"Haha, what if I take it seriously?" I looked at her and whispered.

"You..." Heidi looked at me sweetly, pursed her lips and stopped talking.

After a long time, she looked at me again and whispered: "I,..., I always knew that you wouldn't ignore me."

"Then you said that to me on the street?!" I glanced at her.

"I, am I angry? Who told you to say I want to get married or something?!" Heidi glanced at me and was about to pounce on me.

"Tsk, you clearly understood it wrongly! At that time, I wanted to say whether you want to marry me!" I said while avoiding Heidi's fingers stretched out.

"Who told you not to explain it clearly? I thought you didn't care about me and asked me to marry that bad guy Henry! You don't know, I cried for four days after I came back, and my eyes were swollen!" Heidi pouted and looked at me viciously.

"It was clearly your own fault, and it was pushed to me! Look, you just rescued you from the fire pit, and you just repay me like this!" I ran and pointed at Dihedi and said.

"Then what do you think I should treat you?! Do you have to agree with me?!" Heidi said angrily.

"You said this, I didn't say it." I smiled.

Heidi was tired of running, so she stopped and looked at me with all kinds of charm.

"What, don't you want to?" I gasped and said.

"I want to!" Heidi answered very simply this time, and after saying that, she looked at me with her little tiger teeth.

When he arrived at the door, Gans and Holkina were waiting for me on the side of the road. Heidi watched me get into the car reluctantly, and then stood on the side of the road and waved goodbye to me.

"Boss, it was so satisfying just now! Henry shit, no, it's even worse than dog shit, it's so exciting!" Gans danced, then lay down in my ear and whispered: "Boss, your father-in-law didn't let you and sister-in-law get married early just now?"

"Get out!" If it weren't for being in the car, I would have kicked him out.

"Boss, you're not interested enough. You can tell me what's going on." Gans still smiled.

"Boss, how could you be like this? If it weren't for me..."

"Ah! Boss, you're pinching me!"

"Boss, please spare me, please spare me!"

“Boss,

Can you be a cow and horse with Heidi's sister-in-law? You can let me go!"

...

In the next week, because Henry is very good, the development of DreamWorks is also a gratifying situation.

Under the intensive production of Factory 3 and Factory 5, Warner's 1500 audio film screening equipment was successfully delivered. After receiving these equipment, Warner also began to install it nervously. They wanted to screen my "Brave Heart" and the "Murder Crocodile Tan" that DreamWorks is preparing. Other film companies handed over their payment to me one after another. They dialed out the 40 million I spent before, and I am now holding it firmly in my hand.

With this money, my back became tough.

During this week, news came that MGM's "Washington" made a small profit. Although this movie has various shortcomings, the theme is loved by Americans, and the movie has also caught up with the politically critical hitchhiking. Therefore, according to various circumstances, it is estimated that the movie can earn at least 500 after the cost of this movie. Although it is not possible to fight against "Brave Heart" at the box office, Marskolov is still very happy.

In August, several other movies made their own achievements. Neporo's "Benhu" earned more than 10,000 yuan, which was a small show. Todd Browning finally became proud and Hale money. He didn't accompany him, but he earned fame and reputation. Keaton's "Go to the West" was both well-known and popular, earning 125 yuan. The success of this movie made Keaton, who was already as famous as Chaplin, suddenly surpassed Chaplin and became the most recognized comedian in the audience. Chaplin's life was even more sad.

The movie "Moana" that Flahad filmed for Paramount before joining DreamWorks was heavy and the cost was not recovered, which made the investors furious. Flahad was also depressed for several days, but I knew the value of this movie, so the reason why I couldn't make money is that it was because this movie was a documentary, not a feature film, but Flahad's talent cannot be underestimated. I kindly comforted Flahad and told him that I would give him many opportunities to shoot movies in the future, which made his mood completely improve.

For me, the thing I worry about most was the movie "Killing Crocodile Pond" in Stenberg. Several people from the director team spent a week re-revising the editing. I basically stayed in the editing room without any trouble, and discussed it bit by bit. At 825, I finally decided on the movie.

Then I asked Stenborg to send the master belt to Factory No. 3 to copy a few copies, and took one of them for review.

Originally, for me, the movies produced by DreamWorks usually don’t have any problems during review, and I don’t want to go there. In the end, I went to the Hollywood City Government with the push and shoving of the two guys Stevenberg and Stiller.

As soon as I entered the door of Grant's office, I secretly called out bad luck.

Van Punk, Chaplin and another person I don't know were talking to Grant inside, and Hayes was standing next to him. Grant had a expressionless face. After Van Punk and Chaplin talked for a while, he came out and left without looking back.

"Boss, why did these two guys come here? They also brought the movies to review, right? But I haven't heard of Chaplin making any movies?" Stenberg began to mutter from the side.

"You ask me. How do I know." I glanced at Stenborough and walked slowly in.

"Why are we American heroes here when we have time to come to us?" Grant became sarcastic when he saw me.

I ignored him and turned to Hayes and said, "Mr. Hayes, what are those two of you here just now?"

"You mean Chaplin and Van Punk?" Hayes asked.

"Yes, who else can they have?" I smiled.

Hayes pointed at me and shook his head: "Do you know the one who came with them two?"

"You said that person in his thirties is that person in his thirties? I don't know him. I have never seen him before." I sat on the sofa and crossed my legs.

"That man named Apotter to plan a movie, and the opening ceremony will be held tomorrow. Chaplin and Van Punk plan to invite us to attend." Hayes said slowly.

"United States Company has finally released a movie. Hehe, what movie is it?" Stenberg asked coldly with a treacherous look on his face.

Grant waved his hand weakly: "It is a technologically innovative film, a color film made with a new special-art color system 'red and green' two-color film. Andre, it seems that Chaplin is full of energy this time and wants to fight with you."

