Chapter 156 Comic Book

Leo Tolstoy wrote in the book "The Sonata of Kleet": Love is a special love for a man or a woman beyond all other people.

From this point of view, Ye Zhiran's love object is undoubtedly Zhang Nianyue. Because his love for Nianyue is more than for everyone else, including Huang Yuwen and Ma Yanli.

However, looking at the problem from another perspective, for Zhang Nianyue, Huang Yuwen and Ma Yanli, in their minds, Ye Zhiran is their only love partner.

Therefore, when Ye Zhiran was glad that a small storm between him and Nian Yue gradually disappeared, Huang Yuwen was soft and heartbroken.

That day, after Zhang Nianyue and Ye Zhiran left Huang Yuwen's house one after another, Huang Yuwen's mother began to interrogate her daughter about the relationship between him, she and her.

Huang Yuwen pretended to be indifferent and answered her mother: They are all alumni of J University.

The mother asked suspiciously: "Ye Zhiran seems to have an extraordinary relationship with your beautiful female alumni?"

Huang Yuwen answered her mother impatiently: "Mom, what does Ye Zhiran have to do with her? What does it have to do with me?"

The daughter's indifferent words can't deceive her mother's eyes. She knew that the baby daughter had this Ye Zhiran in her heart, and that she was the only boy in her heart.

The mother walked down the stairs and held her daughter's hand, and said softly: "Good girl, did you know that Ye Zhiran is good to this girl?"

Huang Yuwen almost burst into tears when her mother called out "good girl". She hurriedly covered it up and said, "Mom, don't get angry. This matter has nothing to do with you."

The mother stood up for trouble: "Why is it okay? If Ye Zhiran really has something to do with this girl, can I see if I don't deal with him?"

Huang Yuwen is most afraid of her parents' intervention in Ye Zhiran. She immediately said anxiously: "Mom. If you and your father interfere with Brother Feng, I will run away from home and cut off relations with you."

The more anxious she became, the more she realized Ye Zhiran's position in her mind.

The mother looked at her daughter lovingly and said softly: "Yuwen, with your background, appearance, and talent, why bother to bend down? The famous families who proposed marriage to your father are lined up for your choice."

Huang Yuwen stomped her feet and said dissatisfiedly: "Mom, don't pull other stinky men together with me."

"Also, don't mention our matter to dad, otherwise, I will be anxious with you."

This was the first time that my mother saw her always well-behaved daughter talking to her in this language. She smiled and said, "Okay, I understand, my eldest lady. Then you have to tell your mother honestly, do you like Ye Zhiran very much?"

Huang Yuwen blushed and did not answer her mother's question. She turned her head and went straight upstairs.

At night, Huang Yuwen sat in the studio and couldn't calm down. She took out her brush to draw the landscape casually, but she felt that the mountains were not like mountains, and the water was not like water. There was no interest in painting at all.

The daughter here is worried, and the mother there is also the mother here. She wanted to talk about her daughter with her husband Huang Minhai several times, but she was worried that something would happen. After thinking about it for a long time, she still felt that she would understand the situation clearly before talking about it.

The next day, her mother Lin Ru really started to have a lot of worries. After Huang Yuwen went to the Provincial Art Association to participate in the art exchange of calligraphy and painting, she opened Huang Yuwen's studio and carefully searched through the notebook in the drawer commonly used by her daughter, but found no abnormalities. When she was sorting out the album on the painting table, she found an exquisite album that she had never seen before. It seemed that Huang Yuwen had spent some time recently to make it by hand.

The album is very thick, about fifty or sixty pages.

Lin Ru opened the album curiously and saw that the inner page of the album was bound from lead paper, and she had drawn about ten pages. She started from the first page.

The painting on the first page has a title: "J University Campus". The date indicated by the painting is September 2. In the picture, two women and one man and three people walked together, and met a young man unexpectedly on the way. Lin Ruzhen recognized the two characters in the first painting, one of which was her own daughter. In the painting, the daughter stopped and stood next to a pair of lovers with close expressions. The other was Ye Zhiran who suddenly met. Look at the actions of the four people in the painting: the daughter stood reservedly on one side, while the lover and Ye Zhiran were chatting intimately. The other woman in the painting tilted her head slightly and pointed her right hand at Huang Yuwen as if she was introducing Ye Zhiran.

Judging from this painting, it should be the first encounter between her daughter and Ye Zhiran. This discovery made Lin Ruzhen very interested. She sat down at the painting table and looked carefully page by page.

The title of the second page is "Talking" and the date is September 2nd. There are also four characters in the painting, in the same living room. A graceful girl stands on the side of the living room. The girl is wearing a short dress and long hair flowing, and her eyes staring at the young man sitting on the single sofa in the living room. It is Huang Yuwen. Looking at the three-person sofa in the center of the living room, a middle-aged couple sitting, listening carefully to the young man with his face on the side. However, it is the Zhu and his wife.

Lin Ru laughed silently: My daughter is writing her own diary in the form of a painting.

