"The assassin used his identity."

"Identity?" A smile appeared on Bishop Bern's lips, and then he seemed to realize that such an expression was not appropriate at this time, so he restrained his expression, leaned forward to Karen's side, and lowered his voice: "You

Did you see it?"

Bishop Byrne's move put a lot of pressure on Karen. If he hadn't known that this matter could not have been self-directed and self-acted by the Cult of Kosmos, he might now feel that Bishop Byrne's look was very similar.

The secret was exposed by myself.

It can only be said that for a person who is used to hiding in the dark and plotting, his whole person seems to have absorbed enough ink. It is not visible on the outside, but the color of the shadow is darker.

"Tell me how you saw it."

"I saw it from the location of the death and the layout."

"Be more specific." A ray of blue light appeared under Bishop Berne's feet, and then turned into countless threads and spread outward.

Karen pointed to Leon's father who was fixed in the chandelier position in front of him, who was made into a hornet's nest, and said:

"The assassin should have walked in from the front door. Leon's father should have been sitting on the sofa in the living room reading the newspaper at first. Now the newspaper is spread out on the coffee table, and the death position above extends downward, which should be in front of the couch.

…”

"Is that so?" The blue silk thread under Bishop Bourne's feet formed a blue figure in front of him, which was the human form of Leon's father. He was originally sitting on the sofa reading the newspaper, and then he looked towards the entrance.

He put down the newspaper and stood up.

Bishop Byrne continued to ask: "Guess what he will say?"

Karen replied: "It should be a familiar person coming. There won't be any surprises when entering this home. It may be 'You are here.' It can also be 'You are back.'"

Bishop Berne nodded slightly. The next moment, he raised his hand. The image of a person composed of blue light spots said something, and then quickly moved up. The body was filled with sand and the whole person was lifted up and fixed.

On the ceiling.

"Let's continue."

Karen suggested: "Sir, I think it would be more appropriate not for you to act as the murderer, as this will affect my ability to act as the murderer."

"Oh well."

A blue figure appeared next to Bishop Bourne.

"Can it be black?" Karen asked, "a full shade of black."

"sure."

Immediately, the murderer turned into a completely black human form.

Karen began to walk towards the stairs, Bishop Bourne following him, and the black figure walked side by side with Karen.

"She, Leon's mother, should have seen the assassin on the stairs. Then, she stopped at the corner and was actively waiting for the assassin to come up."

Next, a blue female figure appeared at the corner. As the black figure walked up the stairs, she raised her hand. The blue female figure was imprisoned, and then overlapped with the real corpse whose limbs were stared at in the portrait in reality.

.

Then Karen continued to walk upwards, the black humanoid walked upwards with Karen, and Bishop Bourne subconsciously touched his wrist.

After arriving on the second floor, the first thing that comes into view is the place in front of the floor-to-ceiling windows.

Before Karen could speak, a figure of an old blue lady appeared on the sofa. She was sitting on the sofa.

Karen pointed to the half-knitted sweater on the coffee table. Bishop Bourne recalled that a sweater immediately appeared in the blue old lady's hand and she was knitting.

"When the assassin walked up the stairs, the chief lady saw the assassin and put down the sweater she was knitting."

But Bishop Bourne shook his head and said: "No, when the assassin walked in from the courtyard, the first lady should have seen him, and then she has been waiting for him to come up."

"This is indeed okay."

Karen nodded and pointed to the place where the preserved fruit plate was placed on the coffee table. On it were extremely precious snacks that could only be bought with coupons. Karen had it in the Pu'er afternoon tea when she was at Allen Manor.

"This plate is obviously not within the old lady's reach. This means that after she saw the assassin coming out of the stairs, she took the initiative to move the plate with preserved fruits to the outside, that is, to the assassin's side. It should be

Ask the assassin to taste it, and he will point to his mouth and say it tastes good..."

As Karen narrated, the figure of the blue old lady began to make corresponding movements, and then the black figure stretched out its fingers forward. A sandy cone pierced the old lady's mouth, her head was thrown back, and her whole body was nailed.

