"Old Wang, don't say too badly. Little girl, we need to educate and not attack. She is no longer too old than your daughter, why are you so irritable?" Huang Zhi made up his mind, "Then call, today is preparations. In a few days, I guess people will not be able to attend. So let's report on this matter and ask us to be a backstage."

Speaking of this, Huang Qi couldn't help but feel angry.

"Why do we do a good thing and they want to snatch us?" Huang Qi wanted to arrest the imperial opera and beat him up.

The essence of things is very simple.

Isn’t this the art world has been busy regaining our own culture after more than two years of rectification and reflection? Kong Rundong’s talented wives, especially Mrs. Dong, who has outstanding achievements in art, has become a good research direction.

Mrs. Dong is a famous musician in the music industry, and in her hands, Gonghou has formed a musical instrument with an influencing modern traditional music style.

She is also a famous opera artist, especially in the late thirty years of Chongzhen, she made great contributions to the integration of Southern Opera, north, west, east, and Peking Opera, which finally became a national opera in the Suzong Dynasty.

Even if you have a very profound attainments, you still have a role in leading the past and opening up the future in stage education.

This is genius.

So what happens when a genius meets a genius?

According to historical records, Kong Rundong's mobao left by himself, Mrs. Cao could not say anything about the female kings of the Prime Minister's Mansion, and some poems were also passed down in later generations, but compared to others, she was really a little timid. What she was best at riding a white dragon horse and lifting a three-point and two-edged knife to reason with people.

But Liu Rushi is good at poetry.

What is the scene when Liu Rushi's poems and Dong Xiaowan's music meet?

But this is only two-thirds of the famous scene.

There is also the singing Li Xiangjun.

Liu Rushi's script, Dong Xiaowan's music.

Plus Li Xiangjun's performance.

This has led to many derivative versions of operas that have been passed down to this day.

The first song is naturally Li Xiangjun’s favorite, but later adapted and extended by Liu Rushi, adding Prime Minister Kong’s idea to the “Pipa Record”.

This play tells the story of the Han Dynasty scholar Cai Yong and Zhao Wuniang, which is a bit nonsense.

Oh, this was what Kong Rundong said.

"Cai Yong is the son of the Yuan daughter of the four generations and three kings. How could he live in the countryside? But the people are willing to believe it and cannot popularize history education for the time being, so let's go like this first." Prime Minister Kong said.

Li Xiangjun's criticism was not left in history books.

But the unofficial history says that after hearing this sentence, Mrs. Li suffocated Prime Minister Kong.

It’s just that you’re sitting face to face and thinking about you and you’re not going to be the kind you’re thinking about.

This is a reflection of Prime Minister Kong's unwillingness to let Mrs. Li be addicted to the story of talented and beautiful women.

Then there was the official record of "Yang Family Generals", an opera-style opera, which can also be regarded as the predecessor of the play "sing hard" in the play.

However, under the contradiction between the empire's extremely confident and extremely unconfident culture during the previous period, few people in the opera world knew about this.

Isn’t this? Recently, it was Mr. Guan’s proposal to discover the large-scale implementation time of the spirit from our own culture.

Emperor Ying searched all the history books and found such a material.

So we proposed to hold a seminar to fully discuss the inspiration of the two classical stage arts, "The Pipa" and "The Yang Family Generals", on modern performing arts.

This annoys the Emperor's Show.

You think it's my name to be the Imperial Drama University!

Are you a film school coming to discuss opera?
Chapter completed!