She looked at the young man carefully, but saw that he was full of energy and was holding a jade pendant in his hand, as if telling a wonderful story, so that the other three people in the living room focused their attention on him. The young man had only a few strokes on his face, but after Huang Yuwen's wonderful strokes, his spirit was vividly portrayed. This young man was Ye Zhiran.

Both paintings are dated on September 2, and the content depicted is obviously the acquaintance between his daughter Huang Yuwen and Ye Zhiran.

Lin Ruzhen turned to the third page, and there was also a title above the pencil drawing, "Eccess in Hubin" and the date was September 9th.

There are three characters in the picture, a middle-aged man (you can tell that it is painter Zhu at first glance) waving his hand to say goodbye to two young men and women. The two young men (Huang Yuwen and Ye Zhiran), the fairy of the woman is graceful and the man is graceful. Under Huang Yuwen's wonderful writing, the breeze blowing from the lake blows across the woman's long hair and dress. The dress blown by the wind forms wrinkles and is clearly distinguishable. The man is taking the painting tools from the woman with a spring breeze on his face. Judging from the expressions of the man and the woman, both of them are reserved and intimate, looking at each other, exchanging inner joy.

Looking at the fourth picture again, it is still on September 9, titled "The True Character of Men".

This is a thrilling picture. In the painting, Huang Yuwen's right hand was covered with her wide open mouth, and she looked at Ye Zhiran in horror. Ye Zhiran was taking big strides, grabbing the bridle of a two-person bicycle with both hands, and her body had lost its center of gravity. There were two young women in the car opening their mouths, as if they were screaming in horror. The bicycle was close to the lake, and it seemed that it was about to rush into the lake. However, Ye Zhiran was tightly grasped by the bridle, so that the body of the car was tilted, which was consistent with the direction Ye Zhiran rushed forward.

This painting records the scene where Ye Zhiran bravely rescued the girl, and Huang Yuwen obviously witnessed this process. After reading the painting, Lin Ru really knew that her daughter had a deep memory of this scene. This can be seen from some details in the picture.

When Ye Zhiran flew over in the picture, he grabbed the bicycle bridle with his hands one by one and the other, and his shirt was slightly deformed by the intense movement. His originally handsome face showed a nervous expression, and his mouth was half open, as if he was shouting. The people and the car in the picture lost their center of gravity during the collision and were about to fall to the ground.

Lin Ruzhen had known before that Ye Zhiran was the hero among the "Two Lis". Through this painting, she learned that Ye Zhiran had such a brave move in front of her daughter.

Turning another page, the fifth painting was on September 15, titled "During the Exhibition". It records the first encounter between Ye Zhiran and Huang Minhai during the exhibition. In the picture, there is only Ye Zhiran's back, Huang Yuwen walked beside him and was sending him out. Huang Minhai and Zhu painters were watching their backs while talking.

Lin Ruzhen put down the album and thought about it. It seemed that around mid-September, her husband had never told her about meeting Ye Zhiran during the art exhibition. However, why didn’t he tell herself about the important situation of her daughter? It’s true!

The sixth painting, on September 25th, is titled "Changjia Station". Huang Yuwen stood beneath the stopping train, with a big bag in front of her feet, looking at Ye Zhiran who was walking over with a smile. Ye Zhiran had not arrived, and his smile and eyes seemed to have reached Huang Yuwen's heart. This painting has a bit of romantic meaning, and with the stationary train station and the stopping train, Lin Ruzhen seemed to have seen the same scene in many movie shots. However, the male and female protagonists were replaced by people she was familiar with.

If the previous paintings tell the story of Huang Yuwen and Ye Zhiran's acquaintance, then from this painting, the artistic conception of the painting has undergone a significant change, revealing a hint of hazy love.

The seventh painting is a scene when Huang Yuwen was bitten by a poisonous snake in the maple forest. A small snake was wandering at her feet. The woman shouted in horror and loudly, and the man threw down his bag and ran over.

The eighth painting is a bit ambiguous. An old monk with long eyebrows stands aside, and a little novice monk is secretly looking back at Huang Yuwen's exposed white and tender calves. Looking at Huang Yuwen again, the pants on her feet have been rolled up high, and Ye Zhiran is leaning down and sucking her wound with her mouth. In the picture, when Ye Zhiran's mouth touches Huang Yuwen's legs, Huang Yuwen's nervous expression is shy, but her eyes are clear and bright.

This is an interesting painting: it not only records the rescue process, but also cleverly draws four expressions of four people. The old monk's transcendence, the little monk's lustful heart, the woman's shyness, and the man's selflessness. The name of this painting is "blood-sucking healing".

When Lin Ruzhen saw this painting, she had already realized her daughter's journey. German writer Goethe once said: Which man is not good at love? Which woman is not good at celebrating her youth? Youth has always been synonymous with love. Isn't Huang Yuwen the only one who is true?

These eight paintings are stringed together to make a complete story of first love. They clearly depict the process of the daughter and Ye Zhiran from getting to getting acquainted with each other and having a love relationship. From having a good impression when they first met, to gradually deepening their feelings, and then to the process of quantitative change to qualitative change in Donglin Temple.

Lin Ruzhen sighed and turned another page.

When she opened the painting on this page, she took a look and said in surprise, and the person stood up.
Chapter completed!