After the video is played, the following is the time to communicate with students.

The questions raised by the students are quite sharp. Some people think that the plot of this movie is too slow, and it stretches a thirty-minute documentary into a 90-minute movie.

Some people think that the image of the female policeman in the play is too positive and not real enough, and this arrangement is suspected of deliberateness.

Some people have different opinions on the film being too dull and too dark tones, and they feel that the director deliberately shoots such a story with a cold talk attitude, which is a bit deep.

There is criticism and praise.

Regarding the procrastination of the plot, some people think that it is precisely because of the inconspicuous details that make the characters more full.

The female policewoman is the only character in the film that makes people feel warm, and without this character, the film would be even darker.

Because of their different life experiences and personal preferences, everyone's views on a movie may be completely opposite.

Some people think this is a bad movie, but some people watch it with relish. This is a very normal phenomenon.

The director brought his own video to communicate with students, just to listen to other opinions.

Of course, you cannot listen to any opinions. If that happens, the movie will be changed beyond recognition and a mess.

First of all, you need to be sure that your movie cannot satisfy everyone. Secondly, you need to clarify the positioning of this movie.

"Going Home" is an art film. The consumer group of the film is those art film lovers, not all audiences, so they cannot follow the suggestions that require speeding up the plot.

In that case, it will be no different from a commercial film.

It’s not that commercial films are not good, but that they become four-dimensional and two-sided, so positioning is very important.

The director should know whether the film should be released in theaters or just as an underground movie.

Without the role of a female policeman, it would be difficult to pass the review.

Those students who think female policemen should not exist probably have no actual experience in filming movies and do not know what aspects to consider when making a movie, and do it completely according to their own ideas.

Even in Hollywood, there are many restrictions on making movies and cannot be unscrupulous.

For those big directors, they know what kind of film they are going to shoot and will not be influenced by the opinions of students.

Just like Zhang Yimou, he would communicate with students, he would accept suggestions that were inspiring to him, and ignore other opinions.

When new directors face criticism, they often rush to defend themselves or have doubts about themselves, which is also a test.

When doing anything, mentality is very important. Even when facing criticism, as long as you think it is what you want, you must persist and not look back on the front, which may be ruined.

Lin Xiaoling's mentality is quite relaxed.

Before coming to the Film Academy, the film was screened internally at Good Dream Company, Lin Zixuan, Feng Xiaogang and others watched it, and everyone discussed the gains and losses of the film.

Compared with film school students, their views are more professional.

They are generally not optimistic about the box office of "Going Home". It would be nice for the audience to persist in not leaving the show, but the film does have a certain artistic nature.

Or if it is popular but not popular, it will win reputation in the industry, but the audience will not buy it.

This is a common dilemma for art films, so how can they make a profit?

If the General Administration is willing to promote it, it can raise the box office by booking the venue, or sell it to the Chinese TV station's movie channel for broadcasting on TV.

The most common one is to go to major international film festivals to win awards and sell films.

Commercial films have operating modes for commercial films, and literary films have their own way out. For example, small-cost literary films like this, as long as the filming is not too bad, it is not difficult to recover the cost. Just find a suitable way.

The only influential film festivals in the second half of the year are the Venice Film Festival and the Tokyo International Film Festival, and Lin Zixuan tends to Venice.

After the exchange ended, the three of them left the film academy and felt an unspeakable mood.

When seeing those students, it was like seeing their former self, they were not afraid of anything, they dared to say anything, and they showed their sharpness, thinking that they were the pride of heaven and had no scruples.

Perhaps only by honing in society for a period of time can you know how to restrain yourself.

"These guys are not merciful at all. Is the filming that bad?" Lin Xiaoling complained.

"Okay, I'm used to it when I say I'm not good at acting." Xu Jinglei said indifferently.

Since entering the entertainment industry, the media has been controversial about Xu Jinglei's acting skills, mainly because the actors who play with her are so outstanding that her acting skills seem to be average.

In "The Two of Us", the old actor Kim Yaqin plays her role as an old actor, who won the Best Actress Award at the Tokyo International Film Festival.

In "Crouching Tiger, Hidden Dragon", Xu Jinglei, the protagonist, was completely suppressed by Director Chen and Yu Feihong.

When it comes to "Training Love to the End", her acting skills exploded, but the script of youth idols does not pay attention to acting, and the media and the audience don't care. What kind of acting skills can a group of young actors have.

When I was just communicating with the students, someone suggested that Xu Jinglei obviously did not have any chance in "Going Home".

The two are classmates, and their fame is very different now. In this movie, she is indeed not as good as Liu Lin.

"I took advantage of the role. If we change the two, you will definitely be better than me." Liu Lin explained.

"Don't comfort me. You used to work hard in the class and have a good foundation. I'm lazy and useless. When I really want to study, I will graduate." Xu Jinglei said helplessly.

"You should tell your words to those younger sisters and let them take them as a warning." Lin Xiaoling joked.

"How can I say such a thing? I am an idol now, so I must maintain a good image." Xu Jinglei joked.

This is no joke. She has taken on a lot of advertisements, and those advertisers value her youthful and healthy image.

There is a provision in the contract that once news of destroying the image appears, the manufacturer will not only terminate the contract, but may also seek compensation.

Negative news is a disaster for celebrities, involving performance contracts and advertising contracts.

Of course, hype scandals do not count, that can be clarified and will not cause irreversible negative effects.

"I just can't understand what young people nowadays think and fall in love with the role you play. If they know what you are like in your life, their hearts will be broken." Lin Xiaoling teased.

"You are jealous. Is there that bad life in my life?" Xu Jinglei said dissatisfied.

"It's not that bad. It's just careless, heartless, careless, not caring, dressing up, loves to sleep in, and doesn't like cooking..." Lin Xiaoling scolded.

Liu Lin watched Lin Xiaoling and Xu Jinglei teas each other and was a little envious.

In the entertainment industry, acting skills alone are not enough, but also opportunities are also important.

Xu Jinglei met Lin Xiaoling, joined Haomeng Company, and participated in many film and television dramas. This road went very smoothly. (To be continued.)
Chapter completed!