There are 121 cups in the tomb of Haihunhou, including Ligu Cups (large).

It is a wood carton with black lacquer on the surface and red lacquer on the inside.

The ears are covered with vortex cloud patterns, and the cloud patterns are connected by curves and fold lines. A simplified triangle hooked cloud patterns are painted under the ears.

There are two groups of ring-shaped patterns on the outer wall, and a circle of vortex cloud patterns (including the sides of the ears) are drawn on the black ground with vermilion paint on the upper part of the outer wall.

A circle of crane patterns is painted on the lower part of the outer wall, and there is a group of symmetrical cranes at both ends and on both sides, totaling four groups.

The word "liquor" is written in red lacquer at the center of the bottom.

This cup is 16.5 long, 14 wide, 6.5 cm high, and weighs 230 grams.

Just let there be a big Li Gu cup, then there will definitely be a small one, and there are a lot of them.

A total of 127 pieces were found in the Li Gu Cup (small).

They are also made of wood, with black lacquer on the surface and red lacquer on the inside.

The inner wall is decorated with cloud patterns, octagonal patterns and deformed bird patterns depicted by white paint.

In Husha Mawangdui, less than 100 ear cups were unearthed, which were exquisitely made, with similar shapes, and slightly different sizes.

The lacquer is red and white, the contrast is weak, the shape is stable and small square, the lines are simple and smooth, and the words "Seven Dou" are written on the bottom of the instrument.

Archaeologically discovered lacquer houses are mainly distributed in Fenghuang Mountain, Sichuan Province, with no or covers.

It is equivalent to 13.5 kg today, and its actual capacity is 19.5 liters. It is a high-level wine made from fermented millet wine koji, similar to modern sweet wine.

It created the Han Dynasty lacquerware patterns with no weakness and unity.

Apart from this, there is no cloud pattern paint bell.

Qigu was a diet utensil widely used during the Zhou, Qin, Han and Jin Dynasties, and was an indispensable item in daily life at that time.

Diameter 9, low 8.5 cm, weight 90 grams.

The 11 pieces of large slabs are also made of lacquer, with white lacquer inside and red lacquer inside.

The red book on the back of the ear is "one liter", "one liter and a half liter" or "seven liters", which represents the capacity unit, among which the "one liter" cup is the most gorgeous.

The cloud-bird pattern painted with lacquer is also a wine container.

The lacquerware with red letters on the bottom of the red lacquerware is 120 jin.

Yushang was first seen in Chu Ci's "Summoning Soul": "Drinking the Jade Sauce in a tight manner, it's more Yushang."

The edge of the cover and the mouth of the body, and the bottom edge are painted with diamond patterns and geometric patterns.

That is, "please use wine" or "please return the meal".

Those cubes are cylindrical, straight, straight wall, flat bottom.

There are not many works of art that are different from that kind of wine utensil, or are similar in craftsmanship, such as cloud bird pattern painted lacquer.

There are many lacquer cups unearthed in tombs, such as two lacquer cups unearthed from Yinque Mountain, which are golden croakers, which have a cup shape similar to cups.

The cup is painted with red paint, and the inner bottom is written with white lacquer: "Jun Xing Wine" or "Jun Xing Food" eight characters.

Anyone who has seen lacquerware in the Han Dynasty will be attracted by its bright lacquer color, weak visual contrast of red and white, and unpredictable and casual cloud patterns.

The surface of the instrument is decorated with cloud patterns and bird head patterns.

For example, 14 pieces were found in the tomb of the Marquis of Haihun.

The vermilion paint under the inner wall depicts a circle of octagonal and deformed bird head patterns, and there is no edge line on the bottom of the ornament.

The cover is not seen, the earpit is 23 in diameter, 17 cm low, and weighs 820 grams (Figure 4).

According to the size and pattern of the mat, it can be divided into vermilion lacquer mat, white lacquer mat, and large mat, in total.

This small cup is 13 long, 11 wide, 4 cm high, and weighs 135 grams.

Cloud-patterned lacquer is also a wine container made of rolled wood tires. It is a new process popular in the Han Dynasty.

Compared with bronze ware, although lacquerware is as durable as bronze ware, its magnificent and meticulous craftsmanship reveals an elegant and elegant spirit.

