The next day, He Xiangdong and his master packed up their things, brought pots, pans, and quilts, and left the farmhouse where they had lived for two years.

When the door was locked, He Xiangdong and Fang Wenqi both stared at the door for a long time, silently speaking. Within two years, every bit of laughter and scolding was all inside this small door. Although it was dilapidated, it was very beautiful.

When I have it, I don’t realize that there is anything, but I feel like I’m afraid of it. When I separate, I’m still very reluctant to leave, as if I’m tearing off a piece of stuff on my body.

My heart is very depressed.

He Xiangdong asked: "Master, will we come back in the future?"

Fang Wenqi replied: "It's OK."

He Xiangdong asked again: "When is that?"

Fang Wenqi replied: "I don't know, maybe it's tomorrow, maybe the day after tomorrow, maybe maybe it's maybe."

The two masters and disciples pulled a lot of luggage and walked slowly away. The figure became smaller and smaller. Finally, the light disappeared. The courtyard was still shabby and firm, perhaps waiting for them to come back.

Maybe

There is a saying in the crosstalk world, which is called "the source of crosstalk is Beijing, and the gathering is Tianjin." This is because of Tianjin's geographical location, people's lives, and customs and customs that are very suitable for crosstalk exhibitions. First, Tianjin is the gateway to the capital, with high transportation and boundless transportation to the Bohai Sea. You can also reach Dalian, Yantai, Qingdao, and Shanghai from the sea.

On Route 6, you can also exit the Jingshan Railway, the earliest Jingshan Railway in my country, and reach all parts of the northeast. You can also go south along the Jinpu Railway to reach major cities such as Jinan, Xuzhou and Nanjing.

With the transportation reaching, there are more people coming from the south and going north, and all kinds of craftsmen come, with complex personnel and people listening to all kinds of arts. Gradually, Tianjin has become the hometown of folk art.

In the crosstalk industry, as early as the Guangxu period, Shen Chunhe, a crosstalk senior, came to Tianjin to perform crosstalk with his disciples. This senior has a very high seniority and is a person of the same generation as the crosstalk ancestor Qiubuweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweiweishi came to Tianjin. The two of them were also the same school. He was also the founder of the three major sects of crosstalk and the founder of the Shen School.

After the Revolution of 1911, a large number of third-generation descendants of the crosstalk world came to Tianjin to perform their art, recruit disciples to pass on their art and inherit the incense, making Tianjin the hometown of crosstalk. At that time, the old seniors of the yi Pide generation were still the main focus. Later, they entered the acrobatic garden to say crosstalk and also led by Mr. Li Dejian, a heartthrob who is the eight virtues of crosstalk. At that time, the most famous garden in Tianjin was called "Sihai Shengping" and "Baohexuan".

By the 1930s, there were also theater-style gardens in Tianjin called "Yan Leshengping" and "Xiaoliyuan". After his partner left, Mr. Li Dejian also talked about crosstalk with Mr. Zhang Shouchen, the fourth generation of crosstalk sect, and it also meant to support younger generations. Therefore, the tradition of the seniors in the crosstalk world supporting younger generations has existed in ancient times, but later it was gradually artificially eliminated.

After Li Dejian left Tianjin and went to the northeast, Mr. Zhang Shouchen represented the highest level in the Beijing-Tianjin crosstalk world at that time, including his disciple Mr. Chang Baokun, who was also the choice of the time and was well-known.

Even the crosstalk world has changed the generational font size for Mr. Chang Baokun. At first, the order of generational font sizes discussed by the seniors in the crosstalk world was "virtue, longevity, benevolence and righteousness". In the yi generation of Mr. Chang Baokun, it should be the "limited" generation.

Mr. Zhang Shouchen did give Chang Baokun the stage name Chang Litong, including other apprentices Tian Lihe, Feng Lizhang, and Kang Liben. Unfortunately, these names were not known. Instead, because Xiao Mushroom was famous for her young age, the three words Chang Baokun sounded in the crosstalk world.

Later, when famous crosstalk masters accepted disciples, they did not rank seniors according to the word "Li", but instead ranked seniors according to the word "bao". Hou Baolin, Zhao Baochen, and Sun Baocai, all of them came from here.

Later, the character "Ren" was ranked in the same category because of Mr. Su Wenmao, the apprentice of Mr. Chang Baokun, who was very respectful to his colleagues. Later, when he accepted the apprentice, he changed it to the word "Wen" generation, just like Fan Wenquan and Fang Wenqi, who criticized the word "Wen".

Since so many changes were made, the ones that followed were changed. The original generation was called "Deshou and Benevolence and Righteousness", but later it was changed to "Deshou Bao Civilization". When the Ming generation was in the Ming generation, they came to New China. At that time, they were not even advocated to be a disciple, let alone the master gave him the stage name. Everyone used their original name, just like He Xiangdong, and it had nothing to do with the word "Ming".

The master and apprentice were abandoned and they had been in trouble. Lin Zhengjun had already taken a three-wheeler to pick them up. He knew that there must be more things to move.

The residence that the three of them ran a long way to reach was an old-fashioned tube building. The landlord was a retired old man, and the house was divided by the unit. The old man could not live in such a large land, so he went out to rent it out in a single room.

They all knew each other and agreed that the house would be 30 yuan a month. Both old men were easy to talk to, and they politely treated each other, so they moved in.

In the evening, He Xiangdong and Fang Wenqi followed Lin Zhengjun to the Liancheng Folk Art Club again, and this time they met other actors.

The actors in the backstage are also very busy, and they put on makeup in front of the mirror. This theater is mainly a opera singer, mainly singing Peking Opera, occasionally singing Ping Opera, and sometimes singing Ping Opera. Some people come to play the show occasionally, singing drum books, pendants, quick-board books, etc.

There is also a team leader in this Peking Opera team, named Bai Fengshan, who is a singer and the big club and pillar in this club, which is a bonus.

Lin Zhengjun walked to the other person and said, "Boss Bai, Mr. Fang Wenqi, the one I told you, is here."

Bai Fengshan didn't even turn around, but was still trying his beard in front of the mirror. The old man in the Peking Opera School wanted to wear the big fake beard.

Fang Wenqi didn't care and bowed and smiled, "Boss Bai, you're polite."

Bai Fengshan is a middle-aged man with a handsome appearance. At this time, his makeup was also done on his face, and his facial expression was not visible. He said lightly: "Mr. Fang, you are polite. I'm sorry I'm trying to dress up and can't be treated."

Fang Wenqi laughed and said, "It's okay."

Bai Fengshan continued: "We are the only one of the Peking Opera troupes in Liancheng Club. Occasionally, there are also those who sing big drums and pendants to play the show, and those who come to work on the squad and crosstalk are the first ones."

Fang Wenqi didn't say anything, but looked at Bai Fengshan quietly to see what he wanted to say.

Bai Fengshan said: "There are rules for the industry and rules for the door. Although our Liancheng Temple is small, it also has rules. All artists who work in the class must start from the opening. I wonder if Mr. Fang has any objections to this topic?"

ps: The crosstalk master will start to make the list tomorrow. You support it and it’s easy to vote more. Some people sleep late. After 2 o’clock, you can bother to vote for the recommendation vote. Those who have to go to work tomorrow, go to bed early, and vote for the vote when you have breakfast the next day when you take the bus. Will it be perfect? ​​Tang Sifang thanked me here. Our goal is to have not yet thought about it and say it next time.
Chapter completed!