Regular art schools offer short-term training courses, both in Beijing Film Academy and Drama Academy.

The training class is also called a crash course. The lecture content is divided into two parts, one is basic and the other is practical.

The teacher will not explain performance knowledge so systematically, and only let students have a rough understanding of the performance methods. After joining the crew, they will accumulate performance experience through practice.

This is not a fraud, it can only be said that everyone needs it.

Xiao Ye applied to Wang Baoqiang for further study at the Beijing Theatre Academy. In one year, he studied and rehearsed dramas, combining theory and practice.

The Academy of Drama attaches importance to teaching theoretical foundations, which just makes up for Wang Baoqiang's lack of knowledge.

During this period, he can continue to play supporting roles in film and television dramas.

Xiao Ye was not sure about the company's follow-up arrangements for Wang Baoqiang, but she could see the company's attention from this script called "Soldier Assault".

"Soldier Assault" is a group drama, where Wang Baoqiang plays one of the characters and has a strong role.

In comparison, Huang Xiaoming and others have become famous, and Wang Baoqiang is not well-known to the audience. Even Xiao Ye finds it strange to be able to get this role.

According to the above statement, this is a group performance by young actors in the company.

"The opportunity is rare, you have to seize it. If you encounter a problem, raise it and I will solve it." Xiao Ye reminded.

"I understand, Sister Ye." Wang Baoqiang agreed.

After Wang Baoqiang left, Xiao Ye looked at Sun Li's resume. This was the task assigned by President Lin.

It is said that it was because Liu Dehua praised Sun Li, which attracted Mr. Lin's attention. After watching Sun Li's talent show video, he decided to sign her into Haomeng Company.

Xiao Ye has heard of this talent show.

Singapore's TV stations are in a big mess, setting up test areas in four cities: Beijing, Shanghai, Huacheng and Chang'an. First, there are competitions in each test area, and then competitions in China.

They invited celebrities from the domestic entertainment industry as judges.

Liu Dehua is a judge of the Singapore Finals. During the filming of movies, the Hong Kong star will also take time to shoot advertisements and participate in various social activities.

For stars like Liu Dehua, pay is not his main source of income.

Advertising and commercial performances are the key points. His appearance fee in the mainland is hundreds of thousands, but he just shows off his face and sings a song, so the money is quickly made.

Thinking of Liu Dehua, Xiaoye couldn't help but think of Huang Bo in Xiangjiang.

In July, "My Savage Girlfriend" was released in Japan, South Korea and other countries, causing a sensation and the box office rose.

Especially young audiences, they are the main audiences to watch the movie.

In the past, the top Chinese films sold in these two countries were Hong Kong films, and Cheng Long's kung fu films were the most popular. Now this romantic comedy is added.

Huang Bo and Gao Yuanyuan went to Japan and South Korea to promote it, and were warmly welcomed.

Such a result was unexpected by domestic media and film and television companies. "My Savage Girlfriend" seems to be sweeping Asia, and everyone is thinking about the reason.

Is it because the plot is anti-traditional, or is this kind of romantic comedy marketable...

Someone has put forward a point of view that a new generation of young audiences has grown up, these young people are tired of old things, they like to rebellion and subversion, and are unique.

Although young people in Asian countries live in different countries, their psychological needs are generally similar.

"My Savage Girlfriend" is in line with the tastes of the new generation of audiences, which is the main factor in the success of the movie.

Nowadays, directors in their forties and fifties are nostalgic and filming stories from the 1960s and 1970s. The sixth generation of directors focus on marginal groups in society and shoot art films that are not popular.

Lin Xiaoling pays attention to the needs of the new generation of audiences, which leads to the success of the movie.

Perhaps filmmakers should pay attention to what young people want to see, and they are the future of this society.

Xiao Ye attaches great importance to this matter and has studied many comments and Haomeng Company's own analysis reports.

During the three months in the UK, she had contact with foreign agents and found that foreign agents were not actors' nannies, and they needed to master all kinds of knowledge.

Not only do he choose the right script for the actors and plan the actors' acting career, he is also proficient in all aspects of film production, from budget to publicity, he is simply an all-round talent.

They will analyze the gains and losses of a movie to avoid similar mistakes next time.

He argued with the boss of the film company and the producers, and was very proactive.

Domestic agents are more like nannies, housekeepers, or liaison officers. They do not go deep into the production process of movies, are not professional, cannot take the initiative, and have no right to speak.

This is related to the general environment of the domestic film and television industry.

The director is the center of the crew. Too much agent intervenes can easily cause the director to be disgusted, and the result is counterproductive.

After returning from the UK, Xiao Ye saw the gap and was determined to strictly demand herself. She wanted to understand this industry, and it could not be a state of being slightest.

In the past, she would not have thought about signing up for Wang Baoqiang to perform. She felt that this was not her responsibility, but it depends on the company's arrangements. She was just a small agent and did not have that much power.

Now her way of looking at problems has changed, from caring for actors to cultivating actors, this is a big change.

Xiao Ye realized that he should take the initiative in his own hands and look at the work of the agent from a certain height.

Lin Zixuan was happy to see Xiaoye’s transformation.

He was considering the problem when he stood at the position of the boss of a film and television company, and it was inevitable that an actor would leave a company.

There are many reasons for this: either you feel that you have less money, or you feel that the company is unfair, or you want a better development prospect.

There is no incident in Good Dream Company for the time being, mainly to create a relatively fair environment.

Moreover, before these actors were very popular, some of the actors had a relatively calm mind and little ambition, so they maintained the situation.

But this situation will definitely be broken.

With the influx of social capital, more and more film and television companies with strong backgrounds and strength will emerge, and the conditions that actors cannot refuse will be offered, especially for famous actors.

Being poached is normal.

Some actors also choose to open their own studios or film and television companies and become their own boss to make money.

The future development of the film and television industry towards diversification is a more complex situation. How to deal with the relationship between various film and television companies and deal with the problem of actors leaving requires serious consideration.

There is an agent connecting the film and television company and the actors.

in the country, agents and actors are affiliated with film and television companies, and this model limits the development of both parties.

If actors want to act in other film and television companies and make money for them, conflicts may arise. The movies of Haomeng Company require actors from other film and television companies to coordinate the relationship between the two parties.

The agent is sandwiched in the middle, balancing the dispute between film and television companies and actors.

How to solve the problem of being poached and how to make actors and film and television companies get along well together? Lin Zixuan thinks that agents are the key, and he wants to do an experiment.
Chapter completed!