on, so they surrounded them.

One by one, they asked the two when they would "communicate", which made Jiang Rongqiao confused, and Wang Hong didn't know what these people meant.

Tang Hao and Yan Naikang put their real guns into the warehouse. When they came over, they were shocked when they heard that they were going to do something. After they asked clearly, they just said it casually and attracted so many people. Yan Naikang pointed at these people helplessly and said, "You guys, they are all right."

It's really OK.

Everyone who came out of the Central National Museum of War is an old world. They can take a lot of things and deserve a lot of things, and they have to maintain each other's face. They have looked at each other very often. If there is less lively, they can still make some things.

Jiang Rongqiao was put up here and felt extremely uncomfortable. Finally, he said to Wang Hong helplessly: "Let's show off to these guys?"

He knew that Wang Hong could not break up and use him as a winner and loser, and Wang Hong had no need for this. He could not use Wang Hong to make face, nor could he make money. So he was ready to make a gesture, and when it was almost done, he would close his sword.

Without waiting for Wang Hong to nod, Zhu Guofu got a good reputation. He came to be the referee and openly occupied the best position and sat down.

But when he looked up, everyone looked at him with a look of something right. Then he remembered that Zhang Zhijiang was not here, and he was considered to be half of the people in charge. He quickly stood up and drove away all the students and ordinary teachers, leaving only some people who practice swords and understand swords.

Some people who don’t practice swordsmanship want to be lazy to watch the fun here, but they were bombarded by everyone.

Jiang Rongqiao is a generation higher than Wang Hong and most of the people present. Before he left the scene, he repeatedly warned everyone that this was a communication between his classmates and that everyone would only look at the sword technique and ignore the result.

Zhu Guofu became the referee and had to go on the court. He briefly told the two of them according to the rules of the National Museum of War.

The two of them each grabbed a bamboo sword, one long and one short, and then they opened the sword force.

Once he took over, Wang Hong was at a disadvantage.

Jiang Rongqiao's four swords and whip had too many changes, and it was difficult for Wang Hong to get in.

Wudang Sword is known as the ancient sword system derived from Zhang Sanfeng. The thirteen swords derived from the four ancient sword techniques of strike, stimulation, latitude, and washing are transformed by the enemy. They avoid the real and attack the virtual, and use the oblique to take the right and the cleverness. This is what the ancients described as this: "The sky is shocking the birds, and the rolling ground is not covered with dust. In one blow, it seems like the light breeze cannot see the sword. In the midst of changes, the sword light cannot see the person." The technique is comprehensive, both external and internal, front, back, left and right, flying into the air and dancing and rolling over the ground. They are best at taking advantage of the gaps and avoiding the blue and red.

Qingping Sword is comparable to Wudang, and is also created by the Taoist lineage. The sword is divided into six swords, with a total of 365 swords. All the sword moves you can think of are placed in this sword technique. The sword-like chain, walking through the outer door, stubbing the wrist, hitting the body, catching the attack, simple and light.

Kunwu sword technique and Qingping sword come from the same source, and the technique of turning complex into simplification.

The Bodhidharma Sword is also a sword technique developed by the four ancient methods of strike, slash, slash, and latitude. The biggest feature is to grab the outer door, split and slash and turn again, seek quickness and change, and respond to the feeling.

The Taishi whip, also known as the Taishi Tiger Tail Steel Whip. The same type of whip mace is very similar to the knife technique. The whip is a single-strand crane head tack, and the mace is swinging and slapping with both hands. The crane head is the convex joint on the whip. Those with strong body and fast hands use it, hooking, squirting, hoisting, striking, and stinging, and stinging, and breaking the hard armor. The crane head is a sharp collision weapon that can stagger and block the opponent's weapons.

I saw Jiang Rongqiao, who did not win with his strength, had a variety of sword techniques, and he was one with a sword, and his body was like a dragon, and his sword was like lightning. He was good at Baguazhang, with flexible steps and irregular body shape, flowing clouds and water, elegant and unique, with lightness, agility, free and easy, and abrupt and easy way. He suddenly had a sword and walked away without hitting, which feasted the audience.

However, Wang Hong's short sword was short and replaced, and he acted vigorously and moved forward as soon as he saw a gap. He went forward with a sound, washed up with a hard grid, drilled forward with a hard grid, and moved forward with a flash, without any fixed situation.

On the field, Wang Hong chased Jiang Rongqiao, but Jiang Rongqiao's swordsmanship was changeable and he was able to deal with them well. From the scene, Wang Hong seemed to be at a disadvantage.

Jiang Rongqiao is elegant and refined, free to walk and turn, with a brilliant move, and a clever fireflies turn and generously stretching. Wang Hongjian protects his body and chases him quickly.

The people around the side all know swords, and each of them looks complicated.

There are not many people in the National Museum of War now, and some of them can understand the swordsmanship, while others cannot understand it.

Some people think that although Wang Hong is attacking, he is obviously not as rich as Jiang Rongqiao's moves and his footwork is flexible. More importantly, the team attack is not as good as Jiang Rongqiao's sword. Just thinking in his mind, the internal sword skills are still powerful. It is estimated that Wang Hong is just famous for killing the Japanese.

Some people believe that although Wang Hong did not have many coherent moves, his desperate momentum was hidden and he did not appear. He seemed to be in the initiative in his hands, but his body position and timing were very skillful, which made the so-called internal swordsmanship avoid the virtual reality and make the later attack, and he could not do it at all.

Some people want Wang Hong to lose immediately, and of course some people think that Jiang Rongqiao is not very good.

There are also people who are planning to be a peacemaker, and they are ready to rush out and get a full house when the right time is right.

Human eyesight and thoughts are so complicated.

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Each chapter is a sentence: In the late Han Dynasty, single-edged swords were mainly used. Until the Song Dynasty, the sword was restored, and the sword began to move to the edge, and the wrists were added. The steps were no longer blindly rushing, but instead it was turned into roundabout interludes.
Chapter completed!