On this day in "Princesc" Pravda, editor-in-chief Bizer reported the entire newspaper about "Brave Heart" and used a huge title: "Hollywood starts talking!"

Johndo, William.

Bizer personally wrote a special comment on the day: "Brave Heart is not just a movie, it is a unique and brilliant star that brightens the night sky of American movies! From this movie, American movies and even world movies will take a step forward, and the world of sound has arrived! Although Andre is only in his twenties, we can say with great certainty that he is an outstanding film master! There are not many people in Hollywood who can hold this title. After David waited hard for so many years, we are very happy to see another movie master standing up!"

The title of "Master of Movie" given to me by Bizer really made me feel scared. However, this title was widely accepted in a short period of time because of his beginnings.

John researched: "Andre made a wonderful discussion. He believed that a huge montage tension could form between sound and picture, which would make the audience more emotionally resonant than silent films. Mr. Corleon also believed that from the moment of invention, the film was destined to be the art form with the greatest expression and closest to real life among all arts. He called this characteristic of film authenticity, and he believed that films could show us a real world. These views are all insightful insights without exception.

.The audio film "Brave Heart" is the first audio film in Hollywood, which proves his ideas extremely powerfully. We can see that the addition of sound greatly increases the expressive ability of the movie and expands the role of various elements inside the camera. We can also see that the addition of sound makes the movie more perfect and makes the movie closer to the world. I can excitedly make the conclusion that "Brave Heart" will become a movie that will be recorded in history forever, and its director Andrei is deeply remembered by the descendants of the future generations!"

Although Strauheng's articles highly appreciate the art form of audio film, they focus on the artistic nature of "Brave Heart" itself.

"Andre's audio film has gone up, and it ignores its outstanding artistic value. Such a movie, even if it removes the sound and replaces it with subtitles, is definitely an immortal work of art! Mr. Corleone's skillful use of the camera makes me sigh. For a long time, movies have been a temple in my mind. This temple is a forbidden area of ​​God. Only few people have the opportunity to approach it. I spent decades of my life and decades to barely wander outside its doors, but Andre's shadow is like a phantom, like a dream! This movie by Mr. Corleone is poetic, perfectly blending the light of human nature and justice with the scenery. Depth of field lens, combination of shots of each scene, composition of a single picture, and overall rhythm

Grasping, the bright contrast of light, the metaphors of various symbolic shots in the movie, etc., makes each of the movie beautiful like a painting, a painting containing countless meanings and confidence. Andre is a well-deserved poetic film master. He used four movies to create a precedent for formalism, psychological symbolism, expressionism, realism and poetic film. For us, if we make certain achievements in any of these fields, we can proudly leave our footprints in the history of films, but Mr. Corleone suddenly opened up these film fields, and our talents cannot be described in words. The only thing that is certain is that these movies must have been achieved by God's hand, otherwise we cannot accept any explanation."

William. In terms of revelation, he made a very detailed summary: "The Brave Heart can definitely become a model for all Hollywood film works in the future. It should be used as a teaching work of film workers and moved into the movie temple. Whether it is the grasp of directorial arts, photography, performance or lighting, it is perfect and intoxicating."

"As the director of this movie, Mr. Corleon did not interfere with the movie as much as many of our directors. The whole movie is like a reappearance of history, allowing those stories and emotions to flow naturally in the picture without any rough interference. A lot of our directors are God on the set, and use their power to constantly impose their will on the audience during filming. The consequence is that the whole movie is full of craftsmanship. When the audience watches, they always think that they are watching the movie.

It is even harder to say that there is any strong emotion when experiencing another life

"Anyone who has read the script of "Brave Heart" will definitely be attracted by the rigorous and free structure in the script, which is relaxed and free, pays attention to the visual artistic expression of the script, and the dialogue of the characters is very personalized. In order to achieve the effect in mind, even the camera scene and the brightness of the light are almost cumbersome. Such a rigorous style should be learned by our directors. For a long time, our directors have not paid attention to the film script at all. Many movies have no books to shoot, and if there are, they can only be written on one page or two pages. The few remaining ones can be regarded as scripts, either written into novels or drama books. It is important to know that movies and novels, dramas are fundamentally different art forms, and movie scripts should also pay attention to the expression of visual elements in them rather than telling stories. Mr. Corleone's script did this very well."

"In performance, we can find a very important phenomenon, that is, with the addition of sound, the performance in "Brave Heart" is an authentic and realistic performance. This performance method has now become a label for all films in DreamWorks. It forms a sharp contrast with the extremely exaggerated dramatic performances mainly based on body language in other Hollywood movies. Although dramatic performance has its advantages, it has become increasingly unable to adapt to the development of film art when the film art has gradually matured for decades. Therefore, the An-style performance style will surely become the trend of performance in the future. Mr. Corleon's contribution is huge!"

Most of the comments are like this, but there are also opinions. After all, many people still oppose the art form of audio film.

Leibs said, "Brave Heart" is a good movie. But the addition of sound makes the whole movie's artistic sense broken, like a beautiful fish tank thrown in front of a huge stone. After a clang, what remains is a mess. The beauty of the movie and the artistic characteristics of the movie are its shrinking nature, an almost implicit restraint, and silent movies are the most perfect representative of the movie. The addition of sound is a regression in history. It is really a pity that Mr. Corleon made such a mistake as an outstanding director in Hollywood."

If Leibsbelin's comments completely tear off his face.

Among all people's articles, his articles are the longest, and every sentence in them is full of gunpowder.

