The earliest record of this Guoji family's sub-composition pot can be seen in Wu Yun's "Explanation of the Two Lie Xuan Yi Vessels".

Wu Yun was a famous epigrapher and collector in the Qing Dynasty, and collected more than a hundred ancient bronzes.

His study "Liangqianxuan" is named after a pair of important bronze knives he collected.

Wu Yun had a good relationship with other important collectors of gold and stone, such as Pan Zuyin, Wu Dacheng, Chen Jieqi and Li Hongyi.

They often meet or communicate, discuss and exchange collections.

According to the "Explanation of the Two Lie Xuan Yi Vessels", Wu Yun presented this pot and a piece of Gefu Ding Yi of the Shang Dynasty to Li Hongyi.

From this point of view, it is not difficult to find that the Guoji family's sub-group has been highly valued and praised by countless metals and stones since the end of the Qing Dynasty.

Therefore, this bronze ware was passed down in an orderly manner, which is particularly important in the auction market, especially for bronze ware.

This made it the only circulator in the market.

Therefore, another reason why this Guoji sub-group pot has attracted much attention is that it is the only circulator of this type of bronze ware.

The object has a small mouth and a large bottom. There are two animals with rings on each of the seven walls. The edge of the mouth is decorated with a circle of stinging patterns, with wavy patterns on it.

After all, they are all produced by the young age and are all passed down from generation to generation, so things from the late Western Zhou Dynasty are rarely the same as the bronzes of the "Guo Family".

It can only be used during sacrifices or banquets.

Therefore, the Guoji sub-group pots can be circulated normally, not only because of the lack of circulation, but also because in recent years, there are only a few bronze heavy objects that can be circulated, and Xiaoshao has taken photos in the sea.

Friends who are familiar with the rules of collecting markets know that bronzes cannot be bought and sold at will.

Eight hollow feet are easy to cook and refrigerate.

If it is worse than the "Guo Family" bronze, of course, the most famous "Guo Family" bronze is also the Guoxuan Yi ware plate, which is now collected in the National Museum

Comparing the bronze of the "Guo Family", Ji Zi Baimahu studied the photos in his hand.

After comparing one by one, Ji Zibai found some of the same bronze ware similar to the Guo Zhong Gui.

There is a shallow groove between the two patterns, and the inner and inner sides of the ear are decorated with no beads and heavy rings.

In order to protect cultural relics, the national cultural relics department has not yet opened the bronze ware market.

Several of them are collected in the Palace Museum, the Little Sea Museum and the Victoria and Albert Museum in London.

Just like the bronze gui behind the eyes, the mouth is slightly curled, and the edge of the mouth is decorated with a c-shaped flat eye stinging pattern, and the belly is decorated with eight-circle drooping scale patterns.

The inner inscription of the Guoxuan Yi tray is unique in shape, very similar to our current small bathtub. The tray is rounded rectangular and has a seven-curved ruler-shaped foot.

There are not many other pieces that are clear, and only rubbings are found in the world.

It includes eight tripods, eight gui, one gu and one plate, and the inscriptions are all the same.

Among them, "Guo" refers to Guo State, "Ji" refers to the clan, and "Subgroup" is the name of the person who made this tool.

It occasionally appears in conjunction with the tripod, with the number of tripods being odd and the gui being even. After reviewing the album again, the bronze slabs at the back were also complicated.

I found a so-called bronze plate with the smallest type, the most perfect preserved, and the most similar to that of Ji Zi Baimashita studied it.

I must know what the bronze plate looks like, the size is small, the size is small, and he is really the same. Such a small bronze ware like a fish tank is actually a plate?

The edge of the mouth is also engraved, an inscription with similar meaning to the pot grouping of Guo Chen Wenzhe.

Each of the representative artifacts of the "Guo Family" family is a national treasure.

As long as the level difference between kings and princes is small, the quality of the bronze burial objects we produce should be small.

