Guan Yin asked the prefects of Song Cheng and Jinyang to stay and listen to what the Ministry of Rites said at the meeting. He clearly informed those people that their approach was somewhat unreasonable.

"Art education must certainly be included in the scope of education, but education should not only talk about inheritance. I have read reports from your local media. You are too timid and too timid in the issue of folk art education. You are neither afraid to offend the inherent interest class nor want to play the cake of this industry. Then you can only find ways to earn from the market and ask for red envelopes for the audience. This is an extremely undesirable thing." Guan Yin criticized two places, "If possible, I hope you will send all the people from the Lishu and the people from the teaching side to listen. I also recommend that theater troupes from all over the country hold this meeting in the imperial capital, so that the Cultural Committee and the General Administration should actually enter the guidance position, rather than standing on a high place and blowing the cold wind and pointing in the direction."

His criticism was humbly accepted, and the prefect of Song Cheng humbly expressed his determination to strengthen his studies.

Their attitude is real, and Guan Yin likes these people, he is willing to say more.

He gave an example to several people.

"I have also heard some operas in Jinyang. Songcheng's Henan Opera is well-known, but in fact it can no longer keep up with the needs of the times. Your approach in this regard is very questionable. The first thing is to just inherit and just think about the so-called coolness. This is not bad." Guan Yin asked, "Who is the opera for? I think you have learned from foreigners. Foreign operas are a bit confusing. Some people may think they are very good. Why are most people in the empire unwilling to listen to it? Because their dramas are put into one

At a high point, some people express their own style by watching dramas. We are different. Our opera comes from the people to the people. Your Jinyang drama now has big moves, and the stage design is more beautiful than the Huigong Palace. It is clearly singing about the family affairs of the people. You insist on presenting the serious and solemn stage to the audience. The audience is not happy to see you but you are not happy. What are you unhappy? The audience doesn’t like it, you insist on forcing the audience to like it. Who are you old?"

The prefect of Jinyang wiped his sweat and nodded and said, "We are indeed looking for a breakthrough."

"If you weren't looking for a way out, I would give you zero points to the Lexi Division this year." Guan Yin criticized.

The prefect of Song Cheng took out his notebook and asked for instructions: "Then how should we reform?"

"This is not my sitting here, you have to let the audience have the final say. My impression of Henan Opera is that, one is that 'Brother Liu's speech is too biased, who says women are not as good as men', this is a positive representation but very limited. The other is, 'Ah, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, urging, ur

This singing, reciting and beating shocked the group of people.

The prefect of Jinyang looked at Tongzhi and asked quietly: "Why do I feel like I'm listening to crosstalk?"

Isn't it just saying crosstalk?

Stand-up comedy criticizes some current operas.

Miss Xiaoliang was stunned and forgot to applaud the reward.

Why can this person sing a few lines in anything?

If you have the ability, you will sing the Huangmei Opera!

Guan Yin really knows a few words: "There is this problem in the Northern Opera and Southern Opera, just like the part of the "To save Li Lang from his home, who would have thought that the top scorer of the emperor's list is the first prize." If you don't care about it, you have to think that women in ancient times can get the top scorer. If you are serious, you have to tell you that there were no female top scorers in ancient times. Women in the Song Dynasty could be enlightened and went to school, but there was never an imperial examination. Of course, this play is just to show a kind of unswerving love. You can ignore these, but logically, no one is now

How can we do this if we think about changing, we will add so-called high-tech once we change it. Also, our operas generally cannot be separated from two categories: one is 'treacherous ministers harm loyal and kind', and the other is 'young men chase girls', but they do not fully develop the theme, and they show more righteousness. The combination of personal feelings and righteousness is not very good, so some critics later said that our dramas cannot break through the so-called artistic barriers. To move the audience, we must first keep up with the times. This is a big problem."

A group of officials were completely confused and confused.

But a few cultural people in Songcheng understood it.

Mr. Guan has ideas about the scripts and settings in the opera world today.

So can we talk about it more specifically?

"The key is that people who eat this bowl of rice have put their heart into it. The original script was written for illiterate masters and sang operas to most audiences who do not have cultural level. They did not do enough to pay attention to the charm of language arts. Now it is different. More and more audiences are cultivated by compulsory education. At least, the beauty and smoothness of language and logic are the principles that can be perfectly integrated. They also sing lyrics with the original script. No wonder the audience refused to play and chose to watch soap operas. At least although the logic of soap operas is not clear, the beautiful male and female actors are pleasing to the eyes." Guan Yindao, "This is a problem, and another problem is that they pursue the so-called tension of stage art expression. A very simple example is that the several reforms of the Fudu Qin Opera Troupe failed to make the audience recognize it."

