In the past, there was a saying of worshipping ministers in the martial arts industry. In the past, artists who performed arts traveled around the world and ran around the world.

Of course, there are also many artists who take root in performing in a certain place, so they don’t leave. They start a family and start a career, recruit disciples, and inherit incense.

When an artist who travels to the world performs in a place, according to the rules of the world, he needs to visit his local peers, which is called worshiping the minister.

The rough meaning is "I'll show you for a convenient trip, I'm going to perform in a precious place."

People who are local people may not necessarily be locals. As long as they come to the brother who is running around the world, they can accept the worship of the minister. This is called visiting guests.

This is the rule of an artist who runs around the world.

Local artists also have rules. Under normal circumstances, they will not refuse others to perform. Not only will they not refuse, they also have to tell the artists who are running around the world the local customs and people's living habits so that the artists who are running around the world can make more money.

If it is really inconvenient or if you don't want artists who are traveling around the world to come and perform, local artists have to make up money and send them away.

This is the rule.

Of course, there are also those who are not following the rules and run around the world who come here casually and then sell their skills when they find a place.

If a local artist has a better temper, it would be fine if he doesn't have the same knowledge as him; if he really has a bad temper, he will go up and make trouble.

These are the rules of the world in the old age, and it is almost gone now. After all, there is no pure world now.

Of course, this kind of rule does not mean that it will never disappear. In modern society, some variations have actually taken place.

Compared to how to go east, the organizer is Huantian Media in Beijing, but whenever they perform at a place, they will find local commercial performers to cooperate. After all, local commercial performers are more familiar with the local situation, and it will be much more convenient to include venues, hotels, and approvals.

This is similar to the rules of travelers and visiting guests.

There are many rules in the world in the elderly, such as performing voluntary operas. Artists have families and family members and have inheritances. This kind of teacher-education relationship is the same as the relative relationship of ordinary people.

For example, an artist ran to perform all over the place, and his wallet was stolen, and he didn't have a penny in his pocket. He stayed out for a night, but he even caught a cold in the rain and got seriously ill.

Who can he ask for help in such a strange place? At this time, the importance of his fellow disciples is reflected. He can find his local colleagues and report to his own teacher-education portal. If there are people from the same teacher, it will be easy to deal with. This is to meet his relatives.

The people from the master will help you, keep your food, live, treat your illness, and perform a few voluntary performances to give you the money you earn so that you can get away with money. This is called a voluntary drama.

So don’t always think that the traditional teacher-education relationship is old feudalism, backward culture, and there is great knowledge here and strong human feelings here.

He Xiangdong has been traveling around the country for many years, and in his early years he followed his master all over the country. During those years, they not only performed, but also communicated with other artists, but also collected and organized traditional crosstalk.

When He Xiangdong's crosstalk skills grew the fastest, it was during these years. In these years, He Xiangdong and Fang Wenqi have indeed visited countless old artists, including happy experiences and unhappy ones, but they have all gone.

Now He Xiangdong is out for commercial performances. If he knows that there are good-related artists in the local area, he will definitely visit him.

If there is no, it would be fine, and he would not want to do the trick of worshipping the prime minister anymore. Now that the rules in the world are gone, he will go to worshipping the prime minister again and others will give him 200 yuan and ask him to leave, then will he not leave?

So forget it.

When he was performing in Tianjin, he also had a prime minister's life. After all, Tianjin is a hometown of folk art and a crosstalk nest. It is unreasonable not to be a prime minister. Unfortunately, there are still too many people who don't give face, but they also gain something. Didn't the two brothers Cai Shengyi and Su Shengde in Xiangwen Club get it at that time?

At Nanjing Station, the two artists who really had friendship with He Xiangdong were two artists, one was his crosstalk senior Zhang Yongye, and the other was his good friend, Fu Sheng.

The friendship between He Xiangdong and Zhang Yongye dated back to 1997. It was time to record a collection of traditional crosstalk jokes in Tianjin. At that time, He Xiangdong was still worthless, and Xiang Wenshe was still in a state of not being able to make ends meet.

However, Zhang Yongye appreciated He Xiangdong very much, and even gave him a lot of valuable opinions, and also circulated his lost stand-up crosstalk "Zhang Shuangxi Catches Monsters".

The relationship between the two started from here.

Later, at the Peony Awards competition, He Xiangdong competed with Zhang Yongye's apprentices. They are really worthy of being a famous family. Even a master like He Xiangdong had to change the jokes on the spot to narrowly defeat them.

As for He Xiangdong and Fu Sheng who met in a teahouse in Xi'an, it was Mr. Wang Miwei who chose the successor and asked He Xiangdong to compete with Fu Sheng.

Fu Sheng talked about "The Nine-Head Case", and He Xiangdong talked about "Zhang Shuangxi's Monster Hunting".

He Xiangdong put all his strength into a draw with him. It was also after this competition that He Xiangdong met Wang Miwei and accepted the inheritance of King Jingjie.

Later, in the selection of the Peony Award, He Xiangdong and Fu Sheng met again. At this time, He Xiangdong's kung fu was no longer comparable to Fu Sheng, and He Xiangdong was a big victory.

It's all about memories slowly.

Early the next morning, He Xiangdong first took the things to visit Zhang Yongye, and Xue Guo and his apprentices were accompanied by him.

Zhang Yongye has retired at home long ago. Now he is just a casual bird, practicing Tai Chi and writing calligraphy. It is no different from ordinary retired elderly people.

Even if I have free time, I will guide the younger generations. The crosstalk art of Jiangnan Banner is not a big deal. Northern Housing Nan Zhang is an artist who is comparable to the old Housing Master.

The phone number had been passed long ago, and Zhang Yongye knew that He Xiangdong came to visit him, so he was waiting for him at home. He hadn't seen this boy for many years, and when Zhang Yongye saw him again, he sighed and sighed.

Who would have thought that the young boy would have achieved what he is now? Perhaps he had expected it, but he did not expect He Xiangdong to achieve such a success.

When he saw He Xiangdong again, Zhang Yongye was also very happy and talked a lot to him. He also knew about He Xiangdong's bet with Gao Bingsheng.

Zhang Yongye couldn't say anything for a long time, but just said: "The root of crosstalk artists is in the audience, and craftsmen must rely on their ability to make a living."

He Xiangdong and Zheng focused on his head and expressed his education.
Chapter completed!