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Chapter 334 The baby in the box

"The whole thing is made of gold. Even if it is not a jade carving inside, it must be a treasure." Ye Jianzhong looked through it for a while and said.

The most surprising thing is Mr. Zhao. From childhood to adulthood, he did not find such a gold box hidden in his home. In fact, everyone is sure that there is a jade carving in his heart. It may be as Mr. Zhao himself said that his father passed away before he could pass on the treasure, so that the jade carving has been buried underground.

"Uncle, think about it, do you have a golden key?" Hong Tianbao was unwilling to destroy this exquisite box. The golden box was embossed with images of the twelve zodiac signs gathered. It was precisely because of this that everyone basically confirmed that it was a jade carving inside.

"Let me think, let me think!" Mr. Zhao signaled everyone to calm down.

After a while, Mr. Zhao shook his head and smiled bitterly: "I don't remember that since the box was found here, the key may be in this room. Please help me find it." Mr. Zhao had to use the stupidest method.

Others didn't expect a good idea. Hong Tianbao sighed in his heart. It was impossible to find the key in this room with three feet of digging. He knew it, but he couldn't tell others, and even had to look for it with others stupidly. This feeling was depressing.

Originally, he didn't want to use his spiritual sense at his uncle's house, after all, it might involve other people's suspicion, but now he had to say Amitabha in his heart. As soon as his spiritual sense was revealed, he immediately wrapped the entire manor. With the experience of the box, Hong Tianbao deliberately searched the underground.

Slowly, he frowned. He searched the entire manor and found no trace.

Ye Jianzhong knocked on the ground everywhere, even putting his ears on the base of the wall and listening to it. He read everything he should see and everything he should hear. But there were no clues.

Mr. Zhao was the most capable of finding him. After all, this is his treasure. Although he had decided to give it to Hong Tianbao and let him gather the twelve zodiac signs, it was still a kind of glory. After turning the whole room upside down, Mr. Zhao finally defeated him.

He shook his head and said, "It's impossible to find it blindly! It's exhausting."

Ye Jianzhong and others also nodded with deep understanding. It took an hour to check a room.

"Looking for a machine that can sense metals may be easier. It is indeed not a solution to find it like this." Tang Xin wiped the slight sweat from his forehead. This kind of work is so annoying.

Mr. Zhao nodded, which was also a good idea. He immediately called out and ordered the relevant tools to be transferred immediately. He even had an idea. He checked the entire manor and didn't believe that the key would not come out.

Hong Tianbao didn't say anything, frowned and watched Xiao Sen fiddling with the box.

"Brother, this box is so strange!" Xiaosen said suddenly.

Everyone was stunned. Hong Tianbao asked, "Why is it strange?"

"I could move the animal carved on it just now, but for some reason, it's not possible now." Komori kept pressing the relief on it with his fingers.

"Can you move?" Everyone stared wide, and Hong Tianbao immediately squatted down and looked through the entire box with his hands. At the same time, he looked at the entire box with his spiritual sense, and ignored it before.

Others were even more surprised. As a result, this box was a machine box. What is just puzzling is that since it was already a machine box, there is no need to lock it up, right?

After a while, Hong Tianbao became terrified and thought to himself that it was amazing!

"Tianbao, have you seen the reputation?" Ye Jianzhong asked. He knew that Hong Tianbao's heart was the most meticulous, and he couldn't see the tricks, and the hopes of others were slim.

Hong Tianbao did not answer, but pressed and held the singular zodiac signs at the same time. Everyone found that the zodiac relief could move.

"Is this OK?" Tang Xin widened his eyes and looked at Hong Tianbao, thinking the same as others: Isn't this guy confused, right?

"Haha! Good luck!" Hong Tianbao breathed a sigh of relief. When others heard this, they let out a heavy sigh: It was indeed a pity. It seems that this guy's luck is still as good as ever.

Seeing Hong Tianbao stop, Tang Xin said, "Continue!"

"Uh! I won't know the next step, please try it." Hong Tianbao pushed the box over, let them play for a while, and analyze the operating principles in it by themselves.

Mr. Zhao immediately snatched it over and wanted to untie the box mechanism with his ability, but he was soon discouraged. He had no idea how to start. He knew a lot about jade, but he didn't know much about mechanisms.

Ye Jianzhong was about to take it over and think about it, but when he saw Tang Xin's smile-like expression, he immediately shrank: "Cough cough! You first, you first!"

Tang Xin took the initiative and immediately moved the golden box to her. He first looked at the entire box carefully, then stared at the relief on it and began to fiddle with the relief order on it. She found that the order of the reliefs in the twelve zodiac signs of the box was messy, so she tried to arrange it again, hoping to untie the box.

In fact, Hong Tianbao had discovered the key and hid it in the box. No one could have imagined that the baby was inside the box, and the key that chained the box was thrown into it.

What surprised Hong Tianbao even more was that the box was divided into three layers. Before, I saw the largest layer in the middle space, that is, the layer where jade carvings were placed. The top layer was very strange, just a small groove, and a golden key was placed. The bottom space was also very small, and there was a book inside.

