Investment in South Korea in summer is mainly focused on the two major fields of finance and technology.

The financial industry is the lifeblood of a country. As long as the financial industry is controlled, the fate of that country will be in control.

Just like the British rule in Hong Kong, it depends on British banks such as Huifeng and Standard Chartered. They monopolize Hong Kong's economic lifeline by supporting pro-British wealthy people, and then control the work and life of Hong Kong people.

Hong Kong people can eat, wear clothes, spend money, use electricity, and buy things... food, clothing, housing, transportation, food, rice, oil and salt are all related to the British. Therefore, the UK has seized a huge amount of wealth from Hong Kong through these British banks and pro-British consortiums.

Xia Tian is now taking advantage of South Korea's opportunity to accept IF financial aid and is forced to liberalize the proportion of foreign investment in South Korea, and take the opportunity to penetrate South Korea's financial system.

South Korea's banks, insurance companies, investment companies, and credit companies are all the targets he acquires.

The goal of summer is to win at least one of the eight major banks in South Korea. As for insurance, investment, credit, etc., the more it is better. For this reason, he will use 50 billion US dollars in huge funds.

...

The reason why summer has not taken action on the entertainment industry is because it is not worth it.

Although South Korea's entertainment industry has flourished in its previous life, its luck will be worse in this life and it is destined not to create miracles again.

The reason is very simple. The prosperity of South Korea's entertainment industry back then actually occupied the light of the collapse of Hong Kong's entertainment industry.

In his previous life, in 1997, Hong Kong movies had collapsed across the board, and even the local Hong Kong market was blown up by American blockbusters.

In addition, Hong Kong filmmakers were committed to death. In the 1990s, when the mainland opened up co-production films, they made some inappropriate films, which made the mainland kindly feed the dogs. They were forced to stop the co-production film plan and started cooperation again until 2003 years later.

Therefore, in those years, Hong Kong movies were already very bleak. The film industry was the locomotive of the entertainment industry, which would drive the improvement and development of the entertainment industry. After the decline of Hong Kong movies, Hong Kong TV series, music, etc. were also desolate.

For example, in the 1990s, Hong Kong TV series once dominated the major TV stations in the mainland. The Hong Kong version of "The Legend of the Condor Heroes", "The Legend of the Condor Heroes", "The Legend of Condor Heroes", "The Legend of Condor Heroes", "Genesis", "The Great Age", "The Unkind", etc., all of them set off a ratings frenzy in the mainland back then, which was much more powerful than the Korean pop.

But after entering the new century, the influence of Hong Kong TV series, except for a small number of TV series such as "The Legend of Qin" and "The Legend of the Golden Branch" caused a sensation. Most of the other Hong Kong TV series can only be limited to Hong Kong Island.

While the Hong Kong entertainment industry was declining, South Korea's entertainment industry took the opportunity to rise. First, it regarded the entertainment industry as a national pillar industry and strongly supported it; second, it promulgated the "Movie Revitalization Law" and gradually relaxed the restrictions on film restrictions.

As a result, the South Korean film industry ushered in rapid growth and launched a large number of excellent movies, such as "My Savage Girlfriend", "August Photo Studio", "My Wife Is a Big Boss", "Hanjiang Monster", etc.

These excellent movies not only caused a sensation in South Korea, but also caused strong responses when they were released in other countries and regions. For example, "My Savage Girlfriend" set off a "barbaric trend" in Asia that year. The output of South Korean movies drove the output of Korean dramas and Korean music, and eventually formed a powerful "Korean wave" that swept the world.

...

However, in this life, Korean waves are not so lucky.

Because summer began to be laid out early, the current situation of Hong Kong movies is far less declining than in previous lives.

Current Hong Kong films are very good in terms of story, production, performance, distribution, etc. They have both reputation and box office, so it is not easy for South Korean movies to seize the market. After all, it is not so easy for the audience to appreciate the taste.

Furthermore, in the mainland, summer matches cooperation between the mainland, Hong Kong and Taiwan early. This also makes the mainland and Hong Kong and Taiwan have very close ties in the entertainment industry. Therefore, it is not too easy for South Korean TV series to enter the mainland.

Even if you can enter the mainland, it is not easy to cause a sensation. Because Xia Tian’s influence in the mainland is much greater than that in South Korea. His relationship with the mainland media, he spends much more public relations expenses every year than that in South Korea. Under his deliberate suppression, even the best Korean dramas will not cause any turmoil.

In terms of music, the reason why South Korean music is so popular is that it draws on and imitates the popular trends in Europe and the United States; the other is that it adopts marketing strategies that are more in line with the tastes of young people.

Korean music basically imitates European and American music. Basically, what is popular in the United States will become popular in South Korean music.

For example, the South Korean group hot, crystal boy, nrg, etc. were all imitating the boy groups in Europe and the United States, while the .k.l, etc. were basically imitating the hot girl group. The dances of the South Korean singing group were mostly learned from Europe and the United States, such as mechanical dance, break dance, street dance, etc.

After the new millennium, European and American combinations gradually became less popular, while ramp;b, electronic music, hip-hop, etc. became mainstream, and South Korean music also began to follow the electronic dance style, hip-hop style and ramp;b. However, the form of "combination" was still passed down by South Korea.

It can be said that South Korean musicians use the use of the principles, digest and absorb European and American music, and then feed it back to Asian countries.

In fact, Fusang does the same. The Hong Kong and Taiwan music scenes have brought a lot of good things from the Fusang music scene. For example, the well-known and powerful female singer Miyuki Nakajima is called "one person supports half of the Chinese music scene."

However, the Fusang music scene has become more conservative and is only willing to maintain the development of this acre of three-point land in Fusang, which has given Han Le room for expansion.

In summer, through the exploration and cultivation of music talents in Hong Kong, Taiwan, Nanyang and other places, coupled with the strong support of international record companies, the influence of the Chinese music scene is much greater than in previous lives.

For example, many of the albums released by Tianfeng Records are produced by producers under Columbia Records; singers of Tianfeng Records will also receive packaging training from Columbia Records before their debut; albums released by Tianfeng Records will also be released through sales channels of Columbia Records all over the world...

It can be said that with the support of summer and the assistance of Columbia Records, Tianfeng Records has now ranked among the top record companies in Asia in all aspects, from singer exploration and training to record production and distribution.
Chapter completed!