Ye Zhaohe BEING is not very ties.

He is not like the singers who started from scratch, who are cultivated bit by bit by bit by bit by bit by bit. On the contrary, he joined BEING with already gaining popularity.

For him, the most troublesome thing between leaving and staying is the copyright issue of the songs released through BEING over the past three years.

Copyright is the most troublesome thing. Although singer-songwriters rely on royalties to make a living, the copyright of the song is rarely in their own hands. The crux of the reason why they are retaliated by their old boss is this.

It's better to post some selected items, but it's not a big deal. The worst thing is that after completely breaking up, it's banned from using stage names and publicly singing songs released during this period.

In that case, the singing career will be almost over.

Not only in the music industry, but also in the entire art world, there are losses due to copyright.

For example, if a certain name can force the Nian dog to death by pronunciation of the Southerner people, after the contract was broken with Lace, even the name of the tongue twister could not be used, even if it was actually her real name.

So, another stage name that was even more difficult to read was changed.

Whether it is independence or job change, it is not as simple as ending the contract and starting a self-employed business.

Ye Zhao knew this, and Nagato Yuki also understood it.

Therefore, Ye Zhao carefully planned his independence path and strived to get a happy result. However, the good fortune of the young family hoped to win over Ye Zhao and let him stay.

At this moment, he signed the newcomer he found to BEING and proposed to work with BEING's singers. Nagato Daiyu regards this as Ye Zhao's show of kindness and repaying his kindness, so he is naturally very happy.

Besides, there is nothing special to object to the fact that you can make money and to take the company’s people to make money together.

After this was proposed, Nagato Daiyuki first asked about some details, such as the song selection and the overall style of the album. After roughly understanding his ideas, he signaled him to prepare a more specific plan.

This is half agreed.

After the plan is handed over and the meeting is held for discussion, if it is determined that the feasibility is high, and the plan will be decided to start, then the next step will be reached. The specific singers who have been determined will be finalized and the singers who have been cooperated will be held to decide on something more specific and detailed.

Everything is like this. As long as there are more people involved, more procedures to follow. But similarly, within the scope of one's own people, many of the various procedures to be followed are actually symbolic.

For example, after the plan decision is started, when an invitation is initiated to the singer you want to cooperate with, if you are dealing with people outside, you should consider the firm's record company and your own opinions.

However, if you deal with your own people, these things will be greatly simplified.

As an actionist, he naturally had to do whatever he wanted. After receiving the reply from Nagato's good fortune to ask him to come up with a specific plan, he quickly went back and sorted out a plan and sent it to him.

What surprised him was that after the plan was approved and the producer's choice, Nagato Daiyuki handed over the production rights of the album to him.

Such generous delegation is rare.

In this way, this album released in his name and invited BEING's female singers to be the lead singers, and he participated in the role of harmony and guitarist became the first album he produced during his time at BEING.

It’s not easy to think about it, and it tastes like a wife who has been a mother-in-law for many years.

The plan was successfully passed, and the next step was to select songs and people. These things were said to be urgent, but if you do it slowly, it would be difficult to achieve efficiency.

Of course, Sakai Insumi had to invite her. As a close partner, Mire Takahashi from MANISH, she would naturally invite her to join in.

The two elder sisters Mika Kawashima and Maji Okura are also... and Ye Zhao wanted to invite them. Yude Keiko, who he personally likes very much. Unfortunately, she has been in the company for so long and has never had the chance to get along with this sister.

In addition to those who have become famous and in terms of newcomers, Akikikiri who has reserved a place before the start of the project, there is another Qioka who has just joined BEING and is about to make his debut at the same time as Akikikiri.

Speaking of Qieoka... This newcomer who was favored by Matsumoto Takahiro and planned to personally serve as her producer to help her debut. He was given expectations. As for whether this expectation can be rewarded... Unfortunately, 10% of them cannot be.

Of course, if you say this now, you will offend people. The reason why she was specially invited in was due to BEING and Takahiro Matsumoto.

Since she is the "super-large newcomer" in the future, she is naturally indispensable in these matters. Cooperation planning is not about letting Ye Zhao choose a partner at will, and the company's will is also very strong.

In terms of BEING's planning for singers, Ye Zhao really wanted to question whether they had planned this item.

The reason why I say this is because there are so many young singers in this company who made their debut inexplicably, without any splashes, and then disappeared inexplicably.

It gives people the feeling that they just want to slap their heads and try to push them according to the ancestral push mode. The achievement can continue, but the achievement cannot be achieved gradually gives up.

However, the wave of the times is constantly impacting, and the public's demands for singers are becoming more and more bizarre and tricky. It is no longer possible to rely on the old model to promote newcomers.

Beauty is not rare. If you want to succeed, you must have some extraordinary talents.

However, when it comes to selling successful newcomers with the old model... there is one.

Among the theme songs of the Grim Reaper Primary School Students in the past dynasties, if the impressive one is mentioned, "The Wheel of Fate" is one song, and the other is "Mystery".

And Komatsu Misuke's singer career is considered appropriate to summarize using the word "mystery".

Komatsu Misuke's debut actually had no particularly eye-catching plans, and he continued BEING's old routine. At the beginning, he could even find a little shadow of Sakai Izumi from her appearance. This point gradually faded until later.

It’s not that they look alike, but because after ZARD’s success, Sakai Insumi has become the most successful packaging template for BEING. After that, the new female singers launched can always see a little of the shadow of Sakai Insumi.

Until the past decade, this shadow has not disappeared.

Akiki Kiri, Ninoka, and another Tsujio Orisa who is even less splashed, both debuted in the same year as Komatsu Misu. The reason why Komatsu Misu was able to succeed was naturally because she was of extraordinary talent.

The reason why Komatsu Mire mentioned specifically is because Ye Zhao met her.
Chapter completed!