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47. The guide

"Who?" Li Kang wanted to ask, but now is not the time to ask this.

So he opened his mouth, but said nothing, just listened quietly.

For Chen Xiaoli, who finally decided to open up her guard, what she lacks now is a listener.

Chen Xiaoli's tone then became depressed: "Three and a half years ago, he never updated it again, and the book review area did not see him speak. I was very sorry at that time, but then I had the idea of ​​creating a similar novel by myself."

"Then..." Chen Xiaoli paused, as if something had passed: "After more than two years of preparation, I felt that I could write, so I started writing..."

Chen Xiaoli told the story, and Li Kang also knew how much preparation she had made. Over the past two years, Chen Xiaoli went over and over and over again and studied Bai Yang's book countless times. After analyzing Bai Yang's brushwork, which was the first in the end, he even did better than him. Then he imitated his own book and finally started writing a year ago.

But after just 200,000 words, she broke the article.

Chen Xiaoli couldn't stop speaking as soon as she spoke, and she had too many words in her heart.

Li Kang replenished her water from time to time and listened attentively.

Finally, Li Kang concluded that Chen Xiaoli would not write emotional dramas.

Yes, although she imitated her own books, the one she studied most was probably the master of Bai Yang. With the straight male attribute of Bai Yang, she never involved emotional dramas. Chen Xiaoli had no idea how to learn it, so it was no wonder that she was stuck here.

"I thought that after writing this, I could have the male protagonist confessed his love. I thought I could write about my feelings after more than two years of precipitation, but I still couldn't. When I think of the next direction, my mind was blank."

This is Chen Xiaoli's original words. Li Kang knew that this is the Bengwen.

Unlike typical authors who cannot control the text and the scene is too large, Chen Xiaoli's story is a story that collapses in a small plot, or a relationship.

She can't write emotional scenes.

She could not feel the love of the characters in the text, and naturally she could not write about the love.

Chen Xiaoli’s writing method is to substitute the rare real sense, or this book uses the real sense.

This writing technique was used by Li Kang. He once mentioned it in the book review area, but he didn't expect that it was discovered by Chen Xiaoli and used it. It was written so well.

There are many disadvantages of this writing style. For example, Li Kang, although the characters in his writing are three-dimensional and have soulful (although most people can't feel it because of their poor writing style), but also because the characters have models and have too many feelings poured into them, he couldn't write them after breaking up with his ex-girlfriend.

He was unwilling to analyze this kind of bloody injury, and because the heroine was based on her former girlfriend, he could not continue to write down the original idea. He couldn't even write it, and he couldn't deceive himself, so he ended up cheating.

It was not until three and a half years later that he had already faced the matter and got out of the shadows that he continued to write the real book, but accordingly, the heroine was gone.

Thinking of this, Li Kang asked: "The heroine in Hangzi's recent update chapter is gone, what do you think?"

Chen Xiaoli sniffed, her voice was much better than before: "The heroine is not the same as the hero, so it's not surprising that she left."

"How did you see it?" Li Kangqi said. He didn't even know that anyone who wrote a book knew?

Chen Xiaoli has a thorough study of the book "On the Road" and does not need to read the book at all, so she just pointed out: "Chapter 15, when they first met...Chapter 62, they..."

Following Chen Xiaoli's analysis one by one, Li Kang discovered that his breakup with his ex-girlfriend was not accidental but inevitable.

It's not suitable for both.

One is the delicate flowers that need to be cared for in the greenhouse, and the other is the down-and-out person who can only build a thatched hut even if he does his best to give him a sincere heart.

Not to mention four years ago, Li Kang is still living a difficult life now, and he will be in this state in the next ten years. He is one of the first children to study in the orphanage and has a natural responsibility.

Even though the dean's mother said that he had no natural obligations to other children in the orphanage, Li Kang felt that people should not only care about themselves for life.

If he hadn't had that kind-hearted person, he might have to make money by selling his energy.

And after he had a little ability, he was willing to be the kind-hearted person for his younger brothers and sisters.

As for life, a life of luxury and food, and a life of simple food.

Li Kang doesn’t have such a high material pursuit. Saving a few hundred yuan is enough for two children to spend a month on living expenses. How can he spend it?

During his college years, Li Kang actually made a lot of money, but he has never been in love since he broke up with his first love girl. In addition to the necessary expenses, he sent all the money home and back to the orphanage.

And Chen Xiaoli saw what he had not written. Although she could not understand too specific things from the text, she understood Li Kang and Li Kang's ex-girlfriend.

Listening to Chen Xiaoli's analysis, Li Kang sighed in his heart.

At the same time, he also wanted Chen Xiaoli to continue writing. Her talent shocked Li Kang. If he sinks into this, it will be a huge loss.

"Miss Chen." Li Kang thought for a while, and said, "You can't understand love, so you can't write about love, right?"

He decided to help Chen Xiaoli come out. It is a good thing to be in love, but being too in love is a shackle.

Li Kang decided to use Bai Yang, which Chen Xiaoli had carefully studied, as an example. He explained: "The two books of Bai Yang, one fantasy and the other fairy tale. Do he understand the things he wrote? He doesn't understand. But who can say bad things about his words? Will readers not feel immersed after reading his books?"

Upon hearing this, Chen Xiaoli's expression was a bit strange.

Li Kang poured himself a glass of water and continued to talk: "Love is something that allows readers to substitute, not something that allows the author to indulge in. He can write sketches. So according to this statement, wouldn't the author have to die before he could write it last time?"

"Writing books requires you to stand from the perspective of God!" Li Kang concluded: "Unless you are writing an autobiography."

"Also, the control of words is not only reflected in layout planning, but also in..."

Before he knew it, Chen Xiaoli listened more and more seriously.

Although she has good grades along the way, the online literature industry is purely a journey of feeling the stones and no one can give her guidance.

The situation of Terminal Chinese website in recent years has also made the editor unable or unintentional to guide the author.

This natural model of nurturedness gives the author a lot of freedom, while also allowing them to achieve their improvement purely on their own experience.

Even if a genius is like Chen Xiaoli, there is still a guide, and now Li Kang is the guide.
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