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Zhang Yan: Jiang Baishi's poem is like a wild cloud flying alone, leaving no trace of it.

Huang Sheng's "Selected Wonderful Poems Since the Restoration" Volume 6: Taoist Bai Shi, a famous poet of Zhongxing, has extremely exquisite lyrics, and does not reduce the halal Yuefu. The high places in it are beyond the reach of beauty.[12]

Wang Sen: After the Tang Dynasty in Western Shu and Southern Tang Dynasty, the authors became more and more prosperous. Xuan He ruled and ministers, and became more proud of each other. The more tunes they were, the more schools they were different. The short-term and long-term were seen, and the romances were lost, and the affairs were lost. Jiang Kui in Poyang came out, and the sentences were carved and the characters were cultivated, and they were mellow and elegant. So Shidazu, Gao Guan, Wu Wenying, was in charge of the country's weaknesses; Zhang Ji and Wu Wenying were in charge of the previous ones; Zhao Yifu, Jiang Jie, Zhou Mi, Chen Yunping, Wang Yisun, Zhang Yan, and Zhang Hui were imitated by the later ones, and they were like music, dance and songs to nine changes, and the lyrics were completed.

Zhou Ji: Bai Shi was born in Jiaxuan, and became strong and clear, and changed suddenly into sparse. The two men were extremely hot, so the smell was consistent. The spicy and wide ginger was narrow, and the wide was hidden, and the narrow was hard.

Liu Xizai: The poem of Bai Shi's talented man, the poem of Jiaxuan hero. The talents and heroes all love them according to their own kind, and they strongly discuss gains and losses, and they are all partial words. Jiang Bai Shi's poems are quiet and cold, which makes people enjoy endlessly. They are like descriptions, when they are music, when they are plums, when they are flowers. [13]

Chen Tingzhuo: Jiang Yaozhang's poems are Qingxu and Saoyi, and they are always rich in Yiyu. Qingzhen's strong rival is a great master of the Southern Song Dynasty. Mengchuan and Yutian people are not easy to accept martial arts.[14]

Zhu Yizun: No one is good at Jiang Kui. Those who follow him, Zhang Ji, Lu Zugao, Wu Wenying, Jiang Jie, Wang Yisun, Zhang Yan, Zhou Mi, Chen Yunping, Zhang Zhu, and Yang Ji, all have Kui styles. After Ji, few people have obtained their own family.[15]

Wang Guowei: Baishi's works of describing scenery, such as: "The twenty-four bridges are still there, the waves are swaying and the cold moon is silent." "The peaks are clear and bitter, and the evening rain is slight at dusk." "The tall trees and the cicadas tell the news of the west wind." Although the rhyme is high, it is like watching flowers in the fog, and it is finally separated by a layer. The plum stream and dream windows of the dream window all describe scenery are separated by words. The Northern Song Dynasty was full of wind and crossing the river, but there is a real fortune in it? I asked the difference between the separation and the separation. It was said: Tao, Xie's poems are not separated by, but the prolonged life will be slightly separated by. Dongpo's poems are not separated by, but the valleys are slightly separated by. The two sentences "Spring grass grows in the pond" and "Empty beams fall swallows mud" are the only wonderful things.

This is the case. One person is a poem, as Ouyang Gong's "Youth Travels in Youth·Wing on the Grass of Spring" says: "The twelve lanterns are lying on spring alone, and the sky is clear and blue and distant. In February and March, thousands of miles away, and the scenery is sorrowful." The words are all there, and it is not separated. As for the words, "Xiejia Lake is on the pond, and the river is flooded by the shore of the puberty." It is separated. As for the Baishi's "Cuilou Yin": "There should be a fairy in this place, with a simple cloud and a yellow crane, playing with you. Looking at the jade ladder for a long time, sighing that the fragrant grass is lush for thousands of miles." It is not separated. As for the "Wine is sown, the flowers are sorrowful, and the heroic spirit is sown." However, although the Southern Song Dynasty poems are not separated, they are different from shallow, deep and thin than those of the previous people.[16]

Anecdotes and allusionsEdit

Jiang Kui had a love story in his life, which was unforgettable and deeply engraved. In his early years, he lived in Hefei and met a pair of sisters who were good at playing the pipa. From then on, he had an indissoluble bond with one of them, but because Bai Shi was unable to live in self-sufficient, he had to swimmers everywhere, so he was unable to stay together to live. Jiang Baishi's poems mentioned this love story were only three quatrains "Sending Fan Bone to Hefei", and among his poems, there were twenty-two poems related to this love, accounting for one-quarter of his entire poems, which shows that he was still unforgettable. Many of his predecessors often blamed him for his puzzling understanding because they did not know their abilities. Wang Guowei even criticized him for "Bai Shi is wise but ruthless". But in fact, Bai Shi's deep love is comparable to that of the literati of the Song Dynasty. This also made his lyrics have extremely touching qualities, as Mr. Xia Chengtao said, "the most prominent among the love poems in the Tang and Song Dynasties."

