Chapter 75: Dancing between romance and reality

Getting to know Na Na starts with getting to know Na Na. If it weren't for the opening introduction of the sentence "Non-stay, not romance", maybe I would have missed a good book and a lovely author.

Anyone who knows me knows that I have never had much favoritism for time travel, especially during this period of clear travel. However, the books are like the bright fireflies flying on the small rural river that night, flashing with the mysterious and hazy green fluorescence, bringing me into a dreamy and beautiful and pure world.

The words that were simple. She neither used those delicate and elegant moving words to attract the dreamy feelings of young boys and girls, nor used those lingering love words to challenge the rich tear glands of some readers. Just because the glamor of these appearances was not needed, the story she described was full of fantasy. Her words danced between romance and reality like a flowing river, and then slowly flowed into the river and finally merged into the sea.

I always remember the discussion that was created because of the title of the book: What kind of situation does "Where can hide the beauty in the Golden House" mean? People with impure thoughts may first embark on a yy journey, but I found this explanation in the pages of the book:

It is not about looking for a man as a perspective, looking for a golden house to collect women as objects, but about Chen Jiao asking where there is a house that can be temporarily inhabited and worry-free. The golden house hides a delicate beauty, which seems to be glorious, but is really the sorrow of ancient women. Modern women who are more free in their thoughts and incompatible with the ancients want to find a golden house for a while, but ironically, they want to find a golden house but cannot be obtained.

From this explanation, we feel that the title of the book reveals deep sorrow, regret, helplessness, resistance, unwillingness and persistence. Because of this topic, I began to be curious about Na Na: How could a girl have such a mind to write such a long article?

After getting to know Na Na, I once heard her say something like this: "I really envy those authors (I won't list them one by one) who can use beautiful and moving words to make people cry." I couldn't help but smile after hearing this. Then, you should know that although the tears were buzzing when reading it, nothing left in my heart after reading it. I thought that a good book is not only about the writing style, but more importantly, it is about leaving something in my heart after reading it. Otherwise, it is just a pastime, so what else can besides damaging your eyesight and wasting time? Good books are not only about entertainment, but also about spiritual food.

The text of the Nathan may not be the most skillful, but it is the purest. Romantic but realistic. I like "Golden House", the main reason why I like "The Golden House" is because of the idea of ​​this novel and the wonderful portrayal of each character in the article. It is obviously a bit heavy, but it can be reflected in such a simple and clear statement description. I think the readership of the Nathan is so wide that there is no boundary between gender and age.

Some people like to write a bloody history of political struggles, while some people like to write a series of lingering and depressing love battles, which I don’t like. Writing an article is actually about life. Politics is the career of people in the court, and love is an embellishment outside of career. Nothing is realistic without any. Chen Ajiao was originally a woman who loves first, but she failed, so the new Ajiao cannot rely solely on love if she wants to live well and nourish her. Liu Che made everything for her career, and let herself and her descendants firmly grasp the majesty and power of the Han emperor was his life goal. For this reason, he once gave up love, so his life also had flaws. No matter which side of love and career is heavier, it always exists to be more real and make the story more interesting. At this point, she successfully set her goals.

So, interesting things began to happen, and Chen Jiao traveled through time at a very clever time point. There are several reasons for saying that this time is clever. One, why did this time travel? Because the original Gillian couldn't accept the blow and fell asleep. Two, what are the benefits of this time traveling through time? It's hard to say that Chen Jiao's deposed queen is too early to wear. The new Gillian will definitely change the story in advance, and the later deposed queen and the reunion with Liu Che will change the story; it won't work late, because the time interval is too long, so it will be difficult to implement her departure from the palace. Even if it is implemented, the reaction will be different from that of Liu Che after learning about it. In short, if you want Gillian to leave successfully, this time point is very important. Of course, Gillian can also not leave, but I personally think that if this story is like that, it will not be so exciting.

Next, what is the beginning of love and career before? It is survival. There are still ideals after survival. Perhaps it is because of the modern people who travel through time. As long as a decent person returns to the ancient times, he will always have a sense of historical responsibility. After ensuring the problems of his life, he will become more or less more thoughtful than before and do some things to develop society. The new Gillian began her journey, and her life began a new chapter, and our author, Na Na, as the mother of the novel, will also begin to suffer. The vivid characters were naturally born in her writing.

I especially like the language description of characters in the novel, which is very classic and explains something. I just copied a few sentences and enjoyed them together:

Xiao Jiao: Haha, I'm so stupid. Didn't I just marry you? You said you wanted to build a golden house for me, how could you make me unhappy!

Xiao Liuche: Yes. Gillian, you are so nice. I will definitely build a golden house for you.

Typical words of children. When they didn't even know about it, Gillian sold the conspiracy to adults. It was such a beautiful and innocent childhood. Thinking of the ending when they grew up, it made people feel even more touching. This conversation appeared several times in the text, but every time it appeared, it hit my fragile heart...

Liu Che: If Gillian is married, she should store it in a golden house...

I remembered this sentence again many years later, Big Wild Boar, what do you feel? Is it guilt or regret? Or do you think this is the helpless ending? A classic representative of the unfaithful man a thousand years later.

Wei Zifu: For an emperor, abandoning a woman is too simple.

Wei Zifu: Zifu, are you really the most suitable? I thought he could not be his favorite, but he could become his most suitable. After thousands of years, I will be the one who can integrate with his bloodline. (Low sigh) But when she came back, she still came back. I was unwilling to let him owe me, and I want him to pay it back!

The previous sentence shows that Queen Wei still understands very well. Being a wild boar's wife will not be easy, but the next sentence is very obvious. It turns out that she has this heart. Unfortunately, the new Gillian is back. It seems that you have no chance. Why do you hate the wild boar? Love is not very similar, it is more about changes in status.

A Jiao: Even if a daughter buys Xiangru Fu, who will tell me about this love? The golden house hides the sweetheart. Emperor Wu of Han, I don’t want to be your little bird in your magnificent bird cage!

Chen Jiao: Shi En? Do you have to give up so many lives just for such reasons? No, I can't take other people's blood and life for granted!

In fact, you don’t have aspirations for love, but unfortunately there is too little sincere and beautiful love, and the rest is helpless. Well, you still have to fight for freedom without love. As a modern person, Gillian has shown it here. After all, she is still brave. She would rather take risks than give up the lives of other people. This may be the more serious humanitarian spirit of modern people. She is kind and still has to do something, but fortunately she has a good brother at this time. If it weren’t for this, Liu Che would probably not have been cared about her again and finally found her.

The protagonist's lines are all very exciting. Although the supporting characters are less descriptions, the successful portrayal of just a few strokes reflects the skills of the Na Na:

Wang Ling's sentence "Wei Zifu, you just won because you entered the palace earlier than me." Li Qian's sentence "Sister Wang, you and I have Bo Ji, and I finally suffered the loss of entering the palace late." The same meaning and different expression not only reflect the different personalities of the two, but also clearly point out the importance of "time". Things in the world are like this. Sometimes we have to pay attention to coming first and then coming. If we miss it, we miss it. If we are late, we will be late.

Zhang Cui’s sentence "Husband, people can change, and the most likely thing to change is power." It seems to be just pointing out a truth, but in fact it is raising a question for the following text: Li Xi, power is not what he wants, and money is not what he wants, so what exactly is he pursuing?
Chapter completed!