Chapter four hundred and eighty third step by step
New Year and new atmosphere.
After the slightly longer holiday, all kinds of things will follow from last year to the work that has been in the coming year, as well as the new work that will start after entering the new year.
After seven days, the first thing I did was to be called by Makoto Hamada to hold a press conference and announced to the media that the two were going to cooperate.
This scene looks familiar. When H Jungle with T, Makoto Hamada also held a press conference like this with Tetsuya Komuro. At that time, the reporter was puzzled by the two people who were not close to each other and suddenly got together to hold a press conference. He was told that they were going to make a team debut.
Then there was the 1995 killing of all directions. If it weren’t for the dream come true, “I Love You’ll Say Important Things Three Times” that came out to defend the music scene, the annual champion would have been taken away by this funny artist who was playing the game.
This time, Makoto Hamada not only changed the producer, but also changed the content. He no longer set up a team to sing, but announced that he would be a producer together.
Although the content has changed, the essential thing has not changed. After all, it is still the same word, it is fun.
However, two years ago, Makoto Hamada cooperated with Tetsuya Komuro, and two years later, he turned to cooperate with Tetsuya Komuro's strongest opponent, and this opponent once pushed his sales to the ground.
This trend has become fast enough. If we contact the Komuro family single albums and both lost their annual championships last year, the record awards were also intercepted. For a moment, some media that don’t bother to take the fun and don’t be too excited to pick things up.
However, neither Ye Zhao nor Hamada Makoto thought there was anything wrong with this approach.
A musician like Masako Hamada, just like the one who is fun. To put it bluntly, he doesn't know the goods when he goes shopping, and specifically says that the person who goes to get the money is similar to the one who goes to buy it.
What he is aiming at is not the "quality" of things, or musicality, but the simple "big guy" that is, the topic.
If you want a singer who has nothing to do, the "topicity" must be missing. With this, even dead trees can survive. Without this, you can really stay wherever you cool down.
Having said that, the era of becoming popular and selling well by relying on topics has arrived, and the era of simply selling music has gradually faded away. However, there are only signs now that it is not so clear yet.
However, from this perspective, Masako Hamada is not ignorant of goods, but rather a person is smart.
As for what he left the Komu family... Please, he was not a member of the Komu family from the beginning, he just borrowed a gust of east wind. He couldn't be like the one he played in a gangster movie, because after eating a bite of food, he had to work hard for him at any time.
Besides, people's friendship and morality are highly valued, the singing industry attaches great importance to it, and the art and energy industry's firms also attach great importance to it, but for such a game that has been said to be fun from the beginning, it does not exist.
What's more, although in general, it would be said that the members of the Komuro family are disciples of Tetsuya Komuro, in fact, this statement is not appropriate. There are more hiring and cooperation between producers and singers.
So the members of the Komuro family basically found another way out as Komuro Tetsuya declined. It was just a normal version to change his producer, and they also sued him in turn.
In addition to the Komuro family, even Oda Tetsuro is very kind to Aikawa Nanase, and this cat is still separated from him.
Similarly, the closest thing that connects Ye Zhaohe's singers he made is actually that contract, so the only one who truly belongs to his direct line is the only one who signed into his own firm by him.
However, although the press conference was rushing to start, it was just a sensation to make a public announcement, which was still very early to the specific operation. So far, the two of them have not decided whether to make the funny artist SOLO debut or form a team to debut, and what kind of song theme to choose.
The only thing that has been decided is that if you choose someone who wants to debut, you can just participate in HEY3 playing songs.
...
Let's put this fun thing that doesn't take up much time aside for the time being. Now, Ye Zhao is put in the first place in the work, which was proposed and successfully negotiated and approved last year, and worked with the female singers in the company to create an album.
The selection of the songs continued unaffected during the tour, and it was okay to be outside. He sent the music score to Natsukawa Rimi, who could help sing all the song samples.
Putting the preparations during the tour also minimizes the impact of the tour schedule on the planning.
At first, Satomi Nakagawa, who was signed as a small singer of the island song, gradually became a small singer used by Ye Zhao and was appointed to other tasks. She herself enjoyed it.
In addition to being a singer who is a young singer, Ye Zhao has prepared training courses for her and quietly prepares for her debut that may be soon.
In terms of the album selection, in addition to discussing with Nagato Daiyuki and listening to some suggestions from him, the songs that were selected were also delivered to the female singers who were about to join the album, and they would listen to them.
In this project album, Ye Zhao finally confirmed that he had invited ten female singers from BEING, from being popular to the backbone to newcomers who have not officially debuted.
In early 1997, it was very powerful to carry this lineup to make an album with this lineup.
These ten female singers have different qualities, and it would be unrealistic to get them together to have a meeting, not to mention that this link itself is also optional.
In such a planning album, the person who connects these singers is Ye Zhao. It doesn’t matter whether they know each other or have a grudge.
The invited singer only needs to be responsible for Ye Zhao and the song she has assigned.
However, it is even more unrealistic to have Ye Zhao meet these ten female singers and have individual interviews. Therefore, during the preparation stage of the album, the staff basically rely on the help of contact and communication.
Of course, there are exceptions.
If you discuss the details of the cooperation with Sakai Izumizu, you have to rely on the staff to pass the message. It would be like asking your brother-in-law "home address" with an airtip, but you were scolded for your brother-in-law, who said, "You are asking me even if you go eight times a day."
Chapter completed!