When the movie came out, people found that what Hitchcock said was completely true. The movie had a very poetic name, but almost all the contents were related to murder. The whole movie was filled with a strong conspiracy, and it was all about calculating from beginning to end.

This movie made me very much appreciate Hitchcock's screenwriter level. I thought the plot of this movie might be a romance, but after I finished watching this movie, I realized that the plot of this movie was entirely based on the bad things Roosevelt and the Democrats had done to us DreamWorks and Hollywood.

In other words, if you are a movie fan, after you watch this movie carefully, you will be able to know why Hollywood is now forced to such a thing.

What Hitchcock is smart about is that his approach not only makes the plot of the movie extremely vivid and heart-warming, but also attracts the public's thoughts and digs the walls of Roosevelt and the Democratic Party.

This fat man looks very smart.

The movie "The Shadow of the Ancestors" invested by MGM Films has a slightly worse effect than these movies. Although Zenerman has his own set in big scenes and has a good understanding of the movie, the result of such a movie in his hands is: there is heavyness, but heavyness is lacking.

From the beginning, Zinerman shot this movie with an almost low mood. He wanted to shoot the vicissitudes of history and heaviness. He performed well in this regard, but after watching the whole movie, there was not much heavy, that is, there were not many places to confess to aftertaste.

This is Zinaman's failure. Fortunately, "The Shadow of the Ancestors" did not suffer any losses with the support of major Hollywood film companies, but instead made a lot of money. This result made Marskolov finally breathe a sigh of relief.

Kim Viedo's "Fortress" should be said to be the most unexpected of these movies. Kim Viedo, the director of the movie "Hollywood Tumbler", has made the audience scream for many times in his life. He can always surprise the audience again and again and again, and make the audience scream for it, so many filmmakers call this guy an unforgettable ghost in Hollywood.

The movie that King Weido is best at in his life is social dramas. It has little themes and no investment. The actors should not be too famous. The movies he made will make you feel after all. Americans like King Weido, like his reality, like his genius, and like his films with infinite flexibility. This time, "Fortress" is very different from King Weido's previous movies.

When Jin Duo shouted that he wanted to shoot such a war movie, almost everyone opposed it. People who were familiar with him were eager to persuade him to do so, which was simply seeking death. But this guy just didn't listen and still did his own thing and wanted to make war movies.

As a result, the movie was shot, shocking Hollywood and the United States.

"Fortress", the whole war was born in a fortress, with grand scenes and tortuous stories, but it turned out to be a comedy that makes people laugh and cry. The movie is Kim and Vidor's style, and after watching it, it makes people feel extremely entangled.

Hollywood movies have achieved great success, not just "The Kingdom of the Celestial Kingdom", but a group of movies. The huge momentum caused has immersed the entire United States in a turmoil.

Such a situation becomes more and more embarrassing to the non-US investigation committee.

But despite this, the non-US investigation committee still did not make any noise.

"Boss, why do I think this is a bit abnormal?" When Gans said this to me, his mysterious appearance made me laugh when I saw it.

"What's wrong with it?" I asked, putting down the newspaper in my hand and looking at Gans.

"You think about it, the non-US Commission of Investigation used to be swearing. Now we have also been showing up, and there has been such a big disturbance. They have never said anything in their lives.

It's very abnormal, boss." Gans stopped talking, looked at Coolidge and wanted to get some positive answers from Coolidge, but Coolidge squinted his eyes and didn't sound like he didn't hear it at all.

"I also think this is a bit abnormal, but now there is no movement from the non-US investigation committee. You can't let me make some noise, right?" I let out a long sigh and shook my head.

"You don't think they're moving, but I think they're busy now." Coolidge opened his eyes at this time, took a sip of tea, and then said slowly: "Andre, I think I'm really old. In the past, the weather didn't feel cold at all, but now, I feel like I'm in an ice hole."

Coolidge said, taking a sip of hot tea and nodding, "This is the only tea that makes me feel better."

"Stop talking nonsense. Calvin, I saw you teasing a bunch of newly recruited actresses in the morning, jumping around and almost killing a cow." Gans suddenly revealed Coolidge's background.