Stenberg smiled and said, "This bitch-raising British guy is now huddling in the factory like a turtle all day long and never coming out. He can make such a freak out of it. We are not afraid of DreamWorks. Boss, do you think so?"

I shrugged and said nothing.

In fact, in history, this "Black Pirate" has left a mark in the history of film. One of the important reasons why this movie is remembered is that it is the first feature film that uses two-color color dyeing technology.

Unlike audio movies, color movies appeared very early. In history, the first natural color movie appeared in 1906. The producer was Bott, who produced the first commercial film in 2008, but it only took eight minutes. The first color drama film was released in London in 1910, only 18 minutes. The first color drama film released in the United States was in 1911. However, these movies are a two-color film system rather than a three-color. Parker's "Black Pirate" uses technology, which is the "red and green" two-color film of the special color system. In other words, although such movies can show color on the screen, they cannot present all colors. Therefore, such movies cannot be counted as real color movies.

The two-color color films in the United States are basically color films from "Color Technology Company" with Kodak film as the negative. The film produced by this company shot a total of 36 plot films, but in 1936, because the audience was interested in two-color.|;

This kind of film basically stopped. In 1932, three-color film was developed, making real color film a reality. However, similar to audio films, the color technology company did not dare to sell it to the film company, but turned to "Disney Company". Disney's cartoons became very popular because of the use of this color film, and then color films became truly popular. The first real color film recognized in the world is "The World of Glitter" in 1935. The color films are here.

Hearing the movie "Black Pirate" reminds me of many things about color movies. Although I know that the box office of this movie in history was not very good, and I don't have to worry about Chaplin being able to make a comeback with this color movie, but if I could get the patent for real three-color color film first, wouldn't I have to make a big splash? But thinking about it, it's a bit difficult. This technology will take six years to wait for, and now audio movies have just been successful, and it's still a slab, so the development of color movies will be even more difficult.

"Mr. Grant, are you going to Chaplin's opening ceremony?" Stenberg asked barely on Grant's table.

Grant sighed: "I am the honorary mayor of Hollywood. Last time President Coolidge came, he clearly asked us officials to serve you filmmakers. Since they are all here, how could I not go?"

Looking at his helpless look, Hays and I laughed.

"Andre. What are you doing this time?" Hayes asked.

I pointed to the box at the foot of Stenborough and spread my hands and said, "What else can I do? Come and submit it for review?"

"Submitted for review?! Your "Crocodile Pond" has been edited!?" Hayes and Grant immediately felt energetic after hearing my words.

"I just finished editing, I'll send it to you here?" I stretched and said lazily.

Grant stood up and ran out in his coat.

"Is he okay?" I pointed to Grant's hurried back and asked Hayes.

Hayes hurriedly put on his coat and said to me: "He is fine, he just went to call the staff of the Code Execution Bureau. Andre, you don't know. The movies we reviewed during this period are worse than the other, and we want to die. We can't compare with your movies. Not to mention Grant, I'm almost suffocating. Haha, today we have to open our eyes, take a walk, carry the film, and go to the screening room!"

Hayes was so anxious that he was like an old bachelor who had been in a bridal chamber for decades and finally got into the bridal chamber. He pulled Stenborg and walked out the door.

Stenberg shouted at me with a film box, "Boss, aren't you going?"

I smiled slightly: "You go, I'll sleep here for a while, I didn't sleep well last night."

I personally participated in the editing of this movie from Stenberg. I have watched it many times. Besides, even if I didn’t go, those people from the Codex Executive Office knew that this movie was from DreamWorks. They would not make things difficult for me, so it’s the same whether I go or not.

After Stenborough, Hayes and others left, I was the only one left in Nuodadi's office. I took off my shoes and lay comfortably on the huge sofa to have a good sleep. As soon as I lay down, I saw a newspaper on the coffee table and picked it up.

The Los Angeles Times reported that the Los Angeles Police Department investigated Sister Sando's case. It was reported that with the investigation of the task force, the case had made great progress. Even the brothel where Sister Sando was hiding was finally found by the police, but the prostitute inside who was good friends with Sando was missing.

The police speculated that the prostitute was likely to be silenced rather than missing, so they would continue to investigate.

In addition, during this period, the police also spoke extremely hard to Allen and did not say anything. They just said that he and Sister Sando were just friends and quarreled for some trivial matters. He didn't say it, and the police had no choice but to lock him in the police station.

Looking at the newspaper, a smile appeared on my lips. As the case progressed, Adolf Chuk was exposed bit by bit. If I send the materials from Sister DiSando to the police station, the old man would be finished.

This report made me sleepless. Where I was lying, thinking about how to exchange the materials in my hands for the best benefit. Just as I was thinking, the office door was pushed open.

Then someone came in and made me get up from the sofa.

This man is in his fifties, thin, but very energetic. He is wearing a jacket, gray hair, and clean and neatly tidy.

The reason why I got up is because of his face, this face, I have seen it several times in some movie albums.

Jesse is a helper! It was him and the myth of the Kingdom of Adolf at the beginning!

This person lives a very low-key life, so people in later generations will not remember him very much. Compared with him, people remember Adolf.+: Extreme, Adolf loves to show off and acts decisively. He likes to make many plans but does not like to execute them. Jesse is introverted, down-to-earth and willing to work, and likes to retreat behind the scenes to make up for loopholes in various plans for Adolf. Because of this, he has become a pillar of Paramount, and he has also been deeply rooted in Adolf's statement that if it weren't for Jesse.

Adolf has two helpers, which can be said to be his right-hand man. One is the theater manager Alan who is now locked in prison. Because Jesse was still seeing him from afar, he was naturally a little surprised to see him here now.
Chapter completed!