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postscript

I’m done with this book, thank you for your strong support from all book friends and readers over the past two years!

The ending of the book is not perfect. The reasons are many aspects. The factors that face harmony are one aspect, but the more important thing is that it is the first time that Fuyun has completed a book in two years.

In the middle and late stages of writing, the inspiration has been severely exhausted, and the plot that can be imagined cannot be enjoyed by myself, which has led to serious lack of passion and the update has been delayed. So in the end, although there are still some small holes that have not been filled in, I still breathed a lot of relief when I finished writing the two words.

When I first opened this book, I chose a genre similar to infinite flow. Fuyun thought that every game could be completed quickly without dragging the plot like traditional games, which would lead to boring later stages. Each game can write the most interesting upgraded adventure plot. When the game plot becomes difficult to write, reopening a game is to develop this setting in your home.

But the problems exposed are many of them when I write them down.

First of all, this book is very different from the traditional infinite flow. The copies, dungeon characters, backgrounds and even items selected by traditional infinite flow are ready-made. The author makes corresponding changes and in-depth digging. As long as the reader has a little understanding of the remote work, he can easily feel substituted. The author does not need to spend too many words to explain the background and other things.

But even if you use realistic games to modify games, it is difficult to have many good choices, let alone make major changes, interesting changes, and the plot must be started over again.

This has led to many game copies, which cannot be done like infinite streams, and can only write a copy of 30,000 to 40,000 words, and 60,000 words is already a big deal.

As a game, setting, background and plot are indispensable. If you include the interaction between players and NPC, the number of words will inevitably increase suddenly.

These are not big problems at all. With too many words, it is certainly not a bad thing for the author.

The problem is that a person's ability is limited, and setting up a game is not easy, let alone one after another.

Writing in the middle and late stages, what game copy to open has become the most troublesome thing for Fuyun.

One of the highlights of this book is the interesting game copy. If you can’t think of an interesting game copy, just reopening the game is just a flood.

In addition, the items obtained in one game are difficult to use in another game. The setting of home cultivation can never be reflected in the game. These also make Fuyun a headache, and in the end they cannot find a good solution.

I won’t talk about things that are too nagging. Next, I will answer some questions that book friends care about and want to know.

First of all, there is the follow-up to the Evolution Island, and there is also the plot of peerless charm.

According to the initial setting, Peach Blossom Fenghua is also one of the heroines. In the first volume of Evolution Island, some clues of the real background of Peach Blossom Fenghua were laid. In terms of setting, Peach Blossom Fenghua is the eldest lady of an ancient traditional family. After disappearing for a few years, she was confined to marry a certain family and was able to play games again. The family decided to have a marriage for her. In the subsequent plot of Evolution Island, the protagonist would go to her family to steal people. It was probably such a plot. However, the plot became more and more dispersed, and the snow in the sand came out, which led to the repeated delays in the Evolution Island plot. When I wanted to write again, it felt that it was difficult to continue with the set background. Later, the harmony was serious, and it felt that it was not appropriate to open the line of Peach Blossom, and I had no motivation to open it. I didn't know how to end it after it was opened, so I could only regret not to write it.

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The second queen and the white tiger.

When writing the prehistoric civilization, I had imagined an interstellar chapter, explaining the follow-up of the Second Queen and the White Tiger. The two became interstellar pirates, but there was no specific idea. When writing about the Home War, I also thought about asking two to help, but in the end I felt that it was unnecessary and I didn't write it like this.

Xiaoqiang clone.

Xiaoqiang's clone is positioned as a funny killer. He will not have a higher IQ anymore. He will run wildly on the road to self-destruction and kill people. He will write it in the future, and he will only occasionally make guest appearances.

Erena and Aurora.

Their plot was originally planned to write a special game copy to solve, but when writing a copy of Home War, I felt that it was unsustainable, so I barely filled out their pit in advance. They would not join the protagonist's harem, and the two would leave after the plot of Home War.
Chapter completed!
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