Coolidge immediately smirked, his face flushed.

"Don't be rude.

Calvin, say it." I gave Gans a blank look.

As long as these two guys get together, there will definitely be nothing good in their mouths.

"Andre, I don't have any definite evidence, but with my premonition of training over the years, I always feel that the non-US investigation committee might be doing something. Gans's idea makes some sense. It's really abnormal to be calm now." Coolidge's words made me frown.

"Calvin, to be honest, I think it's a bit strange, but now we can't figure it out at all. Didn't you say that, if the enemy doesn't move, I won't move." I shook my head.

"That's the case, but I think I have to find out some news." Coolidge closed his eyes, as if the conversation just now had consumed all his strength: "Is there any news over Darren?"

Darren Liver was taking his subordinates to attack Roosevelt during this period. Since he heard that Roosevelt is now in Los Angeles, Darren and his factory guards have started to get busy. They work very hard and even work hard with colleagues in the Bureau of Investigation, but they still cannot find out any clues about Roosevelt. The other party's confidential work was done this time.

"No news." I glanced at Coolidge and asked immediately, "Calvin, do you say, does not have news mean good news?"

"How do I know? I'm not God." Coolidge agreed vaguely, then turned over and went to bed.

Looking at the old man's face, I kept smiling bitterly.

In the following days, the atmosphere became more and more enthusiastic. There are obviously several reasons for this enthusiasm. The first reason is the arrival of Christmas. This festival is the most important festival for Americans in the year. The atmosphere of the festival is getting stronger and stronger. Works of major Hollywood film companies are released one after another, and the atmosphere in the United States has also become cheerful.

In addition, there is another reason that is crucial, that is, movies. The movies here are not American movies, but European movies.

In the past, when Hollywood Christmas movies were scheduled, American movies were 100% the ones that monopolized the domestic film market. In this regard, American movies had huge advantages. In the annual Temple movie schedule, American movies not only monopolized the American film industry, but also spread to Europe and controlled the entire European market.

But this year, this situation has undergone a fundamental change.

This year's Hollywood Christmas movies have a scene that has never appeared before. That is, in the movie market, there are two waves in the cinema. On the one hand, it is a movie produced by local Hollywood film companies, which accounts for half of the market. On the other hand, it is a movie introduced from Europe.

What surprised Americans and sighed was that although these movies were all produced in Europe, the names on the movies were so familiar.

The blockbuster film "Bismarck" filmed by Stenberg for Germany was the first to be published in the United States. This film was specially introduced to the United States as a cultural exchange between Germany and the United States. After the film was introduced, it was soon screened in theaters across the United States, which shocked the whole country at once.

When Steinberg was expelled, the Americans were full of anger. Now that they saw his movies being able to log in to the United States, American audiences released all their enthusiasm before returning.

To be fair, the film of Stenberg was indeed quite good. After leaving DreamWorks for so long, it seems that Stenberg has made great progress in Europe. Although his consistent style and artistic techniques have not changed much, I still saw many new things that were completely different from his before in this movie. Without any question, these things were learned by him. What surprised me was that in Stenberg's movies, a very strong traditional style of German movies began to appear, which was obtained by Stenberg using his own life experience.

"Bismar", the movie is very consistent with the aesthetic view of the mustache at first glance. The director is Stenborough, and on the list of associate directors, I saw a very familiar name: Leni Fenstale.

This female director, who was just famous for filming "The Victory of Will", was the deputy director of Stenberg this time, which shows how much Germans value this film.

This movie deserves the admiration of Americans with its majestic momentum, profound historical background, tortuous stories and rich characters. It is called one of the rare epic masterpieces.

In addition to this movie from Stenborough, there are more lively movies, this time, it really blossomed inside and outside.

The network cable broke yesterday, but it has not been better yet, so I can only pass it outside.

On the first day of November, 10,000 words are updated and asked for monthly tickets!

If you have monthly tickets, please encourage Xiao Zhang!
Chapter completed!