Among many colleagues with worrying hairlines, Li Xiaoming's black and thick hair looked particularly eye-catching.

The colleagues asked him with envious expressions: "What is the secret to maintaining such thick black hair?"

Li Xiaoming shook his hair proudly and said, "Because I am using the Pihua Zhixiu."

...I'm sorry, I told a cold joke that was not funny at all and was a bit boring.

However, although it was a bit boring, the topic that Matsu himself lost to Shi Zhi seemed to be really giving him an opportunity to shock others' attention in front of Ye Zhao, who could easily write 180 songs.

It is natural to say "Yes, you can write anytime, anywhere" and then show off a skill like writing songs in public, and then gain a lot of praise from the audience. This kind of development seems to be really good...

However, facing this question, Ye Zhao finally just smiled and said in a vague way: "Well... it's better to wait until you have a few drinks before asking."

The implication is that when Komuro Tetsuya was asked, he was drinking in a bar. Since he had to compare two people, he would have to wait until he had drunk too.

After all, the premise for the topic to begin was that Makoto Hamada sighed at Tetsuya Komuro's composing talent, and Matsu himself asked if Ye Zhao could do the same.

Intentionally or unintentionally, Ye Shogawa Komuro Tetsuya, who just regarded the topic of music singles as an opponent in March, was once again placed in the position of "opponent" because of the words of these two people.

If this is a topic that he is talking about himself, he will directly ask for a guitar and then easily write a song to satisfy the curiosity of the audience and the host.

However, since he was involved in Tetsuya Komuro, he would rather distract the topic in ambiguous tone than proving that he was "not inferior to Komuro" than answering "no problem" or "can't do it".

Although in today's era, if you want to reach the top, you must challenge Tetsuya Komuro. However, Ye Zhao's goal of defeating Tetsuya Komuro is definitely not the kind of "challenge" that was incited by the host in the show.

What's more, it's just three people participating in a music show together, not his own exclusive show. It wouldn't be appropriate if he brought the limelight to himself.

Having said that, although it is really interesting to look at HEY3 as an audience. Compared to the MS with a bit dull atmosphere, HEY3, a sound series with a bit of funny taste, is more beautiful.

However, if you participate in the recording as a guest, facing two big-name hosts who occasionally ask strange questions and enjoy the guests' reactions, this show is actually very hard.

Generally speaking, it takes three to four hours to record an hourly program.

After such a long time, even if all kinds of miscellaneous items are deducted, the time spent on chat will not only be presented on TV in just a few minutes, so there are so many topics that have been recorded and cut out.

In these places that cannot be seen by the audience, there are parts that are not suitable for broadcasting due to poor results or are out of order. However, in places that have been seen by the audience, there are also parts that are left behind because of the good effect. This part is precisely the hardest part for the guests.

However, the "can be seen by the audience" program effect that is ultimately presented in such places where people do not play according to common sense is often popular with the audience.

This has nothing to do with right or wrong, suitability or inappropriateness. After all, this nation that suppresses one's own nature hides its own thorns behind it, but while living with the thorns, it also needs to find a catharsis for its own thorns.

What the "funny" thing does is to prick those sharp and cold poisonous thorns that must be hidden in life, and use innocent ways to prick others or performers themselves with a naive way.

Although it is a bit one-sided, the laughter made by the audience when they watch the guests make things difficult or are hurt by extremely evil jokes is also the pleasure that the evil deep in their hearts that they want to do cannot be treated is received when they get the pleasure of being responded to.

...

However, although the final result of the topic of "improvisational writing" that I saw among the audience was that after making some jokes around Ye Zhao's answer, Song himself took an old punch and was exposed.

But in fact, this incident that was mentioned by the two people casually did not end with the end of the program recording, but had a small follow-up.

After all, it is a limited band. OKAY is very loose in composition. Each agent and assistant are independent. After the work is completed, as long as you don’t make an appointment to eat and drink together, you will basically go your own way, and today is no exception.

After the recording of HEY3 was over, when he changed his clothes in the lounge, packed up his things, and was about to retreat, Ye Zhao received an invitation from Makoto Hamada, "Let's go have a meal together later? Ye Jun."

Ye Zhao and DOWNTWON have no relationship, and they may not be able to meet each other when they work at the TV station. However, since it was the senior who spoke and treating guests to dinner, Ye Zhao immediately agreed.

After staying in the circle for almost two years, Ye Zhao’s deeper experience is that there are not many partners like band groups acting together in private, and the same is true for the two DOWNTWON. This kind of separation has nothing to do with whether the relationship is good or not. On the contrary, the fewer parts overlap with the circle of friends, the easier it is to maintain the combination.

Masako Hamada has always reserved fixed locations for restaurants and clubs. Even if he wants to treat guests to dinner temporarily, he doesn’t have to worry about not finding a seat and can only find a place at the moment.

The dinner was a styling style. In the private room, Masako Hamada's assistant knelt beside him and poured wine for him. Seeing this situation, Ye Zhao inexplicably remembered the urban legend about Masako Hamada: During the discussion meeting, the staff had to kneel down and talk to him all the way.

Although for artists, the character design and real personality are much different, in Hamada Masako, some of the Dou S character he showed are actually real, right?

The Kansai-style dishes are very authentic. If you like Masako Hamada and you still keep the location all year round, it is probably the most authentic Kansai-style shop in Tokyo.

While having dinner, the junior artists from Hamada Masako were also here to meet. When they learned that Hamada Masako was here, they came over to say hello one after another.
Chapter completed!