That bronze gui is also inferior to the bronze gui of "Guoji", and this bronze gui of "Guoji" is now collected in the Nanhe Museum during the Western Zhou Dynasty.

However, bronze ware of the same grade is more common in the same tomb, while bronzes of the same family, which are objects of the same era, are even more common in the same family.

I haven't had Luzhi's "Embroidered by the Two Lie Ji Family Sons, Wang Guowei's "Bronze Inscriptions of the National Dynasty", Zou An's "Bronze Inscriptions of Zhou, and "Catalogs of Shuangwang Jizhai" waiting to be recorded all clearly mention this pot.

The inscription records the purpose and meaning of Chen Wenzhe's group from Guo State.

In that case, my son bought that batch of bronze ware with him, but he couldn't get a batch of treasures worth comparable to the "Guo Family" bronzes?

Compared with Guo Jizi's group, it's a bit bad.

The law only allows orderly bronzes handed down from generation to generation and bronzes that have been passed down from abroad to trade in the domestic market and have little circulation.

Gui was actually not an utensil used by the ancients to hold rice-like food, so the young man had no cover.

If I hope my future descendants will not cherish this object forever.

For example, the Guo Jizi group of the tripod was from the Spring and Autumn Period and is now collected in the Palace Museum.

If that's true, the first-level cultural relics-level treasures I got that time were only one or two.

So, except for the Guo Chen Wenzhe pot, where are the other "Guo Family" bronzes hidden? Will there be less?

It is recorded that it was unearthed in Fengxiang, Xishan in the Qing Dynasty, and it is very unlikely that the pot formed by Guo and Chen Wenzhe was released in the late Qianlong period.

But it is a special plate, but a treasure similar to the "Guo Family" bronze Xuanyi plate.

Previously, he collected the reed branches of the small family in the late Qing Dynasty, which were collected by Li Hongyi and Zou An, and his life experience was quite prominent.

From the late Qing Dynasty to the present, the books of this pot and its inscriptions have reached more than 80 sects. According to small citations by scholars from Zhongli, there are few bronze ware seen in the market in recent years.

Looking at the patterns, the inscriptions of Mohu should be much worse than the bronze tripod of the "Guo Family".

For example, there are bronzes that have no inscriptions and do not have a very important historical status. Many of them have been unearthed in China.

For example, Rong Geng’s "Comprehensive Study on the Yi Qi of Shang and Zhou dynasties, and Wu Xiaocheng’s "Ancient Records of Kezhai Collections."

The eleven-character inscription on the inner neck of the pot in the Guo Chen Wenzhe group: "The treasure pot in the Guo Chen Wenzhe group is made of the treasure pot forever and the descendants of the descendants of the family will enjoy it."

It is known that after the entrance, there are four other pieces of pots with Guo Chen Wenzhe.

So, if you look at some of the small items under the movie album, Ji Zibai is very hiding, which is a bronze plate.

In other words, my country restricts the circulation of bronze ware.

And under the corresponding photos in the hand, there is no bronze tripod.

In particular, its inscriptions make it an isolated product, because it is possible that the same inscriptions and instruments will appear again.

Not yet, what about the bronze ware in the photos behind the eyes compared to the bronze of the "Guo Family"?

Unfortunately, Guo Chen Wenzhe formed a pot for this, and became the only circulating person in the aftermarket.

The upper abdomen of the object was tilted, with no lifting beam on the top, and a strip of patterns was decorated at the neck of the object for a week, and a beast head was cast on each front of the object.

The shape, patterns and inscriptions of the pots formed by Guo Chen Wenzhe are very unique.

The bronze tripod evolved from the pottery tripod, and it was also a cooking utensil for us to cook.

Now used as a ritual vessel, the tripod has no small edge and the body of the tripod is decorated without dragon patterns.

Those are what Ji Zibai attaches more importance to, because I have no natural advantages in finding that kind of treasure.
Chapter completed!