When "The Great Era 1950" was written about 50,000 words, it was handed to the editor, and a reply was soon given: "You can sign a contract." But the editor also did not hide his concerns about this work. I don't need to say the reason, many people can guess it. A Chinese person was reborn in such a country and in such an era, and became such a person. Hehe, it's okay to not be scolded, right?

Not only did the editor have such concerns, but he also asked them to read it when chatting with friends in the group. The result was very unsatisfactory: many friends who are very important to me, even on the previous page of the Piao Astronomy!”

Because of the above reasons, I decided to release a chapter first, just to see the readers' response - the upload was carried out without the editor knowing it. According to his intention, it was necessary to officially publish the article on Monday - so there was the content you saw. The upload rate of one chapter per day cannot be considered a normal speed in Songshanao. However, I said that before Monday, I just wanted to see the readers' response, and the frequency of two chapters per day will be restored from Monday.

The content of the work "The Great Times 1950" is not something that readers who are extremely indignant about Japan would like - but the majority of such readers are! It should be said that this work by Songshanao is quite formally facing this historical process, and there will be no insults or insults to Japan, but only describes the experience and portrayal of a Japanese with a Chinese soul living in Japan.

The male protagonist's journey is mainly to become rich, which was originally the original intention. He originally wanted to add some mediocre scenes to the book, but the editor stopped him urgently: "It's not purified now, but you can't find trouble, don't make any trouble!" This is his original words!

Readers who have read Songshan'ao's works probably know that when I write, I will keep a large part of the manuscripts, not for the purpose of breaking out, but for the purpose of being able to get over it when something happens temporarily. This time, the first volume has ended (300,000 words). When I published this article similar to the explanatory text, I was writing the second volume.

I saw some readers' comments and was still very interested in such a work that describes Japan and almost positively describes Japan's post-war journey. This is undoubtedly a great encouragement to the author. Here, I would like to express my gratitude and appreciation to readers who can view this book with a relatively normal and calm attitude.

There are many things that can be described about Japan's post-war period. Whether it is some historical issues, Japan's specific development or economic takeoff, it is not something that an author like me can do. It can only be described as much as possible according to his own understanding. Please understand if there are omissions and errors.

Starting from the second volume, Pigs will go to the United States - don't misunderstand it, it has no relationship or similarity with "American Screenwriter". At least, the development of the male protagonist in the United States is not as similar as the former. I roughly checked it and it seems that I have not used such a profession, or the perspective of describing Pigs' journey of making a fortune! Let me keep it a secret and you will know it.

What is different from some articles is that when I started writing, Ai Fei would not fix himself in one position. He would participate in many fields in a professional skill. This does increase the difficulty of writing, but it is also very fun - for the author, he can always learn a lot of new knowledge through his own fingers and in the process of checking materials. Is this a by-product of writing?

Finally, I would like to talk to you about the issue of "The Great American Screenwriter". Eunuchs are very difficult to be called, and the title of "The Great American Screenwriter" is also very uncomfortable. But since you have done it, you have to take responsibility. The half-time deadline for "The Great American Screenwriter" is definitely not due to economic reasons, and this must be declared in advance.

The main reason is that the sudden change in work. When you arrive at a new workplace, it is impossible for someone to let you write with your laptop all day long, and you will be tired when you return home; the second reason is the design problem: Zhao Sheng confessed everything to his wife. According to the author's idea, there was a huge problem with the marriage between the two. Of course, this is a later story, but in my heart, I don't want him to break up with Jennifer. In addition, Resler pursues him like a vicious wolf, and this matter will be exposed sooner or later!
Chapter completed!