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Chapter 170 Best Screenplay Award

In the live broadcast, facing the stunning female host, the male guest joked: "Ai Jie, do you like bad boys?"

"Haha, bad boys are cool." The female host smiled coquettishly.

The male guest smiled and shook his head: "Ai Jie, in fact, Rong is not a bad boy. He has critical realism and a very distinct personal style."

"Really? So young? Have you already criticized realism?"

"Haha, if it weren't for his age, I would rather call him - the master of critical realism!" the male guest explained, "In fact, his works always criticize certain social phenomena. And he has a good grasp of the scale.

, taking into account both entertainment and artistry.”

"Wow! Are your evaluations so high?" The hostess couldn't believe it. "Didn't the audience smash the cinema?"

The male guest shrugged: "If it can't cause controversy, then what kind of critical realism is it? And I heard that Rong has been selected by that director in his country. If he is not recognized by that director, then he is not a good critical realist master! Hahaha."

The male guest is an expert in French film criticism. As the home of the European New Wave, they particularly like this kind of rebellious, critical, and independent style! Especially the kind of unconstrained auteur films that let themselves go and have independent ideas.

Of course, this is the interpretation of film critics. Anyway, what do you know as a movie maker? We know your movies better than you!

If Rong Guang heard such comments, he would also be confused! Brother, when did I become a critical realist? What kind of master is that?

However, at this moment, the camera suddenly showed a close-up - Theron could no longer suppress her inner excitement. She kept her promise and gave Rong Guang a wet French kiss.

"Wow--!"



The screams at the scene were deafening. Leonardo, Oliver Stone and others laughed, and reporters on both sides took photos of the two of them like they were on drugs.

Rong Guang was also stunned for a moment, and then acted very cooperatively. After all, this is France, and kissing is a daily routine! And you can't see such scenes in China, so you are not afraid of irritating Koizumi.

Amidst the climax, we finally entered the closing ceremony venue, waiting for the award ceremony to begin...

However, as soon as he entered the venue, Rong Guang unexpectedly saw a famous mainland director: "Brother Jiang Wen, why are you here?"

"Haha." In fact, the two of them were not very familiar with each other. Jiang Wen also brought his then-French wife and mixed-race daughter, "Are you Guangzi? Why are you here too?"

Rong Guang suddenly realized: "The Japs Are Coming"?

No wonder I didn't recall it before. Since it couldn't pass the review, Jiang Wen simply took the film and secretly came to Cannes to compete. Because of the high level of secrecy in the country, Rong Guang didn't hear any news at all.

However, this film "The Devil Is Coming" cost 480,000 rolls of film. In particular, photographer Gu Changwei suggested that the entire film be shot in black and white just for the bright red scene at the end. It indeed showed a high degree of artistic appeal.

What is particularly strange is that at the Cannes Film Festival, the film was protested by both China and Japan. In this era, including Chinese audiences, they also cannot accept such an anti-Japanese theme.

Of course, after returning, Jiang Wen, like Rong Guang, received a free five-year vacation ticket!

However, Jiang Wen is still very honest. He really took five years off in a regular manner, and he is not like some regular, loyal and honest idiot. This is already letting himself go!

Unexpectedly, the consequences would be serious. Later, Jiang Wen felt itchy and went to work on "Looking for the Gun" directed by Lu Chuan, which directly made Lu Chuan hopeless!

Jiang Wen smiled bitterly and nodded: "What about you?"

"Parasite!"

"Is "Parasite" your film?" Jiang Wen was shocked. After he arrived at Cannes, faced with protests from both sides, he also had to battle wits with the Huayi Wang brothers who came from China and asked him to withdraw? So there was no chance at all

Be aware of news from the outside world.

"I am the screenwriter and the lead actor."

"Oh! Photon, come on then!"

"Brother Jiang Wen, come on too!"

After brief greetings, the award ceremony officially began.

This year is indeed a big year for China Entertainment Films. First, "The Devil Is Coming" won two minor awards, and then: "Best Screenplay Award: Rong Guang, Oliver Stone, "Parasite"!"

Amidst the applause, Rong Guang and Oliver Stone went on stage to receive the award. Oliver Stone was the first to give a speech and said a very ordinary speech of thanks. Maybe he was holding back his big move, just waiting to win the big prize later.

When it was Rong Guang's turn, he also thanked him first, and then said: "...A few days ago, I watched "The Grapes of Wrath". Compared with the Great Depression in the movie, people now are much happier, and

Many social problems have been solved. The "Parasite" exhibited this time also records certain social problems. But I am still an optimist. I firmly believe that with the joint efforts of everyone, social problems will be solved.

Thanks also to Cannes! Movies make life better!”

The applause was warm.

Rong Guang returned to his seat. This was what he expected, but it was also the only Cannes award he could win. Then he could completely relax and watch others receive their awards.

The subsequent award awards were uneventful. As in the original history, Edward Yang's "Yi Yi" won the Best Director Award. Tony Leung in "In the Mood for Love" won the Cannes Best Actor. Jiang Wen's "The Devil Is Coming" won the Best Actor Award.

to four awards and also won the Grand Jury Prize.

Finally at the end, it was what everyone expected. Amid the good-natured laughter from the audience, the chairman of this year's jury reluctantly announced: "The best film "Parasite"!"

The entire crew jumped up and hugged each other excitedly, and Theron even burst into tears with excitement...

Oliver Stone walked onto the stage again with a happy face: "First of all, I would like to thank the Cannes organizing committee, thank you..., thank you... But I still want to say that the stubborn disease of the gap between rich and poor and the solidification of class has gradually swallowed up..."

A long paragraph of political commentary, perfect Hollywood leftist speech.

Rong Guang clapped politely, but was somewhat disapproving of these remarks.

Generally speaking, "Parasite" is actually a light spray. It is not particularly sharp, which makes it acceptable to all walks of life. That's why Rong Guang is an "optimist".

To put it bluntly, can such a social problem be solved by a certain movie? It is better to tolerate each other and expect the whole society to work together. We cannot keep exposing the scars. This can indeed wake up some people, but it will also cause more controversy and

contradiction.

If there is a problem, face it positively, work hard to solve it, and do your best! This is Rong Guang’s attitude towards life!
Chapter completed!
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