Pure suspense and thriller themes are actually not very popular in China. The two works "Hypnosis Master" and "Memory Master" have a box office of less than 300 million...

Therefore, whether it is "The Internet Darkness" or "The Night of the Comet", Lu Xiaoran's expectations are about 200 million.

It is certain to make money, otherwise he wouldn't have made these movies...

However, no one expected that the attendance rate and market feedback, including Production Lu, were so strong. The total box office of "The Internet" has reached 480 million, and the single-day box office is still 4 million, and it is a foregone conclusion that it has exceeded 500 million. "The Night of Comet" is even more powerful, with an attendance rate of twice the average number of people per game than "Teenage Mutant Ninja Turtles 2"!

Orange Ticket’s final box office forecast for Comet was adjusted from the previous 200 million to 600 million…

But we still have to watch the four new films released on the 8th: "Cold War 2", "Big Fish and Begonia", "Rock Tibetan Mastiff", and "To Youth·So you are here too"...

Many distribution companies don’t understand why Orange has released new works so crazily…

Aren't you afraid of squeezing the box office results of "The Internet" that is being released?

It turns out that it was indeed squeezed, but it was not much affected, and the screening rate was stable at more than 8% - almost the same as "So... Married with Black Fans"...

Nearly 50,000 screens, the audience is not full at all!

Good content will definitely continue to pay!

...

Lu Xiaoran just paid attention to it at the beginning of the release, and turned to two reviews praising "The Comet"...

After all, he is still filming!

By the way, the photographer of "Wu Shuang", the invited photographer of "Cold War"...

Why invite him?

The Hong Kong flavor in Hong Kong films can only be taken by photographers who are familiar with Hong Kong!

What is the Hong Kong flavor of Hong Kong films?

Is it a crowded and disorderly street or alley? Or is it a lawless little world Kowloon City?

These are just the results of the image, not the Hong Kong flavor...

At its peak, Hong Kong films produced 300 films per year, and there was no government subsidy. These all led to many Hong Kong films appearing very rough in terms of picture quality, scenes and clothing, and lack of thrilling and thrilling scenes.

So how can you attract audiences?

The directors have tried their best to match dialogue and soundtrack, sound effects with lighting, colors and actions, in order to be pleasing to the eye or shocking.

Therefore, Hong Kong films that can be called excellent rely on small and ingenious ideas to attract audiences!

The little characters and the big spirit in the subject matter, the black and white opposition, the vulgarity and romance in the content, the roughness and exquisiteness in the image...

When they arrived in the mainland, they were not familiar with these cities and could not photograph fireworks, so it was naturally difficult for the audience to empathize!

After knowing this, Lu Xiaoran certainly would not find a mainland photographer to shoot "Wu Shuang"...

In fact, Hong Kong photographers love natural light very much. They think that natural is the best. Lu Xiaoran interferes a little. Many lenses are a little bit old, with a sense of the times - it is a bit old, which means that the overall light has a dim tone.

Now the scenes in the restaurant are the first time that the painter played by Zhou Runfa and Li Wen, played by Liang Jiahui.

The location is a mid-range restaurant.

"Mr. Li, I'm very curious, how did your 'knight, death and the devil' be so realistic?"

Zhou Runfa sat on a chair with his hands naturally on the table, looking very caring...

Through the monitor, Lu Xiaoran really felt the charm on him!

"It used to be so miserable, but now it's much better. Unfortunately, we are all old!"
Chapter completed!