"I think that for a movie, it is best to ensure the extreme fusion of movie music with the picture. Good movie music is music that is not heard or not paid attention to."

"It is very difficult to meet this requirement. Because it requires the director to have extremely high sensitivity and insight. In "The Pentium Era", Andre made a proof with his genius. In this movie, all the soundtracks are just right. They do not steal the scene, nor do they scatter the main points, but are integrated with the picture, setting off the atmosphere very harmoniously and expressing the theme that the picture wants to reflect. Such a movie soundtrack is a symbol of perfection. Looking at the entire Hollywood, there are only a few people who can achieve this level."

"In addition, I think the most impressive thing is probably the narrative structure of "The Pentium Age". The multi-line narrative structure has also appeared in Mr. Stiller's "The Imperial Hotel" before, and it is very appropriate. It is amazing. However, compared with the narrative structure of the earth-dividing line in Mr. Corleone's "The Pentium Age". "The Imperial Hotel" is obviously not as round and perfect as "The Pentium Age".

"The whole movie, from the introduction of Ford at the beginning, and then the successive appearances of Howard, Smith and Brad, was completed in one go, and the unique spiritual life of the three characters was the unique spiritual life of the three characters. Although these three people seem to be different, their identities, status, and ages are also different, one thing is the same, that is, they all have experienced hardships and have a passionate heart. It was through this that Andre completed the entire movie and merged the seemingly complicated things into an organic whole."

"The Pentium Age is another masterpiece, and it will be a masterpiece that will always remain in the history of the film. This movie will definitely become the most advantageous weapon for the American people in this dark and difficult time, and the strongest driving force for their lives!"

This article by Grant made me amazed after reading it.

I never thought that Grant, who usually laughs and laughs, had such deep attainments in movies. Not only me, I think this article will definitely shock the entire Hollywood filmmakers and let them re-understand the charm of this honorary Hollywood mayor.

This article by Grant conducted a detailed and systematic analysis of "The Pentium Era" from various angles, with unique views and profound thoughts. More importantly, as a mayor, a person who did not personally participate in filming and production, Grant has very little attainments in film theory.

Not to mention anything else, just the music he said in the article that "unheard" made me completely stunned.

You know, in the history of film, there is a theory of film music that ruled Hollywood since its birth and has never been abandoned by people. This theory, called the "Inaudible Music" theory, has almost exactly the same content as Grant's idea.

The "inaudible music" theory has become a "Bible" in the Hollywood movie soundtrack industry in later generations. This theory has never fallen and has produced a profound and extensive image of Hollywood movie soundtracks.

You should know that in history, this theory was proposed by London in 1936!

Johnny Grant actually got ahead of the year! This made me extremely surprised and shocked.

Grant's article is so powerful that I am amazed at. The comments on "The Pentium Age" in other Los Angeles newspapers are also very lively, but none of them are as profound as Grant's article.

Overall, "The Pentium Age" has gained recognition and great love from almost everyone. It not only infects many people with the artistic nature of the movie, but also because the movie itself reveals the spirit of never giving up, which has a great response among the American people. It can be said that it steadily occupied the chief position at the peak of the 1929 Christmas movie schedule.

However, in addition to "The Pentium Age", there are several movies from other film companies at the premiere of the 14th. Although their images are not as good as "The Pentium Age", they are also remarkable.

First of all, I have to mention that it is also the film "Babylon" produced by MGM Film Company, which made people feel that they could challenge "The Pentium Age". This film has also had a huge social impact and naturally attracted many comments from filmmakers with its grand scenes and production, coupled with the reputation of Sit Dimill himself and the vigorous promotion of MGM Film Company.

"Sis Dimil is still so charming! In his movies, you will always see that excitement and grandeur. This is a significant feature of Sis Dimil's maturity. "Babylon" reminds us involuntarily. The film "The Party and the Party" filmed by Griffith more than a decade ago. The same big scene, the same excitement.

"Dimill is undoubtedly one of the best directors in Hollywood. His film can also be regarded as a masterpiece, but it is not as profound as Griffith's "The Party and the Fight Against the Age". It also lacks the huge appeal and thinking about the world of "The Pentium Age". This film is a blockbuster, a classic blockbuster."

Although Alfred Hitchcock's comments on Dimil's movie were a bit harsh, they basically told the truth.