"I admit that silent art is coming to an end. Many people hope that the movie can speak well. The sound can free the movie from subtitles and tortuous expression methods. However, imitating the form of drama, the practice of adding lines to a scene will destroy the art of film, because the addition of this line must be in conflict with the entire plot composed mainly of separate scenes! The mood when we appreciate the movie is roughly interrupted by the words of the actors from time to time. They raped our ears, distracted our attention to their mouths, and ignored the picture! The life and origin of the movie art are pictures rather than sounds! The addition of sound is a destruction of the picture, as if the savages invaded civilized Rome, and they would burn the palaces and various facilities of civilization, leaving only ruins!"

"Mr. Corleon is a speculator among all directors in Hollywood. He understands what audiences need and what kind of movies can make money! His movies are making a fortune in the movie department. He is like a sensational clown and puts the money in the audience's pocket into his pocket. He does not treat movies as an art at all, but treats it as a money tree!"

"As we all know, Mr. Corleon likes an ancient country in the East, we can see that his introduction of audio films was like the stupid thing that the first emperor of that country did: burning all the books and burying readers in batches. The introduction of audio films is worse than such behavior. It will roughly castrate the great silent films and ruin the real hope of the art of film! Sadly, our people, including many filmmakers, applaud this kind of film, and have no idea about the coming danger! As Hollywood filmmakers, as a director, I appeal to everyone that we must unite and throw the freaks of audio films into the garbage dump of history! The truth of the film belongs and only belongs to silent films!"

Chaplin's comments were completely expected by me. In fact, his attitude towards audio movies in history was also his attitude towards audio movies. Among all the filmmakers in Hollywood, he is almost the one who opposes audio movies the most. Of course, there are many reasons for him to oppose them, but after all, the most important one is a very selfish reason: audio movies will make him unemployed and not make money.

As we all know, Chaplin's performance method is almost entirely based on physical performance. This kind of performance cannot add a lot of dialogue, and because it relies on physical performance, it is a complete

Most of the shots in this film must use panoramic views so that the chap can be fully displayed. However, these form a sharp opposition to audio films.

Although in audio films, the actor's actions play a great role in promoting the plot to display the inner world, etc., it is impossible for Chaplin to occupy a dominant position like Chaplin's film. The addition of sound will inevitably require both directors and actors to focus a lot of energy on the grasp of sound and dialogue, which is simply unacceptable for Chaplin. Also, because of the addition of sound, the footage of audio films is basically based on close and medium scenes. It is impossible for a movie to use panoramic views, which is the most unacceptable thing for Chaplin. Because if that is the case, his performance will be greatly reduced. Even if he performs well, the audience will not be interested in his legs or an arm.

I don't like Chaplin very much, it's here. Originally, people are selfish, and silent movies are not good for you. You can tell the real reason, or simply choose to be silent. But in history, Chaplin tried every means to find various reasons to defend silent movies, in fact, defended himself. For this reason, he did not hesitate to carry out bad personal attacks on many outstanding filmmakers in public again and again. This behavior is obviously inconsistent with his image as a humble gentleman.

Chaplin's article is followed by Kim. Movie, but now history is playing a big joke with me. In the whole article, Kim Viedo is simply a fighter who maintains audio movies. I don't know if he has heard Chaplin's comments on audio movies in advance when my movie started filming, Chaplin often publicly criticized audio movies. It is estimated that Kim |

"There is no doubt about the advancement of the art of film, but some people claim that audio movies are destruction of silent movies and regression, which is unforgivable! It is very ignorant and ridiculous to understand the movies that add a scene to a drama that adds lines, and therefore concludes that audio movies ruin the future of the movies. No matter what the reason is for, this statement will prove to be purely nonsense! The future of Hollywood belongs to audio movies, and Andre's Kilimanjaro is standing like Mount Andre! History will give the best answer to this!"

After reading all the newspapers, especially after carefully reading "Prince Christian Truth", I sat on the chair with a smile while drinking tea while shaking my head.

"Boss, the debate about audio movies is even more powerful than the debate caused by "Lust and Caution"! Chaplin is now barking at us like a mad dog. Look, what is this guy writing on it!" Griffith cursed angrily with the newspaper.

"David is right, even I'm so angry! When "Brave Heart" premiered, this guy was so moved that he burst into tears and shouted. Now he just turned his face and wrote such a shitty article, which is simply shameless!" While we were talking, Gans walked in with his clothes outside the door, with his messy hair looking like a chicken coop.

"Gans, didn't you just go to the event last night? Why did so many articles come out in the newspaper today? Don't these guys get up in the middle of the night to write comments?" I smiled.

Gans waved his hand, patted the newspapers and said to me, "Boss, these guys are not so diligent. They wrote these articles a few days ago and got these media, but I just kept it from publishing it for the time being. How about it, I did a good job, right?"

"Not bad!" I nodded to show my affirmation.

"Boss, Chaplin is so distorted and abused by our movies, can you help yourself? We have to respond, right?! If you don't scold him, you have to scold him for your teeth!" Griffith was in a very unhappy mood and squeaked the cigar.

"Yes, I agree! Boss, we can't let him go. This guy probably forgot what he is in now and is actually screaming like this!" Dunar agreed with Griffith's opinion.

The others, whether they were Munau, Fatty, Huang Zongzhan, Bala, Yassel and Shan Lige, all had their faces of echoing and were full of enthusiasm.

I knocked on the table: "What are you all yelling! Gans, Yassel, let this matter be left to you both. I don't care what you two use to mobilize everyone. ***, I will bring the whole of Hollywood and the whole of America into a big debate this time!"

"good!"

"Boss, I support you!"

A bunch of guys were so excited that they were howling like wolf howling.

"Boss, is it a little bit loud?" Munau asked cautiously.
Chapter completed!