This red-ground green glaze wrap-around lotus-shaped cap bottle has an extremely unique shape.

It is perfectly in line with the characteristics of Jianwen, but it is not like the porcelain of Hongwu and Yongle.

There are actually not many porcelains like this, but the identity is difficult to determine.

However, as long as the architectural style is left behind, it is still ancient porcelain, it is worth studying.

For example, a blue-land green glaze five-claw dragon-patterned colored porcelain celestial ball bottle is made very finely.

Especially the exquisitely carved green five-clawed dragon, which is majestic.

This dragon-patterned celestial ball bottle is 42 cm high, and the five-clawed official dragon is portrayed very vividly.

The dragon's head is like Emperor Jianwen's gentle and confucian scholar, while the dragon's claws are strong and powerful.

Buddhism and Taoism were prevalent in the Ming Dynasty, and its religious flavor was strong and the cloud patterns were covered with all over the body.

"Fushan and Longevity" at the bottom of the bottle belly is a common pattern that shows the peace and stability of the country in the Ming Dynasty.

The engraving worker is even more delicate, and the rectangular style of "Made in the Ming Dynasty Jianwen Year" is made of white glaze and blue and white on the shoulder of the bottle.

This style is verbal, and the font is elegant and dignified.

Adding the white glaze as warm as white jade, the blue material is naturally scattered and deep. It is really unreasonable to say that it is an ordinary porcelain.

As for the fake, that's even more wrong, because this piece of porcelain is too exquisite.

Especially the blue glaze on the bottle, which is as beautiful as sapphire, is warm and subtle, and is rippling with blue waves.

Such glaze color is hard to be distorted even by modern experts.

Especially the temperament of this kind of porcelain is difficult to match with Hongwu and Yongle.

Not to mention anything else, the gentle and elegant green dragon, which complements the unique glaze color, is very elegant.

And what temperament are Hongwu and Yongle? They are heroic and magnificent?

In this regard, Emperor Jianwen was obviously much weaker.

Of course, as an emperor, his official kilns are not lacking in momentum.

For example, this porcelain has a grand shape and a full charm of imperial instruments for the court.

Such porcelain must be a rare and powerful evidence for studying the history and culture of the Ming Dynasty.

If it can be determined, it will definitely be a rare Ming Dynasty Jianwenzhen porcelain that is rare today.

These Jianwen official porcelains, based on the characteristics and information of the instrument, are most likely to be rewarded by Emperor Jianwen at that time to the heroes.

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And he hid before the end of the "Jingnan Battle" war, thus avoiding a disaster!

Today, hundreds of years later, we are fortunate to appreciate it, which is a rare fate.

It’s just a pity that the porcelain of this period was too difficult to determine its identity.

Therefore, even some porcelains that are highly recognized by people in the industry are not recognized by everyone for various reasons.

This is the antique world. If there is a world of world, there will be a dispute. This is normal.

In Chen Wenzhe's view, the glory of a real good thing cannot be concealed.

Archaeology is about excavation, evidence collection, and clues left by predecessors.

Where to find? Where to find? Of course, look for real things.

Only by studying where the water and soil are there to study the water and soil in real field is valuable.

When studying Jianwen porcelain, we naturally need to find relevant porcelain.

If you don’t study it, you won’t know it. If you really study it, there are quite a few porcelains related to Emperor Jianwen or perhaps related.

For example, a piece of porcelain in Chen Wenzhe’s hand now must be a piece of blue and white porcelain from the early Ming Dynasty.

First of all, this is an antique, and it can be involved with Jianwen or Zhu Yuanzhang, which is not simple.

Such an exquisite piece of porcelain, and it is a work of an official kiln in the early Ming Dynasty, any clues on it are very important.

This is a blue and white porcelain plate. There is a poem on it: "If there is nothing but the three paths, have you ever cut the new frost and cut it away."

And there is a signature on the bottom, saying: "Live forever".

If we study it from the perspective of archaeology, then archaeology should be a controversy among hundreds of schools of thought, and each has expressed its views.

And above this porcelain, the porcelain from the early Ming Dynasty, plus poems, may gain something.

As long as you are willing to analyze this poem, you can gain some rewards.

Regarding the poem: "If there is nothing but teaching the three paths, whether there has been a new frost and a separation", this should be the ancestral teachings of Emperor Hongwu Zhu Yuanzhang to the descendants of the royal family.

Signature: "Changli" should be the year name of Emperor Jianwen.

Why? Because in Chinese, Changxing is a Chinese word, which refers to growing up and being independent.

What does it mean to appear on a piece of porcelain from the early Ming Dynasty? Isn’t it just to grow up and become independent?

What does the poem mean: "If there is nothing but the three paths", what does it mean?

Since the blue and white porcelain plates were in the early Ming Dynasty, some meanings can be analyzed and understood based on the actual situation in the early Ming Dynasty.

According to Liu Bowen's predictions in the Hongwu year of the Ming Dynasty, Zhu Yuanzhang believed that: [Is there anything wrong].

In the future, there will be, but in the future, Zhu Di, the King of Yan, rebelled and usurped the throne. This is a matter of right and wrong [this is given three paths].

He still taught the throne to the third branch of the Zhu family, that is, Zhu Yunwen, the third generation of grandchildren, was the crown prince, and the future emperor.

The poem: "Have you ever been cut off with a new frost", this sentence should be that Zhu Yuanzhang told his descendants not to kill each other.

[Have you ever been a new frost] That is, if it is, because there will be a new frost tomorrow.

In other words, I heard that in the future, King of Yan Zhu Di will rebel.

Cut off one branch of the tree.

That is, the destruction of the same clan of King Yan Zhu Di, the same clan, disappeared from the Zhu family genealogy.

The overall meaning of the poem is: I warn the descendants of the Zhu family that if your uncle, King Yan, rebelled in the future, he will pass on the throne of the emperor to Zhu Yunwen, who was of the Sun generation.

You are Zhu Yunwen, and you cannot destroy your uncle Yan King from the Zhu clan's clan because of what you predicted.

Therefore, according to the records of the Ming Dynasty, Emperor Jianwen had many opportunities to kill King Yan Zhu Di.

And he was released back in the early days, and was hostage in the capital.

All of this made the King of Yan act without any taboos, and Lou Lou escaped after the rebellion, which should be related to this ancestral teaching.

Signature: "Changli", a careful analysis should be the signature of Emperor Jianwen Zhu Yunwen.

Because the signatures of official kilns in the early Ming Dynasty did not have clear notes, and most of them were careless.

Therefore, [Changli] means to become the crown prince, crown prince, emperor, and Changsun is the crown prince, crown prince, crown prince, and emperor.

It is clearly pointed out that he is an authentic orthodox hereditary emperor.

From this, it is indirectly that the King of Yan Zhu Di who usurped the throne was a rebel.

Emperor Yongle was the fourth son of Zhu Yuanzhang, and his throne was not obtained by the orthodox Zhu Yuanzhang.

Since the official kiln porcelain in the early Ming Dynasty did not have a clear signature and the standardized year names could only be used to estimate the conclusions drawn from the Ming Dynasty records and the poems on the actual blue and white porcelain plates.

Of course, a poem can be explained no matter how you explain it.

If you do not agree, it can also be considered far-fetched.

However, combined with the firing time in the early Ming Dynasty and the identity of the official kiln of porcelain, we cannot interpret it too presumptuously.

How can royal things be casual?
Chapter completed!