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Chapter 64 The soul of the text

ps: The results of this book don’t seem to be very good. Please recommend votes to all readers and friends. During the May Day holiday, family affairs are busy and the update is not fast. I hope everyone will understand. After May Day, the update speed should be up.

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"Everyone in the world has qi. Qi is just the development of the heart."

People in the world all have a noble spirit in their hearts. The so-called noble spirit is the righteