The sunset is setting, and Zhang Chu separates from his friends after dinner in the school cafeteria. Those who play ball, self-study, read books, and participate in club activities. He also has to drive back to pet cats and write books.

The house with a total of more than 100 square meters is not big, but Matcha is still a little lonely at home alone. Zhang Chu touched its chin with his hand, pinched its raised claws in his hand, and said jokingly: "Matcha, otherwise I will find you a few male pets? I will buy you all the handsome cats you like or the beautiful girl you like."

Matcha lies on Zhang Chu's legs, it tilted its head and couldn't understand what the shoveler was saying, stretching its claws to try to match Zhang Chu's palms.

Sometimes the house is really too quiet, "Buy a parrot?"

I don’t know how this idea came out of Zhang Chu’s mind. He took out his mobile phone and wrote it in the memo. It could not only find a companion for Matcha but also make the family angry. It seemed like a good idea.

But he looked down at the matcha with his mouth and tongue sticking out. His sharp teeth looked a little sharp. If he could catch a mouse in the room, would he kill the parrot?

This is a serious problem!

After teasing for a while, Zhang Chu also stood up and entered the study. He was not a person who was disgusted with the intention of playing things, and his mission today is still 20,000 words short of it.

He planned to write "Farewell My Concubine" within a week, write the first draft in five days, and then use two days to modify it to create a revised version, which will only come to an end.

For many people, revision is almost the second creation, and even the time and energy spent on revision is far greater than the first creation.

However, this is not too difficult for Zhang Chu. It will of course be much easier to have the original work as a directional reference.

The sound of mechanical keyboard typing quickly rang in the study, and soft music also flowed out of the impression.

【Bitch, ruthless,

The actor is unrighteous.

The bitch should have feelings in the bed,

An actor can only be righteous on stage.]

This sentence always follows the full text and simply extracts all the content. "Farewell My Concubine" actually tells the story of bitch and actor, but the fact is not as what this passage says.

Only when you see the following words, readers may find that these two sentences are obviously slander!

It represents the author's feelings, that the bitch who should be ruthless has a kindness.

Everyone has something they depend on. The doll is attached to the umbilical cord, the child is attached to the mother, and the woman is attached to the man.

The charm of a bitch is just on the bed, and he dies when he leaves the bed; the charm of an actor is only on the stage, and he dies when he gets off the stage.

The world has just wiped away the face of powder.

[He is Yu Ji, and he is the boss who plays against him. The boss is the thing Yu Ji depends on. The king is exhausted, and when he is at a loss, she can't survive. But this is just a play. After all, they are not dead.

How to say it?

Hmm, he, but his favorite man... It's really hard to start over.

Before the pink and beautiful light appeared, I would like to adjust the strings and play the huqin first. During the scene, the gentleman who sat down to play the single-skin drum and held the board with his left hand seemed to be ready. Even though he knew that both of them did not implement it, he still couldn't help but film the story with his old and confused joy.

The lights were dim. There was only a stream of light, accompanied by a half-bathing sound, and the red curtain was pulled up]

It was directly pointed out at the beginning that the two Peking Opera actors who played Yu Ji and Ba Wang had a transcendent love between the world, but they only said that he loved him the most, and did not say that he was also his favorite.

Here, Zhang Chu did not keep the same as the movie, but chose this kind of general tone to begin with, and this different love story might be more attractive.

Moreover, the big red curtain at the beginning of the drama performance is used to describe the way of describing the main text, cleverly integrating the elements of Peking Opera, which does not seem abrupt at all!

The following text turns to the point of writing and it is the winter of 1929.

Zhang Chu had never written literary works with the Republic of China before. Fortunately, he had simulated them in his mind many times, and now he is typing very quickly and has not stopped.

[The sky bridge is between Zhengyang Gate and Yongding Gate. The Temple of Heaven is to the east. The emperors of the Ming and Qing dynasties passed by this bridge every year when they went to the Temple of Heaven for sacrifice. They compared the bridge to the mortal world. The south of the bridge is considered to be the heaven, so this bridge is regarded as a pass in the sky. In addition, the "Son of Heaven" left, so it was called the "Son of Heaven". Later, the Qing Dynasty disappeared, and the sky bridge fell into the mortal world and was no longer exclusive to the emperor. A small market gradually formed here, with teahouses, restaurants, and primitive beaches on both sides of the bridge. There are bird markets in the west of the bridge, and there are various snack stalls, and artists who piled up cakes to pick up cakes. They are lively and prosperous.]

A few simple words show the lively style of the old Yanjing city on the text, and a few strokes make people vaguely see the era left behind from feudal society.

The lives of the lower class people are vaguely visible. Although there are newspaper boys who shouted that the Northeast Army had martial law and the Japanese devils were about to start fighting, the people were too late to fill their stomachs. How could they care about who started fighting?

The prostitute holding a child. The girl-Yanghong became the protagonist of this chapter. As she walked along the way, urban life became more and more dynamic, as if she had changed from words to images to appear in front of her.

Storytellers, tricksters, wrestling, diabolics, trick-playing, crosstalk, big bows, big pills, and hard qigong. It's so lively!

This is the place where Xiao Douzi and Xiao Shitou first met. Xiao Shitou and others performed the scene after the Monkey King Brain Peach Banquet. Who knew that the child failed to perform, which caused dissatisfaction among the gangsters.

In the end, Xiao Shitou performed a bald brick to save some dignity. This figure was remembered by the child holding his mother's hand.

Master Guan was very satisfied with Xiao Douzi's face, but the child had six fingers on his right hand!

How can Peking Opera singers have such costumes?

Don’t you scare the audience when you go out?

But Xiao Douzi's mother Yanhong not only knelt down, but also made up her mind to chop off her son's extra finger!

Cut open the bones and blood, and chop open the road to life and death!

Zhang Chu used "a big red paper spread out" to describe the bloody scene. Isn't the flowing blood just like big red paper?

The brighter it is, the more ironic it is.

Just as Yanhong said, she would not become a prostitute if she had a three-inch wide road to live, and she sold herself to support him.

"Ye~ah~ah~ah~oh~ah~ah~"

The sound of luck practicing sounds sounded when the morning light was dim, and it was not that easy to become a corner.

This chapter is very long, with a total of 12,000 words.

After Zhang Chu finished writing, he found that it was already half past 11:30 in the evening. He twisted his neck and dragged the document to the front. Now he began to read it carefully to see if there was anything that needed to be modified.
Chapter completed!