Li Ang also knew that the name "The Legend of the Anti-Japanese War" was not likable, "Anti-Japanese War" was not likable, "The Legend of the Condor Heroes" was not likable, and even "Chapter" was not likable.

Described by the general evaluation of employees: this name is low.

The reason is very simple. This name can easily evoke everyone's memories of those anti-Japanese dramas, and then they feel disgusting as if they had eaten poisonous shit.

Of course, Li Ang also knew this, and he knew this clearly from the time he gave this name.

But Li Ang didn't plan to change the name of the game, and he didn't plan to change a single word!

He did not make this game to make much money, nor to show off the company's technical strength. He wanted to break the cage! He broke the cage that has been shrouded in countless Chinese people for such a long time!

He used to be a small game planner, but now he is just a small game company boss. He cannot influence national policies. What he can do is to use the method of making games and electronic games as a carrier to spread his ideas and correct everyone's prejudice against the Anti-Japanese War.

The War of Resistance Against Japan, which is what the Westerners call the Far East battlefield of World War II, is also an integral part of World War II. It is no less humble than the European battlefield, North Africa battlefield, Atlantic battlefield, and Pacific battlefield. Even because it is the Chinese Patriotic War, it is even more sacred for the Chinese!

But why is the Anti-Japanese War so rustic, absurd, and lowly in the minds of many Chinese people now?

There are many reasons.

For example, the rigid and political anti-Japanese education from childhood to adulthood, many people pass on their disgust for political nature to the War of Resistance Against Japan and are disgusted from the bottom of their hearts.

For example, foreign culture, especially Western culture, Western countries led by the United States have better technical strength and greater capital investment. They have produced countless excellent, exquisite, and various film and television works depicting the European battlefields of World War II, and produced countless games about the European War, the Pacific battlefield, and the Atlantic battlefield.

The excellence of these film and television works and game works is far beyond the level of similar works in China today. The protagonist is handsome, the clothes are exquisite, the battlefield is grand, the scene is exciting, and the story is wonderful... Everyone has watched it a lot, and after watching it for a long time, the two are compared, and some media that admire foreigners and fascinate foreign countries have fueled the fire. In the subtle influence, they naturally think that the Anti-Japanese War is rustic and low.

Also, the most important thing is the proliferation of anti-Japanese dramas.

Do China have good anti-Japanese dramas? Of course, there are "Bright Sword", "My Captain·My Group", "Indelible Number", "Life and Death·Line"... They are all very excellent anti-Japanese TV series. Although the scene investment is not as good as foreign masterpieces, they are also extremely conscientious works and truly good dramas.

But these conscientious works are still too few, and more are anti-Japanese dramas.

Since the development of the domestic film and television industry in the last century, hot money has been pouring in, and various TV series have emerged like bamboo shoots after a rain.

Among them, anti-Japanese TV series are popular for their fast approval, low production cost, short shooting time, easy-to-sell, and other characteristics.

But although the anti-Japanese dramas at that time were of varying quality, they were not as exaggerated as the anti-Japanese dramas. At most, they were not good-looking.

The real anti-Japanese dramas are rampant, and all kinds of incredible absurd plots appear after directors of Xiangjiang, directors of Baodao and the capital behind them notice the mainland film and television market.

Since the new century, the film and television industry in Xiangjiang and Baodao has been greatly impacted. In addition, the market is small and the transformation is difficult. The film and television industry is getting worse and worse, and many film and television drama companies have gone bankrupt.

At this time, in order to save themselves, their eyes looked inland and the huge film and television drama market inland.

These directors of Xiangjiang and Baodao have transformed and come to the mainland with funds, and started a journey of making money by filming and filming. After several years of exploration, they found that it is best to sell anti-Japanese dramas! They filmed quickly and made money quickly! They have devoted themselves to the shooting of anti-Japanese dramas.

But these directors usually film soap operas, youth idol dramas, martial arts dramas, and even police and gangster dramas. They are half-familiar with war dramas and know nothing about the Anti-Japanese War. The Xiangjiang screenwriters and Baodao screenwriters they brought are also extremely unfamiliar with the War of Resistance Against Japan.

In order to make money as soon as possible, many of their scripts were filmed on the same side, full of their personal style, shamelessly mixing the characteristics of soap operas, youth idol dramas, martial arts dramas, police and gangster dramas that they are good at and are serious anti-Japanese themes, and filming those shit-like anti-Japanese dramas, polluting the eyes of the people of the whole country.

Of course, this also causes problems such as radio and television anti-Japanese film and television scripts not being strictly approved, and TV stations only focus on efficiency and not on quality.

But the disaster has already happened, and a pile of stinky dog ​​shit ruined the porridge. Anti-Japanese dramas, anti-Japanese themes, and even the term Anti-Japanese War were all defiled by these anti-Japanese dramas.

Li Ang does not have the ability to change too much, so he can only make up for it and correct it as much as possible with his own ability!

He named this game to connect with those anti-Japanese dramas!

The purpose is to fight poison with poison, and use the most absurd way to rationalize the absurd plot in the anti-Japanese drama and try to eliminate the mental harm caused by the anti-Japanese drama to everyone!

Using future technology to kill the Japanese collide with the real history of the Anti-Japanese period, correcting everyone's worldview that has been distorted by anti-Japanese dramas for a long time.

Use the time-travel elements that are very subtle at the beginning to immerse players in the plot of the game and use the perspective of a modern person to witness the history of suffering of the Chinese people.

Of course, Li Ang can make an orthodox anti-Japanese game. A young man from a small mountain village, who is burdened with national hatred and family grudges, grows up step by step in the years of war, joins the Eighth Route Army, joins the National Army, participates in the battlefield behind enemy lines, and participates in frontal wars... Showing the Anti-Japanese War through the perspective of an ordinary person.

Such games are so good that they are very orthodox, but with the excellent game quality, no one can tell half of them.

But if this fails to achieve the goal, it will be like another excellent anti-Japanese drama that will appear, which will make people move for a while, but it will still not be able to break the cage made of shit!

Li Ang could only use strange tricks and even trigger a big discussion online, causing players to misunderstand. At the risk of poor game sales, he also wanted to achieve his goals!

Li Ang wants to be a great game producer. He wants to make some great games, some games that can contribute to society and correct certain unhealthy trends.
Chapter completed!