If you want to lure the sparrow into a trap, you must prepare the sparrow's favorite grains to eat.

Although this metaphor is not very nice and not suitable to use it here, Ye Zhao did use a similar method when he initiated an invitation to Xia Chuan Limei.

When he realized that her root was "island bai", the "bait" he threw at her was also "island bai".

He told Natsukawa Rimi that she wanted to make an Okinawa folk song special, and she was missing a singer who specialized in singing the sample. Because she liked the song "Auspicious Sea" she sang, she hoped that she could join in and complete the special together.

"Not only are I singing a sample, I don't know much about Okinawa, so I also want to ask for more opinions from Okinawa folk singers. Isn't Miss Kazuhira good at Okinawa's third line? You can also refer to your opinions on arrangement."

This proposal definitely made her very excited for Satomi Natsukawa. She was engaged in a music-related job and was also her favorite Okinawa folk song, which was hard to come by.

"But, I still have a condition." Sumi Nakagawa agreed very excitedly - this was the first time he heard such emotions from her voice. After that, Ye Zhao said his main topic, "In order to facilitate the handling of various matters during the period, can she invite Miss Kazuku to join my personal office?"

"You are far away in Okinawa and don't have your own firm and record company. Whether for my own interests or for your personal interests, I still hope that we will have a formal contract."

Nakagawa Rimi replied, "Because it's about signing a contract, I want to consider it." This answer was expected, and Ye Zhao was not surprised, but told her to consider it just enough.

However, what he received was not a call from Natsukawa Rimi, but Kento Mitsui.

"Does Ye Zhaosang want to take Kenju away from me?" He 's "strike an army to ask for guilt' on the phone.

Hearing this sentence, Ye Zhao couldn't help laughing, "Mr. Mitsui, Miss Kazuki has an independent personality, how could it be 'taken away'?"

"She said to me, 'This opportunity is rare, so I don't want to miss it anyway', and she turned completely to Ye Zhaosang." Kento Mitsui was a little angry, "Janeha's attitude has never been so firm."

"This is the truth," Ye Zhao said slowly, "This kind of job opportunity is indeed rare. The salary is good and the working hours are very free. She is only invited to Beijing when needed and can sing new songs."

"Even so, is it necessary to sign a contract that has lasted for so long?"

"It's been a long time? I feel it's very short." Ye Zhao was kind-hearted, "Mr. Mitsui is also a producer. You should know that it takes a long time to make a song, and slow work is produced..."

"Even if that..." Kento Mitsui interrupted him impolitely.

He has always regarded Nakagawa Rimi as the key to his "revitalizing his family business", and is afraid that at this moment, he has regarded Ye Zhao as a villain who wants to take away the store he passed down from him.

"Mr. Mitsui," Ye Zhao didn't want to get entangled with him anymore. "In fact, if you leave the store that is difficult to operate in your own hands to redecorate and open, it might flourish."

"What?" Kento Mitsui was a little confused.

"I mean," Ye Zhao said calmly, "Miss Kenji regards you as the most trustworthy person."

"That's certain." Kento Mitsui was a little proud, and then a little angry after being proud. "But because of Ye Zhaosang, my opinion is no longer useful, even if I said I wanted to build a firm for her..."

"Mr. Mitsui has never thought, does Miss Kasukura want to cause trouble for you?"

"But I don't think this is a problem." Kento Mitsui said this and really didn't know whether he should be stubborn or cute.

"No, Mr. Mitsui. A favor that has to be clear is a favor, and a shackle that cannot be clear is a shackle." Ye Zhao said, "You are willing to do a lot for Miss Kenku, but for Miss Kenku, this unclear favor has become a problem."

Ye Zhao even felt in his heart that when Kento Mitsui was willing to build a firm for her, Satomi Natsukawa might have become more determined to turn to his firm.

"This..." Kento Mitsui on the other end of the phone was speechless for a moment.

"Mr. Mitsui," Ye Zhao said to him at last, "Miss Kenji regards you as the most trustworthy person, so even though you know you will object, she still tells you the words "I don't want to give up anyway." She could have not told you. What she really wants from you is actually an encouragement for her to get a brand new opportunity."

Looking back at Kento Mitsui who said, "As long as I don't nod, Kensuke won't agree to join any firm", Ye Zhao felt that he did not overestimate his influence on Nakagawa Rimi, but underestimate Nakagawa Rimi's personality.

Shortly after finishing the call with Kensho Mitsui, Nakagawa Rimi called over: "Ye Zhaosang, I have decided to accept your proposal."

Well, I already knew it. And, he thought to himself, no matter whether the independent label can be done or not, he will have to be responsible for Nakakawa Rimi's debut.

Thinking of this, Ye Zhao said in a gentle tone: "Then, I look forward to you coming to Beijing to sign the contract."

Although he dug up Natsukawa Rimi from the stubborn shopping street old man Kensuke Mitsui, so that the series of plans he had prepared in the future would not fail, at this moment, there was an unsolved thing waiting for him to deal with when he was about to deal with.

The theme song of the movie, the song that never stops without suffocating. No one sang it anymore.

If anyone can sing this song 100% the best, of course it is its original owner, Mika Yoshida. However, if Ye Zhao could invite her, there would be no need to go to Okinawa to find Rimi Natsukawa.

Just when Ye Zhao was hesitating whether to choose a singer again, change the theme song, or simply give up, an invitation letter was sent to his office desk.

The invitation letter comes from NODAMAP, which is the newly established troupe of Hideki Noda.

Ye Zhao once expressed his admiration for his previous troupe, Dream of Sleeping Club, in front of Hideki Noda. At that time, Hideki Noda said, "If there is another performance in NODAMAP, you are welcome to see it."

After that, Ye Zhao did go to watch it during the NODAMAP performance.

I was studying screenwriter at that time, so after watching it, I was still serious about Hideki Noda's thoughts on the plot and story structure like a student who wrote a review.
Chapter completed!