On New Year's Eve, Lin Xiaoling took the actors to the street to film. Δ

In addition to Xu Jinglei and Liu Lin, there are also photographers and sound recorders, a total of five people, everything is simple.

This is to pursue authenticity and not affect the people around you. If a large group of people come, everyone will definitely be curious about what this is for. The people are very interested in filming.

Documentary-style videos do not require post-dubbing, but live recordings, recording all the sounds in life.

Xu Jinglei was wearing a police uniform and a police cap, walking on the street with Liu Lin.

The photographer followed behind with equipment and a recording engineer, not only photographing the two actresses, but also filming the shops next to the street, the crowds walking around and the smell of the New Year in the air.

They want to take pictures of the scene in the capital at this moment.

Only when two actresses need to be filmed, the photographer will come to the two of them and take close-ups of their faces. Most of the time, they will follow the female prisoner and the female policeman in the background of the entire city.

This is the main task today, to capture the atmosphere of the New Year in Beijing.

Lin Xiaoling watched from the side without saying a word, letting Xu Jinglei and Liu Lin wield freely, the more casual the better.

This made her feel like she was shooting a documentary. Documentaries were objective and true. Although they could not achieve absolute truth, they could ensure the maximum objective.

A few years ago, she filmed the film "The Wind in the Capital" on the streets of the capital, and at that time she was the subject of the filming.

Now she is the director and knows what she wants. This story does not require conflicts or twists. Just take pictures quietly and leave everything to the actors and cameras.

As for how the audience will view this story, it is the audience's business.

Some directors like to add their own ideas to the film to let the audience accept it, and do not hesitate to borrow actors to preach for this, for fear that the audience will not understand their meaning.

Some directors only shoot stories in life, and the audience needs to think about how to interpret them.

Xu Jinglei and Liu Lin are classmates, and they have a good relationship when they were in school.

This is one of the reasons why she recommends her classmates to act, and it is also because Liu Lin has good acting skills, but she just didn't encounter a good opportunity.

The two walked on the street and took three buses, and encountered many unexpected situations.

At this time, Xu Jinglei was a protector. She wanted to send Liu Lin home safely. On the way, she explained to Liu Lin the changes in the capital, how to cross the road, and how to take the bus are all small things in life.

Liu Lin followed Xu Jinglei calmly and leaned back slightly.

This is a habit developed in prison. Prisoners always walk behind the prison guards and follow the instructions of the prison guards.

The two of them were matched up on the street and on the bus, and someone asked Xu Jinglei what was going on.

If Xu Jinglei said that we were filming, the people around us would respond with kindness, and some would like to show their faces in front of the camera.

If Xu Jinglei said that I was sending the prisoner home, everyone immediately looked at Liu Lin with vigilance, fearing that something would happen.

This is a plot that is not in the script. In order to safeguard the dignity of the prisoner on the way home, Xu Jinglei needs to make up a reason to prevent Liu Lin from being discriminated against.

Later, someone asked, and she said that my elder sister and I were shopping.

As for why there are cameras, it's very simple. This is a documentary called "A Day for a Policewoman".

After finishing the filming in the morning, there is no need to filming in the afternoon. Lin Xiaoling is not so unkind, everyone is going to celebrate the New Year.

Xu Jinglei drove Lin Xiaoling home, and the crew would continue filming after the fifth day of the Chinese New Year.

"Will you watch the Spring Festival Gala tonight?" Xu Jinglei chatted.

"The Spring Festival Gala is worse than the year. There are more and more hosts and fewer and fewer good programs." Lin Xiaoling complained, "I thought it was quite interesting before, but I even watched it at the Spring Festival Gala."

"That's because you've grown up and matured." Xu Jinglei teased, "I just took a look with my parents. I went to bed after ten o'clock. I was so tired of filming that I had even made excuses now."

When Lin Xiaoling returned home, it happened to be the time to have lunch.

Mu Zhiyuan and Li Hong both came over, and the whole family had a meal together. After dinner, Mu Shanshan took Zheng Xiulian and Li Hong to play mahjong together, and Lin Xiaoling happened to be four of them.

Mahjong is a favorite entertainment activity for people in Beijing and a must-have item for family gatherings.

Lin Zixuan usually doesn’t participate. Everyone here is his own family, and it’s not good to help anyone, which can easily cause disputes.

Mu Zhiyuan was quite concerned about Lin Zixuan's literary activities.

Especially whether "Living" can win the Italian Literature Award? Once it wins the foreign literary award, Lin Zixuan will immediately rise from a well-known writer to a famous writer.

China attaches great importance to influential people internationally.

"Children's literature can indeed play a certain role in early childhood education, but we cannot ignore the creation of serious literature. Only serious literature in China will be recognized." Mu Zhiyuan said earnestly, "In recent years, the status of writers seems to be much worse than before, but from a general perspective, the status of writers has been improving."

These are two different angles. In the eyes of the people, popular literature is becoming more and more popular, while serious literature is gradually declining.

But the status of psychologists at the upper level has not only not decreased, but has been increasing.

Popular literature is updated too quickly, lacking precipitation and accumulation, making it difficult to create classic works that have influenced a hundred years.

A country's culture needs to be developed, and it cannot rely on popular literature, but must rely on serious literature. Moreover, not only China, but also serious literature is valued throughout the world.

Under the impact of popular literature and popular culture, serious literature still maintains its momentum.

"After Jiang Wen's movie is finished, I will publish it and promote it together." Lin Zixuan responded.

Although the people complain about the Chinese TV Spring Festival Gala, they still sit together to watch this program every New Year's Eve because there are no other better programs to watch.

Objectively speaking, the director team of this year's Spring Festival Gala put their hearts into the invitation of many Hong Kong and Taiwan stars to celebrate the New Year together between the two sides of the Taiwan Strait and the three regions.

Both the scenes and the number of stars are better than in previous years, and at the same time, it shows the prosperity and strength of the country.

In fact, it doesn’t matter what kind of program you play on TV, what’s important is that the family is together.

After Xiaoxue fell asleep, Mu Shanshan took her daughter back into the house. The elderly could not stay up late, and they went to bed before ten o'clock.

Lin Zixuan and Mu Shanshan slightly packed the fruit and snacks on the table, prepared the items needed for New Year's greetings tomorrow, and saw that it was eleven o'clock.

The sketches of Chen Peisi and Zhu Shimao were played on the TV, and the audience applauded continuously.

1998 has arrived like this. (To be continued.)8
Chapter completed!