Xingyang City is a big city of the Great Qin Dynasty, with a radius of about 800 miles and a large territory, ranking among the top ten capitals of the Great Qin Dynasty.

As a major city of the Great Qin Dynasty, Xingyang City is actually quite famous in the entire Xuling World, especially in Zhongshenzhou. Neither the monks or ordinary people on the mountain know about the flying murals in Xingyang City.

After Shu Jinran and Zhuo Yuming entered the city, they headed straight to the Feitian Painted Wall in a famous state in Xingyang City for the first stop.

This flying sky painting wall is located in the west of Xingyang City. It is said that it was carved by a Buddhist monk thousands of years ago. The painting wall was cast in the most ordinary white jade. The monk carved the twelve-body flying sky relief with a stone carving and a small hammer for three years, and then painted it with colorful mural, creating a magnificent mural that is twenty feet wide and seventeen feet high.

It is said that when the Buddhist monk carved and painted the flying sky map, the deadline was approaching. When the monk carved the stone wall, he recited the true scriptures and then cut his golden body of the Arhat, melted the true Buddha's golden blood into the colored mud, and painted it on it. In three years, the monk did not drink or eat, and the sound of the scriptures continued. When the wall was completed, the monk's golden blood was completely dried up. Finally, he sat in front of the wall, closed his eyes and smiled, and recited the Buddha's name lightly, and passed away suddenly.

It is said that the monk who has achieved enlightenment, whose cultivation level is not inferior to that of the Buddhist Buddhist leader, has integrated all his Buddhist practices into the giant painting wall. The twelve flying sky paintings on it are full of spiritual Buddha's will, which can transform people's hearts. It is said that this painting wall contains three Buddhist opportunities. If someone with the fate can understand the mystery left by the monk in the twelve flying sky maps, he will get a fortune. Before the construction of Xingyang City, it was said that an old zither master with a terminal illness came under the painting wall. He originally planned to die in this way, but he did not want to suddenly understand a wisp of Buddhist meaning on a thunderstorm night. Overnight, the old zither recovered from a serious illness, with a rich expression, without any sign of illness. People in the world think that this old zither master had the first blessing hidden in the painting wall.

Therefore, there have been a constant stream of good men and women who come to visit everywhere every day. Some practitioners who are trapped by the inner demons also come to drive away the inner demons with pure Buddha energy. The existence of the wall in Xingyang City has also led to the prosperity of the Buddha spirit in the city, and it has become the city with the most people who believe in Buddhism in the entire virtual world.

It is rumored that many monks in Lianhua Temple, the leader of the Buddhist sect, have proposed to move this wall to the Buddhist holy land for thousands of disciples to understand the Dharma, but the Buddha's head dispelled the opinions of the Buddha. Instead of moving back to the Lotus Temple, it is better to keep him in the secular world to save sentient beings. At that time, the voice that most agreed with the Buddha's head was the rebellion of the Buddhist sect, the Ghost Tathagata.

The two walked through the bustling streets in the city, turned left and right, and came to the Li Buddha Bridge in the west of the city.

This Buddha-Lecture Bridge is just an ordinary stone arch bridge built on a small river. It is named Buddha-Lecture Bridge because after stepping across this bridge, it is where the flying wall is located.

Although Zhuo Yuming and Shu Jinran are not Buddhists, since they pass by Xingyang City, they naturally have to come to see this famous flying wall.

Walking through the stone bridge, you will see the magnificent and huge painting wall.

Perhaps because of the blessing of Buddhism, thousands of years have not left too heavy traces on the white jade wall. The stone wall is still bright and white, and even a trace of golden Buddha light can be seen vaguely on it.

The twelve flying bodies have similar shapes, but they are different. There are crowns on the head, long skirts on the waist, ribbons wrapped around shoulders, gold chains and necklaces; there are two buns on the head, with a thin and haggard face; there are strong bodies, with a garden-shaped face, and garden light on the head. The twelve flying bodies have different shapes, with a purple gold crown on the head, and the ribbons are flying; there are upturned faces, swaying upwards; there are hands folded together, with a sad face; there are lion seals, making vajrass eyes; there are also picking flowers with flowers, showing joy on their faces. There are many portraits, holding flutes, holding pipas on their waists, or holding long drums on their waists, or holding pipas in their arms. The twelve flying bodies flew away in all directions, ribbons flying, and the sky falling, each with a magical posture.

While watching along the way, Shu Jinran suddenly realized that his state of mind became extremely peaceful and peaceful without realizing it. His pure fist intention that flowed all the time has stopped without realizing it. It seems that the Buddhist meaning contained in this painting wall is indeed different. It can actually make a seventh-grade martial artist deeply immerse himself in it without realizing it. It is self-evident that the old monk who carved this flying map has the realm of Buddhism.

As he turned his head, Shu Jinran suddenly found that Zhuo Yuming was not around. He said in secret that he had moved very slowly just now, and the two should still be adjacent to each other. Shu Jin then took a few steps and looked up at the crowd. He found that Zhuo Yuming, dressed in a blue-clothed Confucian scholar, was standing quietly in front of one of the flying pictures, without moving at all.

In front of Zhuo Yuming was a Buddha statue wearing a crown, naked upper body, long cloth skirt, and ribbon dragged. The person in the portrait looked sallow and had no eyes lowered, and his compassion was beyond words. He pinched his fingers on his chest, which was the image of the Bodhisattva lowering his eyebrows.

This is the third portrait. When Zhuo Yuming walked to the portrait, he suddenly stopped involuntarily. In a daze, the Bodhisattva with his eyebrows lowered and his eyes seemed to raise his eyes slightly and glanced at him.

In my mind, I vaguely heard a vague and nothing sound sounding in the distance: "Born from the rootless place, there is no trace of coming and going. I have no fate and no karma in my body, and I will not fall into cause and effect when I walk. I heard that the Tathagata saw me, and seeing me means seeing Tathagata."

Zhuo Yuming's mind suddenly sounded like thunder, and his heart was in chaos.

In his previous life, he had not read much about the Buddhist scriptures. He did not understand the true meaning of the Buddhist sound in his mind, but there was a mysterious feeling in the dark that hit the deep part of his heart and touched a heartstring. He didn't know where this feeling came from and why it was born, but his heart of Tao was very moved. This was the first time since his practice of Taoism, the Taoist mind was touched. When the Taoist mind was confused, the sign of the growth of the inner demon immediately arose. But he didn't know where the heart of Tao was born, and Zhuo Yuming himself was helpless.

Just when Zhuo Yuming was anxious, a golden spiritual light that was invisible to the naked eye flew out of the portrait and slowly sank into his eyebrows. The spiritual light fell into the sea of ​​consciousness, and suddenly felt peace in his heart, and the sign of the inner demon that was originally ready to move also stabilized.

Zhuo Yuming frowned, and he was full of doubts about what had happened just now. It is said that his cultivation was the Taoist throne of the Human Emperor, and it should have nothing to do with Buddhist Zen. It is impossible that the fluctuations of the Human Emperor Sutra in his body resonate with this portrait. Moreover, the Buddhist verse seemed to be a little bit aimed at him that he was not a person in the world. But even monks like Feng Xing Jiansheng, who were at the peak of the heavenly beings, did not notice any clues. How could this mural be perceived? Zhuo Yuming was not sure why it caused the portrait, and the Buddha's verses directly sounded in his mind, and a little Buddha's spiritual light flowed into his sea of ​​consciousness.

Just as Zhuo Yuming was thinking hard, a hand suddenly rested on his shoulder.
Chapter completed!