The future racing teams must be down-to-earth. In a diversified society like North America, a good way to be down-to-earth is to allow most minorities to find their own representatives. In other words, the members of the racing team are composed of multiple ethnic groups.

Whites, Latinos, Africans, Asians, etc., can all appear in drag racing groups.

Matthew immediately thought of the market across the Pacific. In the future, he bought a special account of this type of video. Perhaps he could make arrangements in advance, find a suitable candidate from the male stars on the Pacific, and join the racing group.

Can you drive on the other side of the Tianping Ocean in the future? After thinking about it, Matthew gave up and drove around the city there, and finally left safely. It would be strange if he could pass the review.

Then, Matthew called Bella Anderson over and asked her to write down her thoughts just now and feedback them to David Ellison so that she would not forget them later.

The next day, he had dinner with David Ellison and bearded Jack and communicated their own ideas.

Matthew's ideas were strongly supported by Jack, the bearded man. Now the social situation in the United States is here, so we must take the initiative to adapt.

This news quickly spread to the early planning team of the "Fast and Furious" series. Some people quickly recommended their respective roles. Out of confidence in Matthew's continuous success, David Ellison almost asked Matthew to make decisions in this matter.

The script of the entire film was overturned and started over again before it was written. Just as Hollywood never gave screenwriters great creative freedom, the script of "Fast and Furious" became a standard propositional essay.

The theme of the script has been combined with the words Matthew said before, and then the main characters and the relationship between the main characters are defined first, and then the story is filled in according to the characters.

This is a typical Hollywood-style assembly line operation mode.

Matthew and David Ellison's expected investment is more than $100 million, and they will definitely go through a successful model in the past. If someone in the crew suggests revolutionary innovation, Matthew will be the first to kick him out of the crew.

In terms of roles, Paul Walker and Jordanna Brewster will inevitably return, and Matthew will play one of the most important roles.

As for the minority role, Paul Walker recommended Tyres Gibson in the second part as a candidate for African Americans. Screenwriter Gary Scott Thomas suggested that South Korea return as an Asian person, but Matthew refused directly on the grounds that South Korea's character died, intending to find someone to choose a Chinese actor or find a tough guy actor directly from the other side of the Pacific.

In addition, Latinos are also needed. After David Ellison's reminder, Matthew found that he had ignored the most powerful force in Hollywood, Jewish.

Since it is a multi-ethnic racing group, a Jewish character is also a must.

Of course, these characters may not appear in the fourth part. If the fourth part is successful, they will appear in the sequel to the new trilogy one after another.

The filming of "I Am Legend" continues. The crew will shoot in the Warner Studios studios throughout February, and then move to New York in March to shoot the final scenes of Washington Square and the East River in New York.

Since last year's filming, the German Shepherd named Carl disappeared from the crew because the dog was obviously hostile to Matthew. All Sam-related shots will generate special effects in the post-production, which is not too difficult for Hollywood's film technology today.

"Matthew! Sorry! Angry!"

On the set of the laboratory, Gilmo del Toro shouted to stop shooting and said loudly to Matthew, "Your only companion is dead, you shouldn't be so calm!"

He raised his voice, "Let's do it again."

During the crew's preparation for the script, Matthew once suggested not to let the male lead Robert Neville kill Sam, so as not to cause unnecessary trouble. However, after the on-site investigation by the crew and Warner Brothers, he was a little too sensitive, and most people from relevant organizations did not have much opinion on this.

Director Gilmore Del Toro believed that Sam's death could make the story of the film more intense, but in the end the crew chose to let Robert Neville kill Sam with his own hands.

Matthew didn't say anything, just nodded. This shot has been ng four times, and his emotional expression has always lacked strength.

These are actually his own reasons. Director Gilmo Del Toro gave him fifteen minutes to adjust his mentality. Matthew is now an old actor. He stayed quietly for a while, slowly emptied his brain, and his mentality gradually stabilized.

Fifteen minutes later, with director Gilmo Del Toro's order, the filming began again.

Matthew trembled his arms, picked up the model dog, leaned against the laboratory bench, and sat slowly on the ground. His face was not only sad, but also scared, as if he was afraid of losing his last loved one.

He hugged the model dog tightly, as if he wanted to use his body temperature to warm Sam's gradually getting colder.