Sister Zhao immediately called the video to her father, and you have to listen to your son-in-law and child when she is about to speak.

Dad Zhao was about to burn the kang. When he saw that there was such a good thing, he hurriedly pulled in a few leaders of the Qin Opera Troupe who were singing together.

Several team leaders felt a little upset when they saw this posture.

Zhao Fulei seriously asked his son-in-law to focus on the matter of the reform of the Qin Opera Troupe that had not won the audience's recognition.

"This is nothing to say. You reform it for art. In fact, most Qin Opera troupes are trying to fool the market because they are desperate. The actors have to eat. There is no shame in the market reform. What is embarrassing is that they are asking for some income from the market, but they still have to pretend to be so noble. I am an artist and you are all locals. This kind of reform can only bring an industry deeper into the water." Guan Yin mercilessly criticized the opera in his hometown, "I watched a movie a few years ago.

The big stage play that gathered the big names and responded enthusiastically was about Qin Shihuang's sending Wang Jian to destroy the Chu State. The stage set was built with so-called high-tech materials, which was better than the pictures produced by our game company, and the actors performed very hard. In fact, you know the result. This is the performance that the general public, especially the hundreds of millions of audiences in Guanxi, and they insisted on promoting Qin Opera to other places, but the path was not right, so they were beaten back by the market and the audience without hesitation."

Dad Zhao frequently nodded and criticized seriously: "I have long said that if Qin Opera leaves the old audience in the city gate, they will have a dead end."

It’s not that those people don’t believe it, but that they look too highly at their own strength.

"I heard that there are still a group of people who are making trouble for a certain genre that is established by a famous artist. Some are also criticized. If they focus on these things all day long, can Qin Opera reform have a way?" Guan Yin even fiercely criticized the fact that a group of opera actors there compete for fame and fortune. "Doing this not only does not benefit Qin Opera, but also damages a large number of surrounding theater troupes. Why can't we use more money and more gimmicks to curse the adapted script? Why can't we start from the most fundamental script and writing skills and tell a story to the audience again? I don't think there is no room for improvement, but the current actors, especially actors in the opera industry, are lazy. They are lazy at work and work hard outside of work. If we don't completely eradicate this bad phenomenon, I have no way out for watching dramas. Like shadow plays, they will soon be completely thrown into history by new technologies that have more markets than TV movies."

After he said this, several people understood it completely.

First, we start with the most basic text and scripts, abandon dross or even small and irregular logic, and use text and scripts that are more suitable for the current audience to express the storyline and story itself.

Secondly, we should be more cautious in the use of new technologies.

It cannot be said that it is more cautious. It can only be said that technology that is more suitable for stage opera should be used as a foil for opera instead of making the audience disgusted by the fancy and whistle.

"After saying goes, don't forget that the audience is the ultimate inspector of all art." Guan Yin mentioned his artistic concept again.

He always believed that art is a product dedicated to the audience, and not to talk about feelings or face. That is a product, which cannot be separated from product attributes.

Isn’t this the same thing in the novels of Tang poetry, Song lyrics, Yuan Quming?

Don’t put these on the altar that modern audiences cannot touch. Any art placed on the altar will be thrown away by the audience without exception.

The masses, only the broadest masses of the people are the main body of art!

If you want to be taller and weaker, don’t want the people to give you high scores. You can only let a small number of rich and leisure nobles Mr. Zhao sit on the comfortable carpet, holding the "artists" in his arms, pointing at the "artist" who is performing with gold rings and saying, "It's her tonight, this is white."

But what is really high and low is not art, but criticism of art.

Because criticizing art itself requires great rationality and calm observation.

Guan Yin's criticism made those in the cultural circle who came to Song Cheng a little uneasy.

They originally came with the idea of ​​changing "Three Heroes and Five Righteousness" into film and television dramas and operas, but now it seems that Guan Yin doesn't want them to be greedy for too much?

"There is no need for you to adapt yours. If the adaptation is good, the audience will certainly accept it. If the adaptation is not good, it is also the fault of your adapters. I don't ask what you adapted it into. I just need the theme of the four words "Loyalty, Filial Piety, and Righteousness" and not to go astray, and not to be said good things by the landlords in the old society, and even to invite Mr. Zhao back. I don't care how you adapted it." Guan Yin also reminded these people in the cultural circle, "Since you dare to adapt, you must be prepared to be questioned, not accepted by the market and the audience and educated them. If you can't do this, I think you will be beaten by the market and be criticized by the audience in the future and crying."

This is a very real sentence.

But this is also a sentence that makes these adapters hesitate.

Isn’t the idea of ​​greedying for traffic and trying to take the opportunity to become popular?
Chapter completed!