The Baijiazi sings songs, and singers from mainland China and Hong Kong, Macao and Taiwan sing together, talking about the culture of the two sides of the Taiwan Strait and the three regions.

The singers include mainland singer Man Wenjun, Hong Kong singer Nicholas Tse, Taiwanese singer Harlem Yu, and martial arts athlete Li Fei from Macau.

After the song ended, it was the first language program of the Spring Festival Gala, Feng Ye’s makeup crosstalk “Follow your wife to be a nanny”.

There were three performers, including Mr. Feng, CCTV host Zhu Jun, and the old face Niu Li of the Spring Festival Gala.

The story told is also very simple. Niu Li and Mr. Feng are a rural couple. Niu Li wants to work as a nanny in the city. Mr. Feng is worried and insists on following him.

Zhu Jun plays the role of the boss who comes to recruit nannies in the city. The three of them make a lot of ridiculous jokes about recruiting nannies.

This program is actually a typical representative of Feng Ye’s popular crosstalk works. There are three people on the stage, similar to group crosstalk, and you can also see some of the funny colors of crosstalk here.

However, these three of them have very clear characters, and this specific character identity has also added a lot of comedy conflicts to the story between them. This kind of identity is typical of being absorbed from the sketch.

The three-person program has the characteristics of crosstalk, but it also has a very obvious expression of sketches. This is Feng Ye’s general crosstalk concept, with crosstalk skills as the core and sketches as the expression.

This is also the way that Mr. Feng changed his crosstalk. Although he was accused by many people in the crosstalk world of Ye Gu Chan, he still did this.

Mr. Feng spent his time thinking about this work, and his wonderful sentences were frequently published, and it quickly became a buzzword after the New Year. In fact, the Spring Festival Gala is also a buzzword manufacturer.

This year's Spring Festival Gala stage basically follows one or two song and dance programs after one language program. Following Feng's program is a dance, followed by a sketch "The Legend of Sister Ma".

The program is proceeding in an orderly manner. For the audience, the audience actually prefers the language programs of the Spring Festival Gala, because the songs and dances of the Spring Festival Gala are indeed not very good at, and they are too straightforward.

Although language programs are also very straightforward and pay too much attention to conception, the audiences are still so frustrated these days. There are not many serious comedy programs these days, so the audience is still very eager for comedy, and they have a high tolerance for comedy.

So now more than one billion viewers in China are still looking forward to the language programs of the Spring Festival Gala. Of course, this situation will not last for a few years. When the era of domestic comedy comes, the audience at that time will no longer look down on the works of the Spring Festival Gala.

In later generations, everyone said that the Spring Festival Gala is getting worse and worse. In fact, the level of the Spring Festival Gala has always been very stable, but the audience's tastes are getting worse and worse, and the Spring Festival Gala cannot satisfy them.

But at least now, the audience's expectations for the Spring Festival Gala are quite high. However, for the program team, what they are most worried about is language programs, not because they are afraid of the actors making mistakes, but because they are worried that they are not sure about their time.

The singing and dancing programs are simple, and the time of the song is constant. After the accompaniment is played, you can go on and it will not be delayed.

But if you say a few words faster or slower, it will take a few seconds to delay. It is normal for one or two minutes to accumulate. One or two programs will cause big problems later, because the host will have to ring the midnight clock.

So once you delay here, it will be difficult for them to deal with it later, and it may even lead to the actors' programs being temporarily removed. Therefore, as long as you don't step on the stage of the Spring Festival Gala, all changes are possible.

Now 10 programs have passed, some are still in progress, and the time is within a reasonable range of errors, and the program team breathed a sigh of relief.

Fortunately, this year is still normal. By next year, the 2007 Spring Festival Gala, the time error will be large at that time, so there will be big problems at the time of the 0:00 pm.

The time-month report at the zero o'clock gave the host three minutes extra. In these nightmare three minutes, the hosts crashed one after another, and the stage was in a mess, known in history as the Black Three Minutes of the Spring Festival Gala.

The tenth program is also crosstalk, which is the Hunan couple's "Who Makes You Excellent". Their crosstalk belongs to the new-style crosstalk, and it is not as big as Mr. Feng.

The eleventh program is followed by the song "The Three Treasures of Auspiciousness". This song also became a hit on the Spring Festival Gala and quickly became the most popular song in 2006. It was also made into a ringtone with countless downloads.

After the Three Treasures of Auspicious are the 2005 pop songs, and the skewers of many singers. These days, the popular skewers of Pang Long's "You Are Me Rose" also appeared on the Spring Festival Gala, as well as JJ Lin's "Back to Back Hug", Shuimu Nianhua and Hong Kong's twins are also included.

In fact, in addition to meeting the political propaganda needs of the Spring Festival Gala, Director Huang wanted to meet the audience's needs for entertainment, so he strongly recommended He Xiangdong and Xue Guo to attend the Spring Festival Gala. Similarly, he also set up many popular elements on the Spring Festival Gala, which can be seen from these popular songs.

Director Huang also took great pains to make the ratings.

After the song skewers, it is the sketch "Working Kindergarten". In this sketch, there is an actor Niu Ye, who is also a crosstalk actor. He has a portal. He is the apprentice of Chang Siye, who belongs to the literary generation, and is one of the higher generation than He Xiangdong.

In the early years, Mr. Feng and Mr. Niu have been partnering with each other to talk crosstalk together. Later, the two of them were upset. Mr. Niu basically stopped talking crosstalk, but he basically gathered in sketches and movies. A few years ago, he was also appointed as deputy county magistrate in a county in Anhui. This matter was quite a big deal, but last year he resigned and rejoined into the entertainment industry.

After Niu Ye’s sketch, the song “I Love Singing” is the fourteenth program. After that, the fifteenth program is the crosstalk between He Xiangdong and Xue Guo.

After the sketch, the staff went to the backstage to find He Xiangdong and Xue Guo, and quickly took them to the stage door to wait.

He Xiangdong and Xue Guo were very calm. They stood up calmly and took off their coats and put them on. The staff were so anxious that they urged them repeatedly, and He Xiangdong just smiled.

After putting on his clothes, He Xiangdong closed his sleeves, flicked his robe again, stared at the front, stared at the front of him, and kicked out with his right hand, and came out the "Moon Gate" of Peking Opera, and said in a blank voice: "Go away, wow, ah..."

Xue Guo raised her head and laughed a few times, and followed her out.

The staff couldn't smile bitterly.

The backstage was not far from the stage, and it was just a few steps away. He Xiangdong and Xue Guo stood in front of the door of the field and looked at each other and smiled slightly.

The song performance on stage has ended, and host Li Yong is paying the show to He Xiangdong and Xue Guo.
Chapter completed!