What Lin Zixuan thought of was the later film "This Killer Is Not Cold", which talked about the hazy relationship between a killer and a little girl.

Of course, he would not copy it like this for his own sake. This era cannot accept this "Lolita"-like story, and even in later generations, he has been criticizing this plot.

Perhaps only the French dared to deal with it so boldly, and they dared to do anything that violates morality in the name of art.

Lin Zixuan will deal with the relationship between the killer and the little girl into a father-daughter attachment, which will be more understood by the audience.

The focus of this "Killer Li Ang" is on the topic of "redemption".

Li Ang is an introverted and unique killer.

He is skillful and superb in killing, but he is very withdrawn. He likes to drink milk, raise a pot of green ivy, and likes to watch movies alone in the theater, living a lonely and simple life.

Martina is an ordinary student in girls' school. She has a messy family. She is at a rebellious age and doesn't like going to school or this family.

Her father was a gangster in society. He swallowed up a big cigarette from his boss, and was found out by the boss and killed his whole family.

At the critical moment, out of kindness, Li Ang saved Martina who came to ask for help, and the two began a shared life.

Lin Zixuan will not treat the police as a villain. He has to consider the influence of the concession police station. If he really follows the scripts of later generations, then the concession police station will be banned from the film.

Although in this era, police officers were indeed corrupt and abused their power, which everyone knows, but you are asking for trouble by making movies.

Li Ang and Martina live together, one is silent and dull, and the other is lively and active.

The little girl Martina wants to avenge her family, while Li Ang taught Matina to practice shooting. They influenced each other and gradually changed, and their relationship became closer and closer, and they were tied to each other.

Finally, Li Ang died, and Matina returned to girls' school to continue school.

"Why didn't both survive?" Ruan Lingyu, who had read the script outline, said in confusion, "Don't the audience like to watch the happy ending?"

"Because tragedy has more touching power." Lin Zixuan said.

In fact, he thought this was the pretentiousness of the French. The French believed that such an ending was literary and connotative enough.

If a Hollywood director had filmed this film, it would have been a happy ending. Even if it wasn't a happy reunion, the hero would not have died so easily.

This "Killer Li Ang" needs to be orientalized. There are many areas that need to be changed, and many plots and lines need to be redesigned, which must not only conform to the conservative concepts of the Oriental people, but also take into account the acceptance of Western society.

Lin Zixuan wanted to carefully polish the script and discuss it with Ruan Lingyu from time to time.

She has already had a holiday, so she can find something for her to do. She can design some lines that suit her age.

As for the protagonist of the film, he decided to act on his own and play a ticket.

The focus of this movie is to open up the European and American markets and use his popularity to advertise the movie.

Anyway, this killer is quite cold. He has no facial expressions and it is not difficult to interpret. It mainly depends on Ruan Lingyu's performance.

Ruan Lingyu was very happy about this and actively participated in the creation of the script. Based on the outline provided by Lin Zixuan, she came up with many interesting plots, showing her talent in film creation.

She is more sensitive inside and needs to be recognized by others.

Moreover, Ruan Lingyu felt like she was rescued by Lin Zixuan like Martina in the script. She developed an attachment to him. She had always been hiding this feeling in her heart. This time she suddenly realized when she saw the script.

Is this just a father-daughter attachment?

Her father died early, and the mother and daughter depended on each other for life. She had no chance to feel the warmth of fatherly love, and had always been in a state of insecurity and lived carefully.

Until Lin Zixuan appeared in her life, she felt relieved when Lin Zixuan sheltered her from the wind and rain.

Maybe it's really just attachment!

Ruan Lingyu was lying on the bed, thinking about the story in the script. She looked forward to the start of filming as soon as possible. Although it was fake, she would be satisfied as long as she could perform it with Lin Zixuan.

Thinking of this, she fell asleep.

In her dream, she became Martina, living in the Chinese world of Zhabei District, with an unreasonable sister and a lovely brother. Because she is a daughter, she is often beaten and scolded by her parents. She is very disappointed in life and does not want to go to school.

Her neighbor is a strange man, always alone and serious.

Martina was very curious about this neighbor and always wanted to know the secret of this man. Until one day, her family changed drastically and she lived with the man.

What happened next was very different from the script.

Ruan Lingyu woke up from her sleep and probably remembered the scene in her dream, so she couldn't help but feel a little shy.

This was the first time she had such a dream. She was a little panicked, curious, and a little overwhelmed. She just reminded herself in this way.

While Lin Zixuan and Ruan Lingyu were communicating the script, the female workers in the silk factory led by Xiang Jingyu were on strike in full swing.

According to the agreement, magazines under Vientiane Book Company published promotional articles, and Lin Zixuan also spoke out for support.

That's all, he can't do more. The Lin family is also a big capitalist in Shanghai.

The Lin family does not have a silk factory, but they are engaged in the textile industry and have more female workers in the yarn mill. This time the female workers in the silk factory went on strike, and the next time it may be the turn of the yarn mill.

This is a social problem. Even if the strike is successful, it is inevitable that the factory owner will settle the accounts after the fall.

They can gradually replace these female workers who went on strike by looking for obedient new workers. In this era, there are too many people without jobs. Once the contractor goes out, he can bring back a large number of female workers from all over the country.

A strike can only solve temporary problems, but cannot fundamentally solve problems.

Ding Ling naturally participated in the strike of the female workers in the silk factory. She was an activist in social activities and also participated in the tutoring school of the Shanghai University in the yarn mill and got along with the female workers.

Perhaps because of Xiang Jingyu's influence, she is extremely passionate about the cause of women's liberation.

Lin Zixuan didn't say anything. Everyone has their own path to go. This is their choice and cannot be forced.

He just told Ding Ling to write more articles and not be unfamiliar with it.

However, this young literary woman who loves tossing also has her own emotional troubles. She has a good impression of Qu Qiubai, director of the Department of Sociology at Shanghai University, but Qu Qiubai married her good friend Wang Jianhong.

The most depressing thing is that she still has to live with these two people and watch them show their love every day.
Chapter completed!