In the third year of Jiayou (1058), Wang Anshi was transferred to the magistrate of the branch. Wang Anshi went to Beijing to report his work and wrote the "Shi Jishou Emperor Renzong" that had been in full swing, systematically put forward the proposal of reform. [18] In this memorial, Wang Anshi summarized his years of experience in local officials and pointed out the reality of the country's weakness and poverty: economic difficulties, social atmosphere, and national defense security. [19] He believed that the root cause of the crux of the problem is that those who ruled do not understand the laws, and the fundamental way to solve it is to follow the ways of ancient sages and wise men, reform the system, and then put forward the basic idea of ​​his own talent policies and plans, and suggested that the court reform and select talents and attach importance to talents. [20-21]

Wang Anshi advocated a comprehensive reform of the laws since the early Song Dynasty, eliminated the accumulated ills of the Song Dynasty, and reversed the situation of poverty and weakness. He also took the fact that Emperor Wu of Jin, Sima Yan, Emperor Xuanzong of Tang Li Longji and others only wanted to "Yiyu" and did not seek reform, but eventually collapsed as an example, and demanded that the reform of the laws be immediately realized. However, Renzong did not adopt Wang Anshi's proposal of reform. [22]

Resigning to the court

Since then, the court appointed Wang Anshi as a minister and accused him many times, but he refused to give in. The scholars and officials thought that Wang Anshi had no intention of fame and fame, and did not seek official career, so he regretted not being able to get to know him. The court repeatedly wanted to entrust important tasks, but they were worried that Wang Anshi would not want to become an official. [23] The court appointed Wang Anshi to practice "Daily Notes" with others, and Wang Anshi resigned many times before accepting it. [24] Soon, Wang Anshi was appointed as the Zhijixian Courtyard, and was the author of imperial edicts and reviewing the case of criminal prisons in the capital. The sergeant and sergeant officials in the court were all the events. [25]

During Wang Anshi's tenure in Beijing, the court stipulated that the House of Representatives should not apply to delete and modify the text of the edict. Wang Anshi believed that the legislation should not be like this, so he argued with reason and offended the princes and ministers. In the eighth year of Jiayou (1063), Wang Anshi resigned from his post because his mother died of illness and returned to Jiangning to mourn. [26]

During the reign of Emperor Yingzong of Song Dynasty (1063-1066), Wang Anshi was repeatedly summoned to Beijing to serve. He refused to enter the court on the grounds of obeying his mother's mourning and being sick.[27]

Go to the right next time

In the fourth year of Zhiping (1067), Emperor Shenzong of Song ascended the throne. Because he admired Wang Anshi for a long time, he appointed him as the prefect of Jiangning. He immediately ordered him to be a Hanlin scholar and a lecturer. From then on, Wang Anshi was highly valued by Emperor Shenzong.

In April of the first year of Xining (1068), in order to get rid of the political, economic crisis faced by the Song Dynasty and the dilemma of continuous invasion by the Liao and Western Xia, Shenzong summoned Wang Anshi. Wang Anshi proposed that "the way to govern the country must first determine the method of innovation"; encouraged Shenzong to follow Yao and Shun and concise the legal system. Shenzong agreed with Wang Anshi's relevant propositions and asked him to assist him to complete this task together. [30]

Wang Anshi then submitted a "Notes on the dynasty for a Hundred Years", explaining the situation and reasons for peace and failure in the early 100 years of the Song Dynasty, pointing out the social problems that were full of crises at that time, hoping that Shenzong would make some achievements in politics, and believed that "the time of great success is today." [31]

At the beginning of the reform, Wang Anshi proposed the argument of treacherous and slanderous to Emperor Shenzong, suggesting that Emperor Shenzong identify villains and punish them. [36] After the promulgation of the new law, Wang Anshi promoted Lu Huiqing, Zhang Dun, Cai Que and others to participate in the implementation of the reform.
Chapter completed!