Hong Tianbao looked carefully and was shocked by the "book". He was stunned on the spot in an instant, but then he returned to his original state, and his heart was shocked. Now, he had discovered that the Zhao family inheritance of his uncle's uncle was still before the Ming Dynasty, and at least traced back to the Jin Dynasty.

It was not a book, but a lot of works superimposed, each of which shocked the whole country. It was all about the works of the saint of calligraphy Wang Xizhi. Except for the most famous "Preface to the Lanting Collection", the other representative works are basically: "Declaration", "Also Expression", "Le Yi Lu", "Huang Ting Jing", and "Seventeen Posts", a total of five pieces, but the contents of these five works are not much, so they are not thick when stacked together, just like an ordinary book.

In the history of ancient Chinese calligraphy, Wang Xizhi's status was very unique. Because it was strongly advocated by Emperor Taizong of Tang, Li Shimin, Wang Xizhi's calligraphy was confirmed as a model of ancient calligraphy art. For more than a thousand years, Wang Xizhi's calligraphy art status has been very strong, and people respect him as the "Sage of Calligraphy" and the representative of Chinese calligraphy culture.

The only "Declaration List" that can be seen now is the engraved version. The general commentator believes that it was copied and engraved based on Wang Xizhi's copy and was first seen in the Song Dynasty's "Chunhuage Tie" with a total of 18 lines. In later generations, most of the single versions were reprinted, so it is better to use the Song Dynasty rubbings.

It was also said that the same was true. The outside was made of later copies, and no original copies appeared. It turned out that they were all taken away by the ancestors of the Zhao family.

"On Yue Yi" is an article written by Wei Xiahou Xuan (Taichu) during the Three Kingdoms period. It discusses the famous general of Yan State in the Warring States Period and his conquest of various countries. It is said that Wang Xizhi copied this article and wrote it to his son and official slave.

"Huangting Jing" is the most famous of these works. The writing material is not paper, but yellow silk cloth. It is small regular script with one hundred lines. It was copied and engraved in the Song Dynasty, and there were rubbings circulated. This post is extremely strict, its spirit is also elegant, and it has a beautiful and beautiful style.

It is also the main classic of the Shangqing School of Taoism, and is also regarded by the inner alchemists as the main classic of inner alchemy practice. It is divided into "Huangting Inner Jade Sutra", "Huangting Outside Jade Sutra", and "Huangting Middle Jade Sutra". Among them, "Huangting Middle Jade Sutra" appeared later and is usually not listed in the "Huangting Middle Jade Sutra". The book believes that there are gods and immortals everywhere in the human body, and for the first time the theory of the Three Dantians was proposed. Many methods of thinking and visualization were introduced.

There is a legend about the Huangting Jing: There was a Taoist priest in Shanyin who wanted to learn Wang Xizhi's calligraphy. Because he knew that he had become a habit of loving goose, he specially prepared a basket of fat and large white geese as a reward for writing scriptures. Wang Xizhi saw that the goose happily wrote scriptures for the Taoist priest for a long time, and happily "returned in a cage of goose."

"Seventeen Posts" is a group of letters, which are a bit long and folded.

"Seventeen Tie" is a famous representative work of cursive calligraphy by Wang Xizhi. It is named after the beginning of the volume is "Seventeen" and the original ink writing has been lost. The "Seventeen Tie" is now a printed version. Zhang Yanyuan of the Tang Dynasty recorded the original ink writing of "Seventeen Tie": "Seventeen Tie" is one foot long, which is the inner version in Zhenguan, with 17 lines and 943 characters. It is a famous post. Emperor Taizong bought the two kings' books, and the king's calligraphy had three thousand papers, and it was based on the scroll of 12 feet. The calligraphy and words were drawn together to form the same.

In fact, Wang Xizhi's original works have never appeared in China, but "Sang Luan Tie" has appeared in Japan.

One of the famous calligraphy works of Wang Xizhi in "Sang Luan Tie" is a Tang Dynasty copy and cursive style. It has been passed down from generation to generation to rubbish the Tang Dynasty, with a total of eight lines and a total of sixty-two characters:

Xizhi paused his head: The turmoil was extremely chaotic, and the tomb was first removed from the poison. The pursuit was very cool, and the call was destroyed, and the pain was penetrated. What should I do if I could do if I was hurt! Although I was repaired, I didn’t get rid of the horse. The sorrow and poison became deeper. What should I do if I could do it! I felt choked up when I was on the paper, and I didn’t know what to say. Xizhi paused his head.

"Sang Luan Tie" is brilliant, with exquisite brushwork and strong dynamic. The structure is often tilted and side-shaped, with strange and elegant style. It is a typical work of the latest posture created by Wang Xizhi.

According to rumors, the "Sang Luan Tie" was introduced to Japan during the Middle Tang Dynasty and is now collected in the museum of Japan.

Hong Tianbao took a deep breath, and he almost suspected that the ancestors of the Zhao family robbed Wang Xizhi. This casual work was enough to shock the whole country. It was because Wang Xizhi was too famous.

No wonder the ancestors of the Zhao family specially created a gold box to store these treasures, and not only added a gold lock, but also built a mechanism. It is not unreasonable to be so careful. If these treasures were not found by themselves, they would probably have to be buried underground for a long time in the future...
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