It is basically the same as the (large) pattern of the Ligu Cup, with only a slightly smaller shape.

The Han Dynasty lacquerware ushered in the development of the late Han Dynasty under the foundation of inheriting the Warring States lacquerware.

The name of the verses of the Han and Jin dynasties is seen in the poems and poems of the Han Dynasty. For example, the sentence "Watering the sakura to relieve worries" does not exist in "Book of Han: Biography of Li Qi", which means that pouring wine into the sakura, drinking cannot relieve worries and sorrows.

According to the remaining wine sediment in the unearthed vessel and the "scheming" unearthed in the tomb, the lacquer bell is a utensil used to hold warm wine.

The seven hundred years of the Han Dynasty have created the rise of the Chinese nation.

There is no record of making an ear cup, so it takes 100 working days, so it is impossible to see the difficulty of making the paint process.

So what is a mat? It is actually very complicated. The matte is a cup that holds wine or drinks water, made of wood chips.

The fine products of Qigong mainly appeared in the Han Dynasty, because the Han Dynasty was a glorious era in the history of the Chinese nation.

Painted pots in the Warring States Period were rare, and their shape was close to that of the cylinder cups that came.

The cloud bird pattern paints red lacquer inside, and the utensils are painted with red and gray-green colored phoenix birds, and the lines are dense and even.

The ears are covered with vortex cloud patterns, and the cloud patterns are connected by curves and fold lines. A simplified triangle hooked cloud patterns are painted under the ears.

A circle of crane patterns is painted on the lower part of the outer wall, and the word "Li Gu" is written in black lacquer on the inner bottom.

There are two groups of ring-shaped patterns on the outer wall, and a circle of vortex cloud patterns (including the sides of the ears) are drawn on the black ground with vermilion paint on the upper part of the outer wall.

The cylindrical lacquerware unearthed in the tomb of Dangyin Marquis of the Western Han Dynasty in Fuyang in 1977 was called "六".

Those lacquerwares were only an important part of the painting art of the Han Dynasty, and were also the most representative and gorgeous chapter in the history of the development of your wine culture.

Diameter 16, low 14 cm, weight 400 grams.

The white lacquer in the utensil is written in "Jun Xingjiu" and the red utensil is written in the bottom of the utensil is written in "Dou", "One liter", and "Seven liters" represent the capacity unit.

There is no double ring earrings, and there is no cover.

For example, the ear cup mentioned later is actually a kind of wine utensil, and of course it cannot be used for other purposes.

These are lacquered wood utensils that can be clearly recognized. Apart from these we are familiar with, some of them are unfamiliar, but they can be seen as domestic utensils.

One piece of white lacquer is a piece of lacquer, with white-brown lacquer on the surface and vermilion lacquer on the surface.

It is an ancient drinking utensil with silver, copper, lacquer, jade, pottery, etc.

Ear cups are also called "Yu Shang", which were used to hold wine or soup in ancient times.

It is like a wine utensil, the classic one is cloud pattern paint.

There are also three painted mattresses unearthed in the same place, which are rarely single-sided ears, and there are no ears on both sides or ears. There are no objects on one side.

The remaining wine sediment was left at the time of unearth, and the list of burial objects was called "lacquer painting beams (阿波)", which stated that "supports white wine" or "supports rice wine".

There is no silver buckle at the edge of the mouth, and there is no silver hoop at the middle and bottom of the instrument.

The instrument displays the white paint, the red paint inside the instrument, and the red vortex patterns and cloud patterns are painted in the middle of the cover and the middle of the instrument body.

In particular, its shape is cylindrical, and there is no difference between double and single.

A piece of vermilion lacquer was found in the tomb of Marquis of Haihun. It was made of a rolled wooden body, and the whole body was painted with red lacquer, and only a circle of white lacquer was painted on the edge of the inner wall.

Those cups are cylindrical, with few flat bottoms or eight feet on the bottom.

There is no utensil cover and double-ring earrings. The utensil cover is round, with an arc top, straight wall, straight mouth, round lips, and no copper lifting ring under the top.

It is precisely because of the development of lacquerware that the style of wine utensils has affected the fact that lacquerware wine utensils gradually replaced bronze wine utensils and were popular in the Han Dynasty.
Chapter completed!