The staff stood by on both sides of the street and conveyed the reminder of "photos in progress here" to passers-by. At 8 o'clock in the evening, this street is not a main road, so it will not cause much impact. Even if there are occasionally three or three ounces of office workers or people passing by, they will take a look and leave with surprise.

Today I am going to film the scene where Kirishima's girlfriend Risa Iida followed Kirishima's relatives and friends Hiroki Kirichi to the cram school and questioned him on the bus when she couldn't find Kirishima.

Although it is a youth campus film, there are still two or three outdoor scenes that take place outside the campus. By the way, the shooting location of this night scene is not Saitama City, but Tokyo's Tsubasa City.

There are hundreds of movies and TV series born in Japan every year, and their film and television series, in general, are much less Japanese dramas than the large number of costume dramas in China every year; the second is that they don’t like the so-called blockbuster productions, so most of them are closely related to life in terms of scenes.

Therefore, there may be a sudden appearance of crews on every street in Tokyo and its surrounding cities, especially in streets in landmark areas like Shinjuku and Shibuya. There are crews every day, and more than one crew is filming and filming. After seeing too many, passers-by are too lazy to join in the fun.

When shooting outdoor scenes, the most common thing that makes the crew feel like they are facing a big enemy is the live radio during shooting. Although you don’t feel it when you only listen with your ears, when you put on the monitor headphones and listen to the sound coming through the boom microphone, you will find that no matter the most common sound of wind, car engines, and even the footsteps of passers-by, it all turned into a ball of noise.

Especially in the 1990s, when it was not yet developed and advanced, it was difficult to achieve the idea of ​​relying on good equipment to make up for it, so it could only be solved by manual means.

Although there is a post-dubbing approach, this is basically a down-to-earth approach among the unscrupulous ones, because we must consider both the lip-like issue and whether the actors' feelings can be in place when recording only sounds. Therefore, unless the conditions really do not allow it, in order to pursue better results, we will basically not consider post-diction.

When I was still planning, I didn’t think that in fact, I had to save money and achieve results. Fortunately, although the funds were not much, it was enough to spend it on the edge, which was different from the situation where the horse was running and the horse didn’t eat grass.

At this time, Ye Zhao sincerely thanked the TV series "Kinda Yi Boy Event Book", because through this drama, he not only "killed" an experienced director as a collaborator, but also received support from NTV. This is really hard to come by for newcomers who are a bit reckless and "dreaming" into the film industry.

...

After shouting "Stop" for the second time, Yukihiko Tsuki looked at the monitor and breathed a sigh of relief until he got a "OK" gesture. "Now, prepare for the next game. The street shooting permit has only been given for four hours. If you don't hurry up, there will be no time. Moreover," said this, his expression became much more serious, and the precursor of the big director who was quite angry was about to get angry: "Please work hard to confirm the noise on the scene, and don't make such low-level mistakes that waste time."

This scene was filmed with Kikuchi Hiroshu, played by Ye Zhao, waiting for the bus on the platform. The first time he was NG was not because of his acting skills and positioning problems, but because he accidentally recorded a little noise.

...

If you are shooting a moving car, you will probably use the method of putting the car on the trailer and dragging it without starting the engine at all. However, since the transportation is a more spacious bus, everything becomes simple, so you can take the equipment directly in the car for shooting.

This scene where Risa Iida rushed onto the bus to question Hiroki Kikuchi. Because the space inside the bus was small and the perspective of the characters was constantly switched between the two, it was shot in a short shot after another.

Before the official filming began, Ye Zhao secretly told Yuki Nakama who was playing against him in a joking tone, "If you can't figure out your feelings well, you might as well imagine that I suddenly evaporated from the world."

Looking at Yuki Nakama who put on a little mature makeup in order to fit the character of Risa Iida, Ye Zhao felt in her heart that she had a new look, and she couldn't help but feel a strange feeling of "the little girl suddenly grew up like this."

However, when she showed a childish smile, the feeling that she had grown up disappeared again, and the innocent girl in front of him was still the one innocence.

"There is no need to use such a method in the current scene."

"It sounds like I feel confident."

"Of course, I will never drag Brother Ye Zhao down." She replied.

Ye Zhao showed a somewhat embarrassed expression, "If you say this, I will probably be the ones who will drag you down..." In terms of experience in acting and acting courses, Yuki Nakama definitely has more than him.

"That's not necessarily true. Judging from Brother Ye Zhao's performance in Kazuki Kamida, his acting skills are quite good."

Ye Zhao couldn't help but smile and said, "You really have seen everything you can't miss at all."

While saying this, the two people always maintain a restrained and polite distance.

In order not to reveal the clues, the two of them get along with each other when they were on the set. Even the agent did not report to them at all. Although keeping a distance on the set is a manifestation of professional ethics, not reporting to the agent is actually a bit contrary to professional ethics.

For artists, unless the firm clearly prohibits love, and has no choice but to talk about underground love, generally speaking, the firm will require them to report when they are in love, in order to prevent emergencies, such as when being photographed by a magazine, the firm will not have time to conduct public relations.

However, Ye Zhao's boss is himself, and it doesn't matter if he doesn't report it. As long as he knows it, BEING is completely uninterested in the singer's personal life. And if Yuki Hui Nakama knows about it, ninety-nine percent will be ordered to break up. For newcomers, unless the firm is as big as a basin or he doesn't care about the future at all, there is probably no second choice.

One of these two people was afraid of trouble; the other was afraid that if they said it, they would lose the little happiness they had now. So, although there was no open discussion, they still tacitly began an underground love that only each other knew.
Chapter completed!