On the sofa.

Karen said: "When the assassin kills people, his technique is very simple, and he does not make any sound, and even controls the fluctuations of the magic energy. Therefore, the reaction of each of the people who died in this family when facing the assassin is

Alone, no response."

"Yes, this is not only because the assassin is very powerful, but it also means that he actually takes advantage of sneak attacks. It's just that he doesn't appear from the shadows to carry out sneak attacks. Every time he kills someone, he walks up to them and does so openly."

Sneak attack'."

"Yes, sir, you are right, otherwise it would be impossible to explain the reactions and actions of these dead people before they died."

"Go on."

"OK."

Karen walked around the corner of the corridor and came to the study door. Two blue servants, a man and a woman, appeared in front of Karen. They stood on both sides of the study door.

"There's something incongruous about the way the sand cones pierce them and the way they're anchored to the wall."

"Then why do you think it is? Make a bold guess."

Karen pursed her lips, took a step back, and pointed at the black humanoid.

The black figure moved forward under the control of Bishop Bourne and walked to the two blue servants.

Karen raised his hand and said: "They bent down..."

"Saluting."

"Yes, you are right, I am saluting."

The two blue figures began to salute, the black figures spread their hands upward, and the two blue figures had many sand cones pierced into their chests and were nailed to the wall.

Then, under the control of Bishop Bourne, the black humanoid opened the study door.

Karen said: "Laion's uncle didn't stand up. This behavior is different from the rest of the family."

"He is in his office." Bishop Bourne added, "In his opinion, when the assassin comes in, he does not have to stop what he is doing and can continue to sit in his chair."

"Yes, that's right, but he raised his head, because when the sand pillar penetrated, he should have raised his head, as if... smiling."

"He was laughing with the assassin? Then, he was penetrated by a sand pillar and nailed to the chair, and there was such an action."

The black humanoid began to "communicate" with the blue Uncle Leon who was sitting on the chair in the study. After a short "communication", Uncle Leon raised his head and started to laugh. Then the sand pillar appeared, and his figure remained the same as in reality.

The bodies preserved there coincided.

Karen and Bishop Byrne left the study, and the black figure also left. He walked in front of them and stopped at the door of Bishop Wofulun's bedroom. He raised his hands and began to speak to Bishop Wofulan in the bedroom.

Perform life-threatening spells.

Immediately, everything stopped.

Bishop Byrne asked: "I'm just a bit confused, why didn't he go in like he did with other people in this family before? Is he worried that the chief will find out about him? But no matter what, try to carry out the same deception as before.

, and then 'sneak attack' after entering the bedroom, the success rate will be higher. Even if it fails, isn't it the same as using a life-threatening technique again?

Why did he give up this opportunity for common sense and just attack directly at the door without meeting each other? I think this choice is not in line with common sense."

"In fact, it is consistent, because the assassin is probably a perfectionist. He walked upright and killed everyone one by one. By the time he got here, he had already killed other people in the family in that way.

.

Therefore, he does not want to take the risk. If he opens the door, the chief bishop may find something is wrong with him, and he does not want this feeling to be lost or destroyed."

"What you mean is that he cares about gains and losses."

"Yes, I think the assassin may be a perfectionist."

"When he got here, he was already enjoying it. He wanted to continue enjoying it, so he didn't take risks with the chief."

"That's what I feel."

"For this reason, we did not hesitate to reduce the success rate of assassinating the chief. This proves that the assassin's purpose is not to kill the chief. In other words, this annihilation is not a vendetta, but a... provocation against our God of Order."

"Didn't we all think so at the beginning?"

"It's one thing to think it, but another thing to find the basis."

"Yes, I understand."

"Is there any clue?" Bishop Bourne asked.

"A little bit, but I don't know if it's correct."

"When there is no clue, wrong clues are also extremely precious."

"yes……"

"Think again and give me an answer. How did the assassin come in to kill?"

Karen closed her eyes and began to think about it.

The assassin walked out of the entrance hall, and Leon's father put down the newspaper and stood up;
To be continued...