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There are classical Chinese sentence structures mixed with many helps with fictitious words, such as "Those who do not know the clouds are rain, and those who rain are clouds" ("Han Palace Spring"), "I don't hate the ancients, I hate the ancients who don't see me, and I hate the ancients who don't see me" ("He Xinlang"): There are conversations with active tone, asking questions and answering oneself and even shouting, such as "Who is the hero in the world? Cao Liu" ("Nanxiangzi"), "Cup, before you come!" ("Qinyuanchun") and there are also quite rigorous couplets, such as "Eight hundred miles apart under the command, fifty strings are turned over the outside sound" ("Baozhi")... In summary, a major feature of Xin Ci in language skills is that it is loose form, flowing semantics and coherent, and the sentences are often written longer. There are many literati poems

The way of using dense images to form sentences to jump-to-join the sentences to form the overall artistic conception is completely broken in Xin's poem. But it does not mean that Xin Qiji's so-called "using words as words" no longer has a musical rhythm. While using prose sentences and paying attention to maintaining a vivid tone, he can still use various means to create a changing rhythm. For example, in "The So-called "Sunset Tower, the sound of the terrifying geese, the wandering son in the south of the Yangtze River. Look at Wu Gou, pat the railings all over, no one can see it, and climb the meaning", the meaning is connected, and it is very long in the poem, but it is clear and sonorous and powerful, and it is definitely not just to put an article in the form of the poem. [19]

In addition, his works that describe rural scenery and reflect the life of farmers, such as "Qingpingle" (the thatched eaves are low), "Xijiang Yue" (the bright moon parts with magpies), and "Yu Lou Chun (three, three, two, and two)" are all full of lifestyle and give people a sense of freshness. The lyrical small poems, such as (Chou Nuer) (the young man does not know the taste of sorrow), (Qingyu Case) (the east wind blooms thousands of flowers and trees at night), are written implicitly and profoundly, with short and long meaning. Xin Ci inherited Su Shi's bold style of poetry and the fighting tradition of patriotic poets in the early Southern Song Dynasty, further opened up the realm of Ci, expanded the subject matter of Ci, and almost reached the point where there was nothing to do or not to be included in Ci, and creatively integrated the advantages of various literary forms such as poetry, prose, and fu, enriched the expression techniques of Ci, and formed the unique style of Xin Ci. [18]

Xin's poems are mainly bold and unrestrained, but they are not confined, sunny, bright, motivated, charming, and both. He is good at using the techniques of comparison and strange imagination, giving emotions and character to the mountains, water, wind, moon, grass and trees in nature, and having some entrusting. He is also good at absorbing folk oral lyrics, especially using allusions, using and quoting poems and sentences from predecessors, and often giving new ideas with a little transformation. However, some works appear obscure because of the use of allusions and too much discussion.

"The General Catalogue of Siku Quanshu" says: "The lyrics are generous and erotic, with a world of invincible generality. They are different from the sound school, but they are protruding from different forces. They can establish a different school in addition to the red-cut and carved green." Wu Hengzhao said: "The Legend of Lianziju Ci": Xin Jiaxuan is different from the world, and is different from ancient and modern times, and the preface to poetry, Zuo's Spring and Autumn, Nanhua, Lisao, History, Han, World Theory, Selected Learning, Li and Du's poems, and the use of mixed works, which shows the sharpness of his writing skills."[18]

arts

In addition to his achievements in Ci, Xin Qiji's writings are also quite commendable. His political papers are as magnificent as Ci, with magnificent strokes and full of passion. He can use vivid metaphors, powerful evidence, rigorous argumentation, and incisive analysis to make his articles unquestionable persuasive. Therefore, later generations regarded him as a major work in political papers in the Southern Song Dynasty, but were only concealed by the name of Ci and were not well-known. [3]

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Qingpingle Village

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Ancient

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Nanxiangzi·Dengjingkou Beiguting

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Children, it can eliminate the storm.

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Uncle Gaozi

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Sushan Temple opera

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�The Bodhisattva Man Jinling Shangxin Pavilion is a poem for Prime Minister Ye.

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To be continued...