In most movies, cavalry stands like a tree, but what is inconsistent with many people's perception is that in the early 20th century, the British chose the latter in a classic debate about whether cavalry swords are better to chop or pierce.

The British view was still influenced by the Angelo family. These three generations changed the original slashing system of the slashing system into a complete system with slashing and slashing, but in the end, they tilted to the slashing technology, making the slashing technique more swift and effective than before.

The Chinese people's habit of fighting swords was also mainly chopping, so after the Tang Dynasty, the swords and swords were clearly distinguished until the concept of short-strike was proposed during the Republic of China.

In contrast, the Japanese sword has a strong sense of ritual, but it does not study the martial arts function of swords from the technology itself.

With the help of international students, Wang Hong finally understood that these officers who suddenly came to the door wanted to do some swordsmanship exchanges.

Seeing that Wang Hong was pleased to accept the exchange, several British officials led Wang Hong and others to a nearby swordsmanship school.

On the way, in order to dispel Wang Hong's confusion or prevent Wang Hong from mistakenly thinking it was a challenge, they specifically explained that this was a friendship exchange. They also introduced the British swordsmanship school.

Only then did Wang Hong realize that there are many such swordsman museums in the UK. Although they are often fitness-oriented or placed together with gyms, they can also be compared with China's national martial arts museums.

In the swordsman's swordsman's museum, there are many British people who learn swordsmanship, and even women, and they are practicing slightest, which makes Wang Hong, who has been practicing Buddhism and visited countless national martial arts museums, feel ashamed.

There is really nothing to say about the National Museum of the Republic of China. It is just a place to teach everyone to "gymnastics". Whether it is equipment or fist, they are all individual practices, and they always play a gymnastics team to practice boxing. Even the pair of practices are selected.

In addition to the Central National Museum of Martial Arts, there are two major national museums in Shandong. In other places, most of the national museums teach apprentices and very few teaching staff.

In an ordinary national martial arts museum, there are only two types of fighting.

One is to become a disciple. If you don’t become an ordinary student, you won’t want to learn too much.

Another way is to be happy as a teacher and tell you about it.

Talking about it is to let you punch slowly and slowly. The teacher will do three or five impossible moves between this punch to express how exquisite his move is.

Most of the time, the students in these National Museums listen to the teachers’ stories of whom they beat. When they are happy, they watch the teachers take the students present to restore the scene.

Both methods are extremely unreliable.

And the British swordsmanship schools almost always practice the right way.

Beginners have high-level training and also give guidance from time to time. People with a certain level feed each other and practice each other with great pleasure in attacking and defense. Those with high-level wear protective gear and holding training swords that have been processed by the sword tip, where you come and go.

These heroic officials should be regular visitors, so they led Wang Hong to an empty venue, introduced the swordsmanship, explained in detail the training of swords and protective gear, and then talked about the rules.

These officers hope that Wang Hong can use their rules to compete.

This seems a bit disrespectful, but it is a clever move.

At this time, Britain was still the empire of the sun never set, and officers would be sent around the world, so they could see more sword techniques than Wang Hong. After years of war and exchange, these British people knew the role of rules well.

Especially in the colonies, there are many indigenous swords or sword techniques, and various strange ways to let the British know that there is no way to communicate without the rules.

In fact, if you have no rules, you can say that some kind of swordsman is really a hooligan. Just talk about which martial arts is so good, and this is even more so.

After Wang Hong understood the rules, he found that he did not limit him much, so he did not rush to agree, but took the training sword and got used to it for a while. After feeling the center of gravity and technical characteristics of the training sword, he felt that the sword would not affect his sword skills, so he agreed.

When Wang Hong was wearing protective gear, a British official named Edward was ready.

Wang Hong glanced at the Yingguan's warm-up and found that the Yingdao had distinct characteristics. Edward's lunge was very close to the Chinese half-male stance. When he thrust, he kicked his back foot and rubbed against the ground. His body had almost no ups and downs, and his movements were hidden and swift.

Wang Hong couldn't help but think: These European swordsmanship are just those moves, and the competition between single-on-one venues is not as good as that of Chinese swordsmanship. If all the tricks are removed, the Oriental swordsmanship may have more body skills.

A teacher from the Fighting School acts as the referee for this friendship match.

In addition to determining the rules, the first thing the referee does is to check the tips of both sides. The tip of the sword is processed and it is not harmful, but the referee still checks it carefully.

The two of them ended up and tried to fight after interacting for a long time. Yingdao's slashing skills are very sophisticated. I have to say that the Angelo family's century-long research has been very good.

Wang Hong's idea was very clear. He had discovered that the general characteristic of European swordsmanship was to attach importance to straight lines. After initially trying Edward's swordsmanship, he immediately moved and started wandering.

Edward suddenly struggled. He had not seen this kind of swimming sword technique before, but the gap between Wang Hong's level was too big.

Simply put, Wang Hong has been wandering in the position he can attack. In order not to leave any gaps, he has to adjust his body movements as Wang Hong walks.

Edward was at a disadvantage in his momentum at the beginning.

If he was an ordinary person, he would probably be able to get the chance by Edward. However, Wang Hong was killed on the battlefield and fought against the National Museum of War. The sword body was put together, and Edward felt unsure of no matter how he attacked, and he couldn't help but feel guilty.

The several officials standing next to him also felt the weirdness. From their sidelines, Edward was like a lamb to be slaughtered, and the sword in Wang Hong's hand was like a wolve, and he could hit him at any time.

Wang Hong was not in a hurry to attack, he was thinking about the wonderful use of transforming a sword in the Bagua.

During the Republic of China, in terms of swordsmanship, what really talks about the bone marrow of swordsmanship is the key to the Bagua Sword Change in the Bagua Swordsmanship.

Counting swords at one step, one sword at one step, and one sword at a few steps, these are just changes in moves. The sword changes in the body and the sword change in the body and the sword change in the foot change, the sword moves in the body and the hands and feet change in the eyes, and even the appearance change, and the mind changes in the mind speak out the essence of sword skills.

When you are in the battle, there is no fixed situation, only the theory of adapting to the situation.

The more Wang Hong communicated with various sword techniques, the more he thought that there was no sword technique similar to the process of changing swords, and it must be a good sword technique.

As Wang Hong's figure became faster and faster, Edward began to feel powerless.

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Each chapter says: There are all kinds of bragging in the martial arts world: the first-class bragging says which famous master you have beaten; the second-class is the master who beaten a famous master. This master is very good, so his apprentice is naturally not bad; the third-class master has nothing to brag, but there is any unique weapon in the sect of blowing boxing. The last-class bragging is the "secret book of the family collection", which may make things happen out of nothing, or call ant an elephant.
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