By the end of the year, the news media likes to make a year-end summary of all walks of life, and the film industry is no exception.??]

"Contemporary Film" magazine sorted out and included domestic films this year, and also included detailed analysis and comments.

Among them are articles about Good Dream Company.

After two years of operation, Haomeng Company has attracted much attention from the industry for producing two high-box entertainment films, especially in comedy movies, which has opened up a new path for domestic films.

The success of two movies of the same type shows that this success is traceable and replicable.

If it is just an exception, it does not have much research value. It is precisely because it can be copied that it has attracted the attention of all parties.

Low-cost comedy films have achieved high box office, and everyone likes this kind of good thing that makes big money with small profits.

Most media have focused on the pair Feng Xiaogang and Ge You, believing that the combination of the two is the key to the success of the movie. Feng Xiaogang has just expressed Ge You's civilian temperament and the temperament of the little character just right.

After the collaboration between these two comedy films, the two have formed a brand with a brand effect.

Only "Contemporary Movie" has focused on the film's producer Lin Zixuan.

The editor of the magazine sorted out Lin Zixuan's growth trajectory, from TV series to movies, in great detail, even including Lin Zixuan's deeds at the Beijing Radio Academy.

They conducted an exclusive interview with Lin Zixuan.

Lin Zixuan generally does not accept media interviews, but the organizer of this magazine made him unable to refuse. It is a film theory journal jointly organized by the China Film Art Research Center and the Beijing Broadcasting Institute.

This is equivalent to a magazine founded by his alma mater. How could he refuse? Do you want to stay in the circle of the radio academy in the future?

There are many film theory journals in China, among which the most influential ones are the journals of the Beijing Drama Academy and the Beijing Film Academy, as well as magazines under major film studios.

These journals are highly professional and are not ordinary entertainment magazines.

The editor of "Contemporary Film" analyzed Lin Zixuan's success. Now, whether in the TV series industry or the film industry, there are several factors in Lin Zixuan's success.

One is that the script follows the trend of the times. From the original "The Stubborn Lord" to the current "Seeking Away", the stories written are closely related to the times. They are all stories of small characters, and they can also be said to be close to life.

The second is that it has an international tendency. "The People in Beijing in New York" and "Seeking Away" are both filmed abroad.

Most domestic filmmakers do not have this vision and rarely have the experience of cooperating with foreign film companies. Everyone is more competing for domestic resources than looking at the international community.

The third one is that he is very bold in investment. He dared to borrow $1.5 million to shoot "The People in Beijing in New York" as an example.

From TV series to movies, from screenwriters to producers, and now the boss of a film and television company, Lin Zixuan's growth trajectory is extremely clear, and he comes step by step, steadily.

Everyone knows many things about the interview, but Lin Zixuan needs to say it again.

Especially the relationship between him and Feng Xiaogang and Ge You, in the Beijing entertainment industry, many people think that he provided Feng Xiaogang and Ge You with the opportunity to become famous.

Lin Zixuan doesn't think so.

He felt that gold would shine everywhere, and Feng Xiaogang and Ge You's success was the result of their own efforts.

In this interview, he repeatedly emphasized that he cannot be considered successful, but he just caught up with a good time.

"I just caught up with a good time. If it were in the past years, I might still be doing children's radio on the radio station." Lin Zixuan said calmly, "This era is changing every day and changing with each passing day. Only by keeping up with the trend of the times can we make a difference, otherwise we will be eliminated by the times."

After seeing off the reporter of "Contemporary Movie", Lin Zixuan and Mu Shanshan went out together. They were going to attend the celebration banquet of "See You" at the Friendship Hotel.

Last time he was joking with Feng Xiaogang, and Jiang Wen could treat him at the Beijing Hotel, but he didn't want to be so arrogant.

What's more, the box office of "Seeking Away" has just exceeded 35 million, which is not an ideal result.

According to the rules of domestic box office sharing, Huaying Company took 65% of the money, which is 22 million yuan, leaving only about 13 million yuan. Beijing Film Studio and another investor had to share 5 million yuan.

It fell into the hands of Good Dream Company less than eight million, which is jointly owned by the Art Center and Good Dream Company.

After removing the company's expenses, the final net profit of this movie is less than three million. The reason for this is that Good Dream Company does not have the right to exercise the movie, and the exercise is in the hands of state-owned enterprises.

in the country, the main revenue of a movie depends on box office, without peripheral products and overseas copyrights.

Under the influence of pirated CDs, the revenue of videotapes has dropped sharply, and the TV broadcasting rights of China TV stations are all packaged at tens of thousands of yuan, but they cannot be fully obtained.

It can be said that private film and television companies are at an absolute disadvantage in the production and sales of films.

If you can get the exercise, you can directly cooperate with theaters, or try to enter overseas markets and increase your revenue channels.

However, compared with other private film and television companies, Haomeng Company's performance is quite eye-catching. In two years, the company's total assets have skyrocketed from 100,000 to 8 million, which can be considered a huge profit.

"How is the interview?" Mu Shanshan asked in the car.

"It's okay, it's all ordinary problems, nothing new." Lin Zixuan said indifferently.

"Contemporary Film" is a relatively serious magazine. The questions asked by reporters are very professional and rarely involve gossip. They want to learn more about Lin Zixuan's successful experience and their views on domestic films.

What Lin Zixuan didn't expect was that this issue of the magazine reported him as the focus of the year.

They believe that the private film companies represented by Lin Zixuan have found a way of success, which is likely to indicate the future direction of domestic films and are worthy of research and reference.

This brought Lin Zixuan into the sight of film experts and scholars and attracted the attention of the film theory community.

At this time, Lin Zixuan parked his car outside the Friendship Hotel and walked in with Mu Shanshan's hand.

There is ice and snow outside, but the hotel is very warm. This celebration banquet invited many people, in addition to friends who are familiar with each other and members of the crew of "See You", as well as people from the Beijing entertainment industry.

Everyone is in the same circle to make life and support each other, which is a kind of affection.

As the main characters of the banquet, the arrival of Lin Zixuan and Mu Shanshan caused a lot of response and instantly became the focus.

Along the way, people greeted them, said celebrating words, and looked enthusiastic.

Before we knew it, Lin Zixuan had a place in the Beijing entertainment industry and was no longer the newcomer who could be squeezed. (To be continued.)8
Chapter completed!