There is no doubt that the reason why Mr. Makoto Hamada came here today was not only to grab Ye Zhao's job as a host, but also to make a decision.

"Even if that's the case, what exactly should I compete?"

"If you drink for a game, forget it," Komuro Tetsuya continued to show his nonsensical side, "I'll admit to losing first."

Ye Zhao also answered the joke quickly, "If it's older, I'm really no match..."

The two of them pretended to be stupid, and the audience and staff in the venue were amused.

Even Sakai Izumizu, who was being hugged by Ye Zhao, smiled and said to him: "What a boring conversation."

"Hey!" On the TV, Makoto Hamada, who was standing on the verge of storm, punched him again, "You two are really treating others as fools, right?"

"So that's it," Ye Zhao replied with a smile on the outside of the TV: "I've been taught a lesson by Hamada Sang."

So, what exactly are you going to compete?

The musicians fight in the formation, of course, are competing music.

In the picture, under the instructions of Masako Hamada, the staff took the keyboard and guitar to the field.

"Just as I learned just now, Komuro and Ye Jun have to make nearly a hundred songs every year..." Makoto Hamada explained to the people in front of the TV, "In other words, a new song was born almost the next day."

"So, what's going to make the two of them show up today is to write a song!"

The audience in the venue was very involved in the sensation of Masako Hamada.

For outsiders, composing is a very mysterious thing. It is quite interesting to have two high-yield musicians compose live, not to mention that these two are so-called "opponents".

"Can you write a song? You can write it anytime." Komuro Tetsuya said with a relaxed tone.

"However, it would be too boring to compete this." Ye Zhao said, and he had already pressed the chords in his hand. "Speaking of this, Komuro San's songs and choruses are often used in am7, fm7, g7, cm7...it should be done like this."

While saying that, he played it.

"How can I say Ye Jun's song? It's a mess..." Komuro Tetsuya replied, his fingers jumping dexterously on the keyboard, "Even so, this is an incomprehensible place."

"Then, the showdown begins!" Makoto Hamada announced.

The scene in the preview of last week's show finally appeared at this time.

To say that Komuro Tetsuya led an era, this is by no means an empty talk.

In addition to the whirlwind of the Komo family that has been blowing in society, it once dominated half of the record sales list. The singers he produced were the worst. The sales of a group of people created 170 million copies... These are just the appearance of even children who will say "It's so amazing!" when they see it.

In addition, what is more worth mentioning is the emergence of Tetsuya Komuro, which changed the composition, melody, arrangement, and even his one-handed producer model in the Japanese pop music industry at that time.

Speaking of this, the set of am7, fm7, g7, cm7 chord progressions commonly used by Tetsuya Komuro also widely influenced musicians of the same generation and later. They were widely used in the following twenty years, which is the so-called "komuro chord progressions".

Komuro chord progression, as well as the "fm7, g7, em7, am" known by the Japanese as the kingly chord progression, plus the famous Canon chord progression "c, g, am, em" that even laymen have heard of.

These three pieces make up half of the puzzle of modern Japanese pop music, and are repeatedly used in countless songs.

As a pioneer, Tetsuya Komuro is not an exaggeration to say that he is a hero.

"Today I want to imitate Komuro San, I will borrow your signature..."

"Hey? Do you want to steal other people's meals in person?" Komuro Tetsuya joked with him.

"There is no way, because my part has been taken away by Hamada Sang..." This is about the fact that Hamada Makoto replaced his position as host today, but drove him to the duel.

"Hamda Sang," Komuro Tetsuya talked to Makoto Hamada who was watching the fun, "It seems that I have to ask you to give me something, otherwise, I would be too pitiful to come here today."

"Ha?!" Makoto Hamada, who was suddenly named, responded exaggeratedly, and fully demonstrated his funny artist's reaction ability.

"The taste of the public is actually relatively conservative when choosing songs, and the best-selling songs have many similarities..."

"In Ye Jun's song, I was very impressed by the song "Kiseki". It is difficult to make something innovative, but there is something in this song that makes people feel that 'the times really need to improve', which is amazing."

"I was also very impressed by the song "Kiseki". "Hamada Makoto continued to play the funny role, "It was this song that knocked me down. So since then, I was so disheartened that I gradually couldn't sing... It was all the fault of this song!"

There was a burst of laughter in the audience.

If you don’t bring Masako Hamada, the fun of the show will definitely be reduced.

When he decided to have a duel to create a topic, it was Makoto Hamada who helped him to help him. Then, at Ye Zhao's suggestion, the three of them decided to create such a program together to continue the topic after the sales duel.

At that time, when he decided to do this episode, the first thing Ye Showa and Komuro Tetsuya reached a consensus was to bring Makoto Hamada with him.

The two of them manipulate their own instruments, humming the tune, and chatting easily and comfortably from time to time, briefly explaining some relevant knowledge to the audience, and also inserting some interesting news in the middle.

It is called a "confrontation" and it is more like a exchange meeting between musicians and musicians.

Not only that, it also allowed the public to see the other side of the two of them.

Such a eased attitude made both of them look full of the demeanor of a general. The audience who was originally holding on to "win and lose" was attracted unconsciously, and suddenly no longer paid much attention to the issue of victory and loss.

It would be too superficial to measure such two people by only winning or losing. As Masako Hamada said before, these are simply two people who are not in the same world as ordinary people.

There is always a win or loss in the competition for numbers, but whether it is Ye Zhao who defeated Tetsuya Komuro in sales or Komuroya Komuro who lost to Tetsuya in sales, they are all excellent musicians, representing the top power in the Japanese music scene now.

"So amazing, it's really amazing!"

When Ye Showa and Komuro Tetsuya completed this "confrontation" while chatting, Makoto Hamada said two times in a row.
Chapter completed!