Chapter 10 Learning
"Then drink a bottle!"
The assistant director was relieved and took two bottles of Shancheng beer...
Why don't you feel at ease?
Of course, it's saving money!
Only by truly controlling a crew will you know how much money it costs to make a movie.
The crew equipment, cameras, slides, radio equipment, lighting equipment, etc., all require money, personnel expenses, and three meals a day for staff, which is like flowing water.
This was the on-site producer Zhou Lin inquired about everything, which suppressed the capital flow and barely maintained.
Let me put it this way, if you can't find a way to be a movie industry, you won't know how to die if you are cheated.
Director Chen Kexin filmed "Martial Arts". The investor was not good at it and was directly cheated to death. A work that cost hundreds of millions of dollars to produce the effect of the 1980s. It is said that when the crew reported the accounts, they dared to pay thousands of dollars for a pair of cloth shoes and a straw hat.
Dingsheng Culture is so angry that it doesn't make movies anymore...
Lu Xiaoran and Hou Shu each drank a bottle of beer and started the show directly...
There are no restrictive shots, just two of them lie together, and Lu Xiaoran is still wearing underwear.
Then there was the scene of being beaten...
The character Xie Xiaomeng is going to be injured. Before taking on this show, Lu Xiaoran was mentally prepared!
He was pressed into the toilet and beaten by Brother Dao and Hei Pi...
If you want to achieve an effect, you must really hit it. Many times, you will be unable to control your strength...
If Xie Xiaomeng is not injured, there is no need for him to appear in there!
He came to take on such an obligation!
Then you said, you can't perform it?
It's too difficult, Lu Xiaoran hasn't reached this level yet...
He must experience it in order to give a real reaction, including the actors in the opponent's scenes!
This is also the core of Stani's performance theory. Lu Xiaoran accepted the teaching of Spy's performance, so he didn't think there was any problem!
Speaking of this, in fact, which one is more advanced, real performance or advanced acting?
Can't say it!
When Lawrence Oliver and Dustin Hoffman collaborated on "The Marathon Man", Hoffman's character had a scene where he didn't sleep for several days. Hoffman decided to stay up late to better express the character's decadent appearance after not sleeping for a long time. Oliver sneered at it and said to Hoffman, "Are you enough to act directly?"
Lawrence Oliver is the master of the Expressionist, and Dustin Hoffman's Experimental School, so this story is often used by the Expressionist to mock the Experienceist School.
Lawrence Oliver is thirty years older than Dustin Hoffman…
Thirty years of life experience and thirty years of life experience, for performers, there is actually no essential difference between the so-called "experience" and the so-called "expression". After you have experienced the world and have seen all the sails, you no longer need to draw a clear line for these two schools that seem to be clearly separated. The two have long been integrated!
The performance is essentially an observation of life. Zi said on the river: "The dead are like this." What remains unchanged is time, and what changes is the state of mind that rises and falls in time!
Unfortunately, Lu Xiaoran lacks this kind of life experience...
So, when the first trial filming was played, Lu Xiaoran was always a little worse.
Just take it seriously, stuffing your head into the toilet, punching and kicking, and even being hit by Brother Dao's head and hitting the wall, all of which are really happening...
...
Lu Xiaoran is studying...
He found that Ning Hao was very good at shooting group scenes!
Group dramas are recognized as the most difficult to shoot in the film industry. If the group dramas are not filmed well, "Taiping Wheel" can be made into "Little Sampan"; if the group dramas are well filmed, all movies such as Lao Toko can be shot magnificently and magnificently. There are many group drama masters around the world, and the more famous Asian is Kurosawa, and there are more outside Asia.
Of course, Ning Hao is not as good as these masters, but he can use contrasting satire to promote the distinction between characters and simple conflicts to shape the characters' images...
His contrast is very savory.
For example, Bao Shihong, Sanbao and the Three Thiefs are neighbors in the hotel. Here, the hotel is an invisible intersection of space, but the protagonists of these two clues do not know it!
Through such a scene setting, these interesting scenes are presented to the audience: Brother Lao Dadao paints a map of the temple against the wall, and the detailed researcher's plan to steal jade, while Bao Shihong and Sanbao are also pinning the map to the wall on the other side of the wall. This scene not only looks funny, but also always hangs the hearts of the audience.
Of course, this is not original by him. Guy Ritchie also sets it up in "Theft, Snatch, Killing and Scam"!
Ning Hao is really imitating Gerich, including the lens switching method...
And he attaches great importance to the actor himself, not limited scripts!
That is, he is happy to discuss lines with the actors on the spot. If he thinks there is something wrong with him, he will stop the machine and discuss with the actors...
Of course, he has a very temper, too!
Most of the time, it is because of the negligence of the producer or the on-site staff. For example, the production team did not prepare trauma drugs, and the staff made minor mistakes...
Rarely get angry because of actors!
Maybe I know that competing with the actors is boring...
What happens when the director gets furious on the set and leaves with his sleeves?
What can it be done?
Will come back eventually!
It is said that when director Nolan first arrived in Hollywood, he was filming on the spot and was furious. Then he found that no one cared about him, so he had to sneak back to the scene to continue shooting...
It requires patience and also needs to establish one's own authority...
You can't let the actors be afraid of you, but you must let everyone listen to you!
First of all, it is very difficult to be a human standard!
What's even more difficult is that you must maintain your energy. Director Ning Hao is definitely the one who slept the latest and got up the earliest...
Lu Xiaoran is communicating with the Husky:
"So, a good script and a good story are just the beginning of a movie. Whether it is a good movie or not is the director's ability to play a role."
"Yes, this is the same as a storyteller. For the same story, people with low levels will be sleepy all over the place, and people with high levels will be cheering all over the place."
"…Do you still think the director's foundation is not important?"
In a movie, the director's aesthetic is particularly important. He decides all visual elements, such as the selection of the lens, the camera angle, the lighting, the use of filters, optical effects, composition, the camera movement and editing.
Sometimes, the director also needs to decide on the costumes, sets and exteriors.
There is also the most important point for directing actors.
This requires the actor's "complete relaxation" and relies on the actor's complete trust in the director.
Once the actor has doubts about the director's arrangement, or believes that the character's motivation and reaction are incorrect, it will inevitably be impossible to bring good performances.
It's very difficult...
"But I think Ning Hao is a little bad at doing it!"
"Yo? Where isn't doing well enough?"
"He is too dependent on natural light!"
"...But this movie is still realistic, there is nothing wrong with natural light... Do you actually know the impact of light on the movie?"
Lu Xiaoran was a little surprised. He really didn't expect that the Husky could still notice the light problem...
Chapter completed!