Focus on the 21st on the keys.

I didn't notice that Sister Liu was a little annoyed and glanced at me.

He played the keys on his side very seriously, which made Sister Liu even more depressed and became so angry that she started to make bad things.

Normally, the way the piano duet is played is that two people use two pianos to play a piece together.

The way the two of them play together with a piano is called "four-handed joint play", and each person is responsible for half of the keys.

Therefore, after the keys that originally required two hands were shared by four hands, although the workload was reduced by half, the difficulty was increased by more than twice!

First of all, the tacit understanding between the two sides should be enough, otherwise the four hands must be played on the keys.

Secondly, there are many forms of four-handed joints.

There are two people responsible for half of the keys and the notes on this half of the keys.

There is also one person who is responsible for playing with his left hand and the other person who is responsible for playing with his right hand, and the two swords are combined.

But the problem is that one person is responsible for half of the keys and half of the notes, which means that you can only play your half of the notes and cannot interfere with the other party.

It's like two people recite a poem together, and follow the second half of the sentence, if it is:

A: Hoe the wheat at noon, B: Sweat drips into the soil;

A: Who knows that the meal on the plate is hard-working;

This is fine, if:

A: Hoeing the wheat, B: the day is noon;

A: Sweat drops, B: Soil under the grass...

This is difficult. Those responsible for Part B not only need to perfectly undertake the rhythm and emotions of Part A, but also have to accurately take charge of the notes of Part A, and the same is true for the people responsible for Part A.

But the problem is that these two modes are not the most difficult. The difficulty is that the two need to synchronize the notes in part, which becomes:

A:ch—B:u

A:h——B:e

A:r—B:i

A:da——B:ng

A:w—B:u

As long as there is a note that cannot be connected, it will ruin the entire song!

Even if there are only more difficult forms like this, the tricks that music geniuses can play are definitely beyond the imagination of sound illegitimate people, but few people can really do it.

So, when Eryi suddenly joined in, half of the keys and notes were separated.

Sister Liu almost didn't react, but fortunately her piano skills were indeed good, so she followed her.

But it is impossible to say that a girl has no small emotions. While playing, Liu deliberately made a bad move in an interlude, which speeded up the playing speed!

That is, it suddenly increased from its original normal warp speed to 1.2 times the speed!

Although the speed of "Croatian Rhapsody" is not too exaggerated, the sudden speedup in this kind of playing is easy to make people unable to react!

Fortunately, after Eryi got started, he was indeed worried about the tacit understanding between the two, so he kept turning on the [move imitation technique] to cooperate with Liu Meizi, and naturally noticed Liu Meizi's finger movements, so that after she suddenly accelerated, Eryi followed without any delay.

Liu Li was also surprised. She didn't expect that her detriment could not stump Eryi. Now the girl was even more dissatisfied. She mentioned it again! 1.5 times!

However, with Eryi's hand speed easily reaching more than 300, the 1.5 times speed of this song is really nothing, and it can't catch up with the normal speed of "Thousand Bian Sakura".

But when Liu Meizi mentioned twice the speed, she still couldn't hold back the 21st.

After watching Eryi play "Qianben Sakura", she knew that it would be impossible for this guy to have a hand speed.

He blinked mischievously, and changed his style. As he was playing, he suddenly reached out to "snatch" a note of 21, which made 21 stunned, who was about to reach out to press the keys.

21 I originally thought that Sister Liu was used to playing alone, and accidentally played it subconsciously, but I didn't expect that Sister Liu would "snatch" more and more, forcing him to use his hands to play it with his left hand.

But the problem is that while "grabbing" the keys, Liu Meizi was still moving towards him, and she squeezed Eryi so hard that she could only sit sideways.

At this time, Eryi also began to understand that Liu Meizi was deliberately increasing the difficulty. She immediately said unconvincedly: Isn’t it just to grab the keys? You can grab it too!

As he was playing, he suddenly stretched out his idle right hand and leaned in under the armpit of Liu Meizi. He snatched a Liu Meizi's piano key with a "boom~". What's very cheap is that what he snatched was not his original piano key, but the one Liu Meizi was originally responsible for!

This sounds very confusing, but in fact, it will be easy to understand if the piano keys are partitioned.

There are 88 standard piano black and white keys in total.

In other words, Eryi was originally responsible for 50% of the keys of No. 1 to 44.

But Liu Meizi rushed to the scene and came here to the No. 23 key, and only 25% of the keys were left.

But Eryi suddenly started to grab the key No. 45, which means that Eryi started to be responsible for 1~25% and 51~75% of the keys.

The two of them were practicing left and right fighting skills, with four hands flying up and down, poking one from above and poking one from under the armpit, making the originally good "VV" style play into an overlapping "evil" style play!

If it were normal, as long as the two of them could cooperate, the sound of the piano would not be messy, it would be nothing.

But the problem is that he is a boy, and he is also very magical and has a physique that is not afraid of itchy, so he doesn't care about being tickled.

But Sister Liu couldn't do it anymore. Eryi's arms were lowered from her armpits, making her whole body itchy.

In a hurry, the two of them lowered their arms from each other and grabbed the keys. The friction was like the devil's pace, and they inevitably encountered some indescribable places!

Although Liu Meizi is a slender and slender girl, her breasts are far less despicable than Tong Youyan's surging fairy.

But no matter how exquisite he is, he is still a girl. Eryi used his amazing hand speed, making him blush and soft all over.

If there weren't so many teachers on the scene, and Eryi had also confirmed that he had really focused on the tip of his nose and had cold sweat coming out. He stared at the piano keys and didn't dare to move away. Sister Liu almost couldn't help but overturn the table!

Sister Liu is so angry!

I tried to deliberately make bad things but failed, but instead I lost my wife and my army. The little rabbit I had been raising for almost twenty years was almost worn out. OK?

Liu Meizi, who didn't dare to grab the 25% piano keys, had a stubborn temper. She suppressed her shyness and refused to return to her own 50%, but she slightly closed the elbow of her left hand, so that Eryi would have another chance to dig the rabbit hole.

When I saw it, um? This is OK? If you don’t let me take it, I won’t take it? I don’t want to save face?

So I simply played the piano with my left hand, and stood up, carefully pulled out my legs, stepped behind the piano bench, and played while standing!
Chapter completed!