The movie by Sissidimil was originally intended to be a blockbuster, so compared with Griffith's "The Party and the Party", it is obviously not enough in terms of thickness.

"Although the investment in Dimildi is greater than that of his local movie "Chicago", it is not as good as "Chicago". It does not have the charming historical atmosphere of "Chicago". This movie has a grand scene, but it makes people feel a bit false. Dimil is really repeating, repeating his blockbuster mode. But now this mode is obviously gradually falling into the trap in his hands. The movie is very good. There are wars, lust, love, etc., but there is no god lurking deep in the film to pull the center. In this way, his movie is a bit dispersed."

"Besides being inadequate in terms of artistic inadequacy, Babylon is good in other aspects. It is a successful blockbuster and has absolutely good box office."

John Ford's comment on Dimil's movie is very simple, but it's very impressive.

Sissidimil's "Babylon" is still a blockbuster, just like I expected, but he lost his unique sense of history in "Chicago" and became a pure visual feast that relies on scenes and investment.

At this point, Hollywood filmmakers have little disagreement.

However, Hollywood filmmakers have mixed reviews about "God of War" directed by John Ford.

"Mr. Ford's "God of War" is strictly a western film. Although this film has many modern factors added to it. The whole film is very compact and has a very well-characterized character, especially the sad atmosphere inside. No one can reach such a height in the western film. It can be said that Mr. Ford is still the first person in this field. This position cannot be shocked by others. So far, the only movie that can make John Ford's Western film feel huge pressure is that it is Andre Corleon's "Dancing with the Wolf".

Victor Fleming gave a high praise to John Ford's movie.

But Port Lee didn't think so: "John Ford's movie and Sissy Dimil have a common problem, that is, it is definitely a good movie compared to many Hollywood movies, but if compared with his previous movies, it is obviously lagging behind and backward. Just as Sissy Dimil's "Babylon" cannot get out of the peak of the formation of "Chicago", and John Ford's "God of War" cannot get out of the shadow of "West Sands". For these excellent directors, what I want to tell them is: Do you have to live your life in the routine you formed? It's time to innovate!"

This article by Porter Lee is definitely very insightful and extremely sharp.

For Sissidimil and John Ford, it is indeed time to innovate.

Sissy Dimil is an old director, and John Ford is also an old director. Although their movies are very good compared to ordinary Hollywood movies, the audience always feels a little aesthetically exhausted.

However, for Fritz Lang of Warner Films, this problem does not exist. As a film director who has just entered Hollywood this year, as a person who is already well-known in Europe and has received awards at the Cannes Film Festival, Fritz Lang's qualifications are hard to say clearly. On the one hand, he is definitely a newcomer in Hollywood. "Satan" is his first work in Hollywood, but in the film industry, Fritz Lang is also an absolute film veteran.

The audience was curious about this German who was usually serious and did not appear in public. After the screening of this "Satan", it "surprisingly" caused a strong response.

"Masterpiece! A masterpiece from German film noir! It's so perfect that it's breathless! Fritz Lang is definitely a master of film noir. His film has a typical Gothic shadow and a strong German flavor that no Hollywood filmmaker can achieve. However, in various operations of the film and the concept of the film, Fritz Lang is obviously influenced by Hollywood movies, especially the DreamWorks School. This makes his film a perfect combination of German culture and Hollywood tradition! The charming atmosphere exudes from the whole film is intoxicating! Such a movie is definitely another milestone work in film noir!"

As a compatriot, Munau praised Fritz Lang and gave him very high praise. In my opinion, Munau's opinion is obviously very pertinent.

Fritz Lang is definitely a master-level movie character. His movies are profound and heavy, but always with a hint of sad humor, which makes people unforgettable.

"Friez Lang will become Andre Corleon in film noir. I have never seen anyone be able to be so eased in this subject. His movies are like a nightmare, more like a Dante-style magical journey, sadness, extremes, rebellion, and humanity in rebellion. Any words like this movie are redundant. All we can do is to taste carefully! Friez Lang, this name will definitely be recorded in the history of films!"

Frank Capra admired Fritz Lang and was so proud that he could make an extremely confident person like Frank Capra feel that it was so powerful that Fritz Lang had reached.

But the most surprising thing is probably not Fritz Lang's "Satan", but another movie that no one has noticed in advance.
Chapter completed!