Lin Xiaoling was telling Gao Yuanyuan the filming scene.

The plot of this movie is not complicated, mainly because Gao Yuanyuan's performance is not in place.

Her previous roles were all the images of a good girl, and suddenly she made a big turn of 180 degrees. She didn't know how to adjust it, but she was a little exaggerated and not natural enough to perform.

This is the difference between a professional class and a non-professional class.

Professional actors have a set of ways to adjust their status, and non-professional actors can only rely on themselves to explore slowly.

After all, it is still a matter of experience. As long as you perform too much, practice will naturally lead to success.

Besides, Lin Xiaoling is strict with the actors, and she hopes that Gao Yuanyuan can hone her acting skills.

The two have worked together in the sequel to Desire.

It was Lin Xiaoling who chose Gao Yuanyuan at the beginning, which was her mentor and had the feeling of support.

"Yunyuan, you have to put down your burdens and forget all the roles you have played and the experience you have gained. Don't think about how you played before, think about how you play now, and put yourself into the role." Lin Xiaoling explained, "This time it will be a breakthrough for you. If you play well, you will have a wider range of acting in the future."

This is the truth. Gao Yuanyuan performed this role well, proving that he is malleable.

He can not only play a pure student, but also transform into an urban beauty.

The more malleable the actors are, the wider the acting path, and the better the future prospects for future exhibitions.

Lin Xiaoling couldn't tell her how to act specifically. Her mental state needed the actor to adjust herself. She could only tell her how to adjust, which was to let go of her previous self.

It sounds a bit mysterious, depending on everyone's ability to comprehend.

Gao Yuanyuan listened carefully and knew that this role was a challenge for her.

The relationship between directors and actors is quite complicated. One actor has a bad acting skills in a director's movie, and another director's movie is full of acting skills.

Is this a director's question or an actor's question?

I can only say that both parties have problems. Why does the director like to use familiar actors? Because he knows where the limits of this actor are and what extent can he do.

Meeting an unfamiliar actor will be a process of running-in.

The running-in is not good, both parties are not adapted, the actors do not understand the director's intentions, and the director mistakenly estimates the actor's abilities, so it is not difficult to imagine making a bad movie.

A great director is good at training actors. This training refers to the highlights of the current actors and is then guided.

Lin Xiaoling's status in the domestic entertainment industry has gradually improved and is still a certain distance from a big director, but she has become a representative figure of young directors.

If you continue to shoot two internationally award-winning films, your status will be more stable.

For new actors, Lin Xiaoling's suggestions are naturally worth taking seriously.

"Director Lin, I'm thinking about putting down my burdens and acting whatever I want?" Huang Bo said.

Huang Bo's character is similar to his experience and personality. He is easy to control without Gao Yuanyuan's troubles.

He said this was not a joke, he really wanted to figure out the relationship between the two.

The difference between a true performance and a method performance.

Taking Ge You as an example, the audience thinks that Ge You has the same personality in life as in the New Year films, with a little cleverness, often self-deprecating, and speaking humorously.

They think that Ge You is a true performance, but it is not.

Ge You is an introvert in life. It’s okay to have a party with friends, but he hides when there are many people. He just creates the role in the New Year film, not the true character.

This is the performance.

The ability to make the audience confused the characters he portrayed with him shows Ge You's performance skills.

"Your statement makes sense, but performance is not that simple. I am not a student of acting. I should ask Teacher Feng for this question." Lin Xiaoling responded.

Lin Xiaoling is talking about Feng Yuanzheng.

Feng Yuanzheng is an actor at the Beijing Theater. He is not well-known in the film and television industry, but he is quite famous in the drama industry. The recognized acting school in the circle is mainly active on the drama stage.

As drama gradually became a niche art in the country, drama actors were not well-known to the public.

However, most of the best domestic film and television actors start from drama actors.

In 1984, Feng Yuanzheng applied to the Beijing Film Academy but was not admitted because of his poor image.

He then was admitted to the Beijing Theater and went abroad to study drama performance. He had his own method in performance.

"Simply put, if your personality and role match, you can freely play it, that is, you can act as you want, and there may be wonderful interpretations. If your personality and role are very different, you need to pay attention to the performance method." Feng Yuanzheng explained.

"For example, a murderer, you cannot freely wield it, and you can imagine it out of thin air. You have to do research and think about the murderer's psychological activities, what kind of murder motives are, his family situation, and the relationship between his friends, and what kind of person he is." Feng Yuanzheng continued, "When you think thoroughly, imagine yourself as such a person and consider the problem with his thinking, then you are not yourself, but the murderer."

Feng Yuanzheng mainly attacked the Grotovsky School of Performance.

This school advocates performing through the flexible use of sound, body movements, rhythm and sense of space.

They think that the lighting, costumes, sets and makeup on the stage are not important. What is important is the face-to-face contact between the actors and the audience, impressing the audience with performances, rather than those auxiliary props.

Many things are simpler to say but difficult to do.

A low-cost commercial film like this won't give actors too much time to think about the role, and the actors need to do their own homework and study the characters.

Moreover, the more impetuous the environment in the domestic film and television industry is, there are few actors who are truly calm.

Taking money to film and leaving after filming is the norm in the circle, and it is far less than the actors who are involved in drama.

The drama takes countless rehearsals before it can be brought to the stage, and the actors spend a lot of energy on their roles.

Feng Yuanzheng has few scenes in "My Savage Girlfriend". He is not that sissy personality, but he expresses the comedy effect through exaggerated body language.

We must have made sufficient preparations in advance.

After hearing these words, Huang Bo strengthened his determination to take the film academy.

Lin Zixuan came to visit the crew of "My Savage Girlfriend" and saw Feng Yuanzheng. He was not familiar with Feng Yuanzheng, so he was able to invite him because he left the theater.

"Teacher Feng, are you interested in taking on TV series? The subject matter is a bit sensitive and involves domestic violence, and the role is not very pleasing." Lin Zixuan invited.

"Mr. Lin is polite. I'll read the script first. It doesn't matter whether the role is a favorable person, it depends on whether there is room." Feng Yuanzheng did not refuse.

He will take on roles and only those who are interested will take on them.

Lin Zixuan personally invited him, and ordinary actors agreed to see his face. Feng Yuanzheng had to read the script before he could decide, and this was responsible for his performance.

"Don't worry, Teacher Feng has a lot of space to play, and is a challenging character." Lin Zixuan promised.8
Chapter completed!