A big hand trembled across the model dog's head, and his words were trembling, "Don't worry, don't worry about anything."

At this moment, the fear of losing a relative in the voice was extremely obvious. "Everything will be fine, it's okay..." The voice gradually became choked, "Don't worry..."

He stretched out his hand, his palm covered with dog hair.

Matthew no longer choked and muttered to himself, hummed a small song in a confused tone, and then opened the model dog's eyes and mouth, looked at his pupils and canine teeth, and his breathing became rapid in an instant, because the thing he was most worried and afraid of still happened.

Gilmo del Toro stood behind the main camera without looking at the director's monitor, staring at Matthew. He saw Matthew's eyes wide and his facial expression was very painful, and immediately said to the photographer, "Photo shoot a close-up of Matthew's face, don't fall on the dog."

The photographer did nothing and immediately did it.

Matthew pursed his lips tightly, his facial expression was ferocious and painful, and his arms strangled the model dog's neck with great strength. His prop dog's resin skeleton even sounded broken...

Finally, he stopped, let go of the prop dog in his hand, and two lines of tears slid silently along his cheeks.

"Okay! It's over!" Gilmo del Toro shouted with a hint of inexplicable excitement, and he shouted to Matthew, "Good job, Matthew! This is a great performance!"

Matthew stood up from the ground, raised a thumb to Gilmo del Toro, and did not speak, and walked towards the rest area.

When he stood up, he returned to normal and there was no such situation as deep in sorrow that he could not extricate himself.

"By industry standards," Matthew sat on the chair, feeling a little self-deprecating, "My acting skills are probably still not up to standard."

Bella Anderson walked over and said, "Miss Theron is here to visit the set."

"Sally?" Matthew asked immediately, "Where are hers?"

"She and the agent went to the office of producer Aziva Gosman." Bella Anderson pointed to the temporary office in the corner of the studio. "I greeted Miss Theron, and she said she would come to you after talking to Aziva Gosman."

Matthew nodded, "I get it."

After less than ten minutes of rest, he entered the set again and continued to shoot the remaining shots of today. The crew quickly transferred the shooting site to the set of the audio-visual product store. Perhaps the most difficult scene was completed, and the remaining shots were filmed very smoothly. Before four o'clock in the afternoon, director Gilmo Del Toro announced the end of work.

Charlize Theron and the agent were still talking to Aziva Gossman. Matthew went to the dressing room first, took off his makeup and changed his clothes and returned to the studio. Charlize Theron was chatting with Bella Anderson in jeans and a white top.

"Hi, Sally." Matthew strode over, Charlize Theron turned to look at him, with a bright smile on his face and nodded, "Long time no see, Matthew."

The two of them opened their arms and hugged them naturally.

No matter what happened before, they have always been good friends who keep in touch.

Of course, the boundaries occasionally cross the level of good friends, but they will soon return.

"Let's go, let's talk as we go." Matthew greeted Charlize Theron, and the two left the studio together. He asked, "How are you talking to Aziva Gosman?"

Charlize Theron accompanied Matthew toward the studio door, and said as he walked, "Aziva has given me the script. Will I answer it? I will read the script before making a decision." She turned to Matthew and looked at him, "Aren't you signed the contract yet?"

Matthew shrugged, "The main reason why I don't sign the contract is that the pay has not been reached for the time being, and it has nothing to do with the script."

"This is a very ordinary script," Charlize Theron said directly. "It is not an exaggeration to say that it is a bad script. No wonder no one is willing to invest in this script in various Hollywood companies for ten years."

She asked curiously, "Why do you like this script?"

"Sally, have you not studied it carefully? A bad script like "He and Tonight" is the script that is always used for big-name commercial films." Matthew said the truth, "The script is just a small part of the condition for me to accept this project. The most important thing is Aziva Gossman. This is Aziva Gossman's project. I am sure of one thing. Aziva Gossman is in the best time for producers, just like Jerry Brookheimer in the past few years."

Of course, Charlize Theron understands this principle. When choosing a film, the director and producer can be ranked first in the script.

The two arrived at the door of the studio, and Charlize Theron politely declined Matthew's invitation to dinner and said, "I have to think about it and talk to Aziva Gosman before I can make a decision."
Chapter completed!