The studio was pitch black, and only one Mercedes-Benz off-road vehicle was illuminated by the lights. The two were shot from different angles at the lowered windows. The car was still motionless. Alexandra Dadario, who was sitting in the driver's seat, still looked like driving, and turned around from time to time and shouted.

"Stand by!"

She shouted to Matthew, who was lying in the back seat of the car.

Matthew looked a little miserable. The close-up shot of his face was covered with scars, and blood on his forehead and eyebrow bones.

The Mercedes-Benz Off-road Vehicle suddenly swayed, Alexandra Dadario turned around and drove attentively. The camera aimed at her instantly turned into a close-up, circling her entire upper body into the camera.

It is obvious that the crew is very clear about what Alexandra Dadario's biggest selling point is for the film.

The car shook violently, and Alexandra Dadario also shook, and the chest under the white tight T-shirt became even more exaggerated.

Alexandra Dadario turned around and shouted, "Where do you live!"

"Uh..." Matthew swayed around, in a daze.

"Where do you live?" Alexandra Dadario shouted again.

Matthew said in a daze, "Washington Square, 11 Washington Square." He seemed to faint at any time, and finally reminded him, "They don't know where I live, don't let them follow us, uh... wait until dawn before going back..."

Alexandra Dadario felt that his chest was shaking and almost fell to his seat. He stopped talking and focused on posing in a driving position, hoping that the camera would be finished quickly.

Finally, director Gilmo del Toro's voice sounded, "Stop! This one has passed!"

The Mercedes-Benz off-road vehicle stopped shaking, and Alexandra Dadario breathed a sigh of relief and subconsciously touched his chest to see if it had shaken off.

Matthew got up from the back seat, got out of the car and walked to the driver's seat, and helped Alexandra Dadario open the door. He happened to hear Alexandra Dadario mutter, "If you continue like this, you will soon sag."

She glanced at Matthew, jumped out of the car, and said openly, "Am I wrong?"

"Very correct." Matthew said casually, "Big breasts are prone to sagging, which is common sense."

Director Gilmo del Toro's voice rang again, "Replace shooting, Mathew repairs makeup, and starts shooting again in forty minutes."

Matthew walked towards the rest first, and Alexandra Dadario followed.

Without having to go back to the dressing room, a makeup artist and her assistant quickly came over to "treat" Matthew's wounds. Matthew sat in a chair and let the makeup artist be busy.

Alexandra Dadario followed and sat next to him.

"I heard that the crew is preparing to win a quota for Oscars?" she asked.

Matthew took advantage of the time when the makeup artist wiped off the blood from his head and went to get medical tape, saying, "Warner Brothers is indeed prepared for this. It is not yet certain that he can get the invitation from the Oscar Organizing Committee."

Now there is still some time before the 79th Academy Awards Ceremony. Apart from confirming that the host is Allen DeGeneres, the Oscar Organizing Committee has not yet confirmed the other award presenters.

"I Am Legend" alone has an investment of up to $150 million. Warner Bros.'s film promotion and distribution must meet the needs of first-line super-large productions. Although Matthew is not interested in the Oscars, he will not deny the promotional role of the Oscars.

Warner Bros. has been planning to make him, the absolute male lead, an Oscar guest, not an ordinary award, and want to plan the most important awards.

More than a year ago, Matthew himself was slightly insufficient, but now it is different. Regardless of age, his status and fame in the circle are enough even as the awards guest for the best film.

Of course, being too young will always be a disadvantage for male stars in front of the Oscars.

Alexandra Dadario asked again, "When will there be a definite news?"

After the makeup artist put medical tape on his forehead, Matthew shook his head and said, "I'm not very clear, but it won't be more than half a month before the Oscars at the latest."

"Matthew, please don't move." The makeup artist was going to put on makeup again at this time, reminding him, "Don't talk for the time being."

"I get it." Matthew turned to Alexandra Dadario before putting on makeup by the makeup artist. "Generally speaking, the people invited by the Oscars can bring male or female companions. Anna, if this happens, can you be my female companion then?"

"Really?" Alexandra Dadario touched his chest, and his ice-blue eyes were full of surprises. "Matthew, can I?"

Matthew nodded and said, "Of course, but I don't guarantee that the Oscar will invite me 100%."

Alexandra Dadario understood naturally and said, "I know! I know!"

The makeup artist came over at this time, and Matthew said to Alexandra Dadario, "Anna, let's talk later."

"Yeah." Alexandra Dadario nodded and stopped talking.

After nearly twenty minutes, the makeup artist took care of the wounds on Matthew's face and legs. Matthew stood up and moved his hands and feet. It felt uncomfortable to sit for a long time.

A neutral woman came over with a little girl of eleven or twelve years old.

"Hello, Matthew." The middle-aged woman is an agent of the Angel Brokerage Company.

Matthew knew her, and had seen her more than once, nodded and said, "Hello, Maggie."

The middle-aged woman named Maggie pushed the little girl in front of her and took the initiative to introduce, "This is the little actor signed by the company, Saoirse Ronan Saoirse, this is Matthew."

Matthew reached out and shook the little girl, "Hello, Miss Ronan."

The little girl was very polite and shook his hand, "Hello, Matthew."

She seemed introverted, and after saying this, she returned to her agent.

Maggie said at this time, "Saoirsa will play with you later, I'll bring her over to meet you in advance."

Then, she introduced Saoirse Ronan to Alexandra Dadario, who greeted the little girl casually.

Saoirse Rona is obviously introverted, completely different from the Collo Moretz that Matthew met some time ago.

Gilmo del Toro's deputy came to inform him that the crew had already made a transition and asked several actors to enter the scene to prepare for filming.

Matthew and Alexandra Dadario went to the set first and waited for Saoirse Ronan to arrive. The three of them practiced their moves under the command and explanation of Gilmo del Toro, and the shooting began immediately.

In a daze, Matthew woke up lying on the sofa and subconsciously touched his forehead. The wound on it had been treated. Then he felt his legs a little cold. He touched it down and found that his trouser legs were cut open and the previous wound was sewn together.

Then, he looked further away, with his watch and flashlight on the coffee table, while the TV was playing "Batman: The Moment of War".

Matthew struggled to get up from the sofa, and seemed to hear something happening in the restaurant. He rolled and crawled to the front of the TV cabinet, pulled open a drawer, took out the pistol inside, and walked towards the restaurant with vigilance.

He came to the front of the restaurant, and was stunned for a moment, then saw the little girl eating and Alexandra Dadario who was busy standing in front of the gas stove.

Almost at the same time, Alexandra Dadario also noticed him, turned around, saw the pistol in his hand, staring at him blankly, as if he didn't know what to do.

Matthew looked at the two women of the big and small, and made sure they were harmless. He walked to the shelf and slowly lowered his pistol.

"Very...I'm sorry..." Alexandra Dadario made several unconscious gestures and pointed to the frying pan on the stove. "The eggs are all powdery. But...of course you know."

Matthew breathed a sigh of relief and nodded slightly.

"This is for you." Alexandra Dadario took the pot and showed it to him. "I found Bacon, this is the best thing in the world."

She walked over with a pan, "I also found antibiotics in the bathroom and placed them next to your plate. Your feet are not healed yet. If you don't hurry up and treat them, the injury will become worse."

Seeing her put the dish from the pot into the plate, Matthew asked, "Who are you?"

Although he didn't look back, he confirmed that the focus of the ** shot behind must have been on Alexandra Dadariona's extraordinary chest.

This is a commercial movie, and this is also the most typical shooting method for commercial movies.

"I'm Anna." Alexandra Dadario signaled the little girl with his eyes, "This is Rebecca."

Then she asked Matthew, "Don't you eat it? It will get cold..."

Perhaps it was a distraction. When Alexandra Dadario put the bacon into the porcelain plate, the bacon fell on the oak table.

"ut!" Director Gilmo del Toro's voice immediately rang out, "Each department will return to its position and start shooting again in five minutes."

Alexandra Dadario put down the pan and smiled embarrassedly. Matthew shook his head slightly at her, indicating that it was okay.

Everyone makes mistakes during filming, from actors to directors to other behind-the-scenes jobs.

Matthew walked over and said, "Relax, Anna. Just like you usually make breakfast for yourself, you will find it easy after you relax."

Alexandra Dadario nodded, "I will."

Perhaps Matthew's words played a role. After the shooting started over, Alexandra Dadario did not make any mistakes again. Instead, something went wrong with the photographer. The long shot was shot four times before director Gilmo Del Toro announced it was approved.
Chapter completed!