"Come to your home." Vice Court Officer Jing called his son-in-law's son-in-law's baby very willful, and he hung up the phone after he said that.

Teacher Qian was furious: "You are a high-ranking official and a slutty man."

After eating a bite of food, Vice Court Officer Jing rolled his eyes and said, "Don't make trouble, I'll talk to that kid for something serious."

Not long after, the son-in-law's child entered the door.

This guy has his own key.

"Looking at this hot, run slower, why are you anxious?" The mother-in-law felt very distressed, "Do you like Ermi? If not, I'll give you some noodles."

Guan Yin went over and took a look, this food was not enough.

"It's okay, I'll do it myself." How can I be polite? Roll it up and rest for five minutes, put a large bowl of noodles out of the pot, pour it with oil over cold water, and a small kilogram of noodles, which seems to be not enough to eat.

As soon as the table was served, the father-in-law was not polite. It can be said that he didn't discuss with his son-in-law's baby at all. He came over and picked up a small half at once, and he was also polite: "Anyway, you have to cook it after you finish eating. I'll help you digest it first."

The son-in-law's baby didn't say anything, just poured half of the dishes on the table into his own bowl.

Revenge, absolute revenge.

Teacher Qian smiled so hard that he couldn't see him. Oh, why didn't you find this child so good before?

"Eat, there is still food." Teacher Qian brought the rice cooker over.

"What's the matter?" Guan Yin asked, "Who deserves a beating again?"

Vice Courtyard Jing had a meal first, and Dekonger discussed with his son-in-law: "You said you have filmed historical dramas, war films, martial arts dramas, and supernatural dramas. I am about to film idol dramas again, do you have to consider filming a few dramas of our work?"

Anti-corruption?

The father-in-law nodded: "There is a argument now, that anti-corruption is about engaging in struggle, and this trend is very terrible."

Guan Yin couldn't help but think of the drama "In the Name of People".

Not wanting to film this, he remembered a character inside.

Not the protagonist, and many people may even forget it.

Lu Liang was robbed of the position by Hou Liangping.

Guan Yinai thought about these little characters in film and television dramas, but they are not small characters, they are very interesting supporting roles.

Guan Yin studied this Luliang for a long time and was deeply impressed.

Why study this person?

Just because this person had an argument that "the top ten largest lines in "In the Name of People" was included by a well-known media, I caught Xiao Gangyu that time.

"Old Xiao," said Lu Liang, "Why are you still so naive? Is this a problem that can be solved by having a meal? This is a life-and-death struggle!"

Because of this sentence, Guan Yin admires the role of Lao Ji.

From Lu Liang, Guan Yin figured out that the screenwriter, perhaps the director, or perhaps it was just a character that the script wanted to create. This image is that he believed that everything is the product of struggle.

Hou Liangping was airborne, and Lu Liang was not convinced and resentful. It is understandable that at this time, if you give this character a little more shot, you can fully show a classic "I can't go up because the struggle is powerful and I have no power", or it may be explained as "I have no resources, but others have resources, so they have airborne and rob me of my position."

It doesn't matter, there is still something behind.

What is shown later is more obvious.

As soon as Lao Ji's attitude was clear, Lu Liang's attitude immediately changed. He immediately turned into a trick to drag his hands. He returned to the horse and killed Xiao Gangyu, indirectly pushing Gao Yuliang to step down. Guan Yin believed that this behavior was a typical person who knew it and stood up.

When it comes to catching Xiao Gangyu, this attitude is fully demonstrated.

This is indeed a struggle, but is this just a struggle?

"You Xiao Gangyu don't have many resources and are not strong in the background, so you just think you are unlucky." Guan Yin believes that this is the biggest, most deeply rooted, and even persistent view of Lu Liang in his interpretation in the film and television version of "In the Name of the People".

From his own perspective, after understanding the character of Lu Liang, Guan Yin began to admire the character of Lao Ji.

Unmoving as a mountain, invading as fire, this is Lao Ji, an old chess player with profound scheming, extremely superb political wisdom, and extremely rich experience in fighting.

Yes, Guan Yin believes that Lao Ji is not a chess piece, nor is he a chessboard, he is a chess player.

Some people may think that Lao Ji is an old fry.

It's an old fry, but it's not without a position.

Guan Yin even believes that this character's position and will are even perfectly better than the protagonist Hou Liangping, and even comparable to Sha Ruijin.

There was such a scene. When Chen Hai and Hou Liangping were on the phone, Chen Hai opened the car window.

Didn't you see Lao Ji?

The audience called Li Dakang's look.

Guan Yin believes that compared to Lao Ji's glance, Li Dakang is still a little underestimated.

Subtle, forbearance, helplessness, and some sadness, and more, it should be self-deprecating.

Yes, young people...

This is a master who takes every step of the way and erodes almost all the initiative bit by bit.

If you don’t make a move easily, you will have the life of a force!

Such people are not something that Hou Liangping and Chen Hai and other younger generations can recognize.

Perhaps, Sha Ruijin's bold right-hand man is not just Tian Guofu, but his attitude towards Lao Ji is more interesting the more he studies it.

Back to the topic, the reason why I look at Lao Ji from Luliang is that Guan Yin believes that there are two environments, one is a small environment and the other is a big environment.

After Hou Liangping arrived, Lao Ji took him to meet his comrades. The introduction of the mud was completely unsparing, and it also included a smooth scene of investigation and exploration of scheming, as well as a meaningful look. It seemed helpless and a little embarrassed smile.

This person knows Luliang very well, so he is not sorry for Luliang's old subordinate, and he is even a little happy.

Later, using Luliang to balance Xiao Gangyu was a trick among the tricks.

If the power represented by Xiao Gangyu wins, Lu Liang will overturn it and there will be problems again, and Lao Ji will not have any responsibility.

This is Jia Xu's plan for himself in the Three Kingdoms.

But the overall situation is basically determined. Sha Ruijin holds power, and the situation is getting brighter and brighter day by day. At this time, Lu Liang has neither background nor courage, and has always been "struggle, struggle is all struggle". It is possible that he will not change his attitude immediately? The titles of "Lao Xiao" and "Lao Lu" between Lu Liang and Xiao Gangyu are enough to show that the relationship between the two is not very tense at least. So, under this premise, what is this called sending Lu Liang next to Xiao Gangyu?

This is called the wedge wedge when the timing is right.

As it turns out, Lao Ji is a master.

Lu Liang was not taken seriously by Xiao Gangyu, nor by Gao Yuliang. But it was this master of dragging and typing that personally captured Xiao Gangyu and indirectly ruined Gao Yuliang.

You think it's a mud, but in fact you don't give you time to react without taking action. Luliang is really Luliang. If you use it well, it is indeed a Luliang Mountain.

Guan Yin believes that Lao Ji's move is very similar to Guo Fengxiao's plan to decide Liaodong.

Why didn't he do it in advance?

At this time, real large-scale lines come in handy.

"The current system, the big boss decides everything."

Are you familiar with this?

If Sha Ruijin is not there, Lao Ji is determined to make a plan first, how can he take action easily?

If the mutual tests and maneuvering of big names such as Sha, Gao, Tian, ​​and Li are reflected in the side collision and head-on battle, Lao Ji's tests are carried out steadily through continuous "report".

From this, Guan Yin came up with several outstanding talents in "In the Name of People".

The cosmic district mayor Sun Liancheng is mediocre, lazy and negative.

Li Dakang's love for his wings, and his relatives are unrecognizable.

Old revolutionary Chen's loyalty.

Gao Yuliang's "repentance" is absolutely true.

The ridiculous "Saving the One's Half-Son" Qi Tongwei's shameless excuse "no way".

The Zhao family’s “I’m just that son” is absolutely true.

Of course, there is also a degree of "grandson" of officials.

He believes that Lao Ji's word "stable" should be even more important here.

The more you think about this person, the more you are, the more amazing it is.

It's not that it's amazing, but it's amazing.

But there is no shortage of greatness.

"I will stand on the last shift!" Lao Ji said so, and he did it.

Guan Yin thought that he had waited too.

What's ridiculous is that among the audience, there are a large group of regrets Qi Tongwei, a large group of admires Gao Yuliang, and even a large group of mocking Hou Liangping. There are also many grandsons who use their faces to type nonsense like "Qi Gao is truly innocent" on the keyboard, but none of them really think about Lao Ji, a soul figure who is not great, but is definitely tough, wise, and fierce enough. Apart from comments like "Isn't this Eunuch Cao from Dongchang?", there are no more comments that really understand this character.

From that drama, Guan Yin understood one thing that the audience sometimes really impatient or even had vision.

Guan Yin was not complacent about interpreting a character himself. He had never read the original work, nor did he know what the original work interpreted and positioned Lao Ji. He only watched TV series.

He read these and remembered them.

Now, as a person in the literary and artistic circles, Guan Yin is also a representative. He has the habit of not knowing whether to say good or bad. His scripts and his roles are always trying to interpret them in detail through his own detailed interpretation, the more detailed the better. He wants to interpret this role to the audience in the limited shots.
To be continued...