By the Hongzhi period, the artifacts were early and in the middle period were roughly the same as Chenghua, and even more delicate and softer than Chenghua.

It is close to Zhengde Artifact in the later stage.

The flowers and leaves are thin and dense, with more Sanskrit eucalyptus pictures, slender and soft dragon patterns, and free and easy characters.

The signature is six characters, and there are four characters regular script signatures.

Zhengde still uses domestic materials, and in the early stage, he uses equal green and gray-blue hair color.

Huiqing was used in the late stage, and some were dizzy.

The shape, body and enamel of the artifact are similar to that of Hongzhi and are densely populated with bubbles.

Deep belly bowls, seats, etc. are popular.

Great things will be seen in the later stages.

Common patterns include phoenix flower, fish and algae, lion hydrangea, garden baby play, tree and stone railing, lotus eight treasures, etc. The paintings are thicker than those of Hongzhi.

The bowl is under the bottom of the bowl and the chicken appears in the heart.

The bottom of the vessel is often seen with kiln red, sand sticking, knife marks, etc.

The year patterns include four-character and six-character regular script patterns, and some are used to use the character "卡".

After Zhengde, it was the late Ming Dynasty.

Among the three dynasties of Jiajing, Longqing and Wanli, Jiajing had the longest time, so the colors of the artifacts in this dynasty were different.

The early ones were similar to Zhengde, with a gray-blue color.

But what is unique in this period is the use of Huiqing material.

In addition to traditional and still popular patterns, Taoist patterns have increased a lot.

Such as Yunhe, Eight Immortals, Eight Trigrams, Taoist Eight Treasures, etc.

The characters of Hua Group are unique patterns, and there are also baby dramas, charlatans, fish and algae pictures, etc.

The baby's head is prominent and the forehead is obvious.

The body and glaze are small and thin, large and large, and large.

Octagon, square, hexagonal, upper and lower gourd bottles and other special-shaped instruments are common.

The bead box is a unique type of tool.

The characters are "Made" and "Made" are used, and the characters "Made" are mostly used.

The heart of the vessel is written as "Jinlu Daju altar" for sacrificial utensils.

There are also famous halls such as Dongshutang and Dongluoguan.

Due to the short time of the Longqing Dynasty, there were fewer items, and even fewer items with large ones.

The blue material is made of green, and the color is stable and pure, with purple in the blue, not as purple as the Jiajing instrument.

The patterns are similar to the Jiajing Dynasty, because they are mainly small-piece instruments, with fine glaze.

Multiple hexagonal, octagonal and other shapes.

The official kilns have two types of signatures: "made in Longqing Nian of the Ming Dynasty" and "made in Longqing Nian", and there is no "made" signature;

The folk kilns have four-character styles made in Longqing Nian or “made”;

The auspicious words include the same blessings as the same blessings as the same blessings as the same blessings as the longevity, and the sings include the best instruments for the rich and noble style.

In the early days of Wanli, Huiqing was used, and in the middle and late days, gravel green and Zhejiang materials were used, and blue and white materials were mostly painted with light blue and white.

In addition to traditional patterns, the patterns are also popular in the brocade consecrated pattern;

The pattern layout is dense and the theme is unclear. In addition, the character Fu Lu Shou is also common.

Bottles are more commonly found in hollowing, movable rings and other processes.

In addition to traditional instrument types, wall bottles have newly appeared.

The body is relatively coarse, the glaze is white and the middle is green.

The signatures are mostly "made in the Wanli period of the Ming Dynasty", but also "made in the Wanli period of the Ming Dynasty" and "made in the Wanli period of the Wanli period";

There are many fake entrusted money, including Xuande, Chenghua and Jiajing.

In general, the craft level has declined compared with the previous one.

After Wanli, even at the end of the Ming Dynasty, this made it possible for two dynasties, Tianqi and Chongzhen.

During this period, due to political turmoil, all industries were in decline and the ceramics industry was also depressed and deserted.

After the 19th year of the Tianqi revelation, the court issued no orders to build official kilns.

Therefore, there are very few Apocalypse models, mainly "Da Ming Tianqi Year system", and there are also "Apocalypse Year system" models.

There are more pictures and notes, hall names, auspicious words, and chanting words in folk kilns.

Like the jade hall, all the best things are equal;

There are many fake entrusted titles, including Yongle, Xuande, Chenghua, Tianshun, Zhengde, Jiajing and other dynasties. Among them, Tianqi is the only fake entrusted titles.

The patterns are still mainly traditional patterns, but the patterns in Taoist content are less than those in Wanli time, and the painting style is rough.

The patterns during this period are sparse and have a stronger atmosphere of life.

The carcass is thick, the carcass is loose, the shape of the vessel is irregular, the bottom of the vessel is sandy, the bottom of the vessel collapses, and the knife marks have become the characteristics of the times.

Chongzhen did not have official instruments, and there were not many types of instruments, and it was more common in bowl furnaces.

In addition, there are bowls, cups, bottles, flower vases, etc.

The green materials include gravel green, Zhejiang materials, etc.

Those with thick hair color tend to be dizzy and dispersed, while those with sperm are stable.

In addition to traditional themes, decorative eulogy pictures are particularly common.

The child in the baby picture has a big head and a small foot, and the proportions are not harmonious.

Pictures of landscape characters (pictures of the great men) Mid-Autumn grass, bracketed clouds, small sun, etc. are typical features.

The body is rough and sparse, with white glaze and blue in the middle, and some are gray.

Such porcelain is actually not good. Even official kiln porcelain should not be of high value.

But Chongzhen was the last emperor, not to mention that there was another Chongzhen without official instruments, which gave some people the opportunity.

What can be confirmed now is that there is almost no official kiln signature for Chongzhen porcelain.

However, there are common kilns.

Such as Boguzhai, Yu Sitang, Songshiju, Yuxiangzhai, etc.

In addition, there are some entrusted funds entrusted to the previous dynasty.

In this way, if a Chongzhen official kiln with official furnishings can appear, even if the quality is not very good, its value should be very high.

[To be honest, I have been using the source change app to read books and follow updates recently, changing source change and switching, and pronounced aloud with many tones. huanyuanapp Android and Apple are available.]

The same thing is said, things are precious because they are rare!

Although there are few official kilns in Chongzhen, there should be some.

According to general reasoning, the official kiln style should be the two-line, six-character regular script blue and white double circle style "made in the Chongzhen year of the Ming Dynasty".

The small cup of figures collected by the Dahai Museum now belongs to this model.

On temple offerings and some carving tools, there are often inscriptions from a certain year of Chongzhen.

On some plates and bowl utensils, there are stamps in the cursive script "Fu" or regular script "Fu".

There are quite a few such porcelains. Even if they are official porcelains, although not many of them are found now, there are more than a dozen pieces.

During the Chongzhen period, objects with official documents were rare, but there were still "Chongzhen Period of the Ming Dynasty" and "Chongzhen Dingchou" (1637 AD).

During this period, folk kilns were popular, so there were many hall names, people’s names, and auspicious language styles.

In addition to the ones mentioned before, there are also "Xiangfeng Hall", "made for use by Jiawuchun Mengzhao Mansion", "rich and good tools", etc.

During the Chongzhen period, a total of 17 years were spent in the war.

Therefore, although the production of official kilns is not an absolute pause, in the porcelain making industry during this period, official kilns have no status.

The varieties of Chongzhen folk kiln porcelains that are seen from the past are blue and white and colorful.

From the late Wanli period, the Sutra of the Heavenly Revelation, the Chongzhen period and the Shunzhi period in the early Qing Dynasty to the early Kangxi period, the export of blue and white kilns in the folk kilns was particularly prosperous during this period.

The blue and white porcelain of Chongzhen were at the turning point from the late Wanli period to the early Kangxi period of the Qing Dynasty. It can still be identified based on the materials you have mastered.

Blue and white porcelain from the Chongzhen period was divided into fine instruments and thick instruments.

The fine utensils are made better, although the glaze is blue but still bright, the blue and white color is less gray-black, and some are quite bright.

The thick instrument has a strong lying on the bottom of the foot and is very good for filling sand.

The bottom of the disc-like device has obvious marks of the knife jump, and the blue and white color is dark.

The glaze on the bottom of the utensil has orange peel pattern, the glaze on the bottom is blue, and the body is less orange-yellow.

The carving vessel has joint marks, and some of the vessels have sauce mouths.

The shapes of the vessel include plates, bowls, washes, bottles, bowls, jars, pen holders, flower vases, elephant leg bottles, candlesticks, incense burners, water purification bowls, etc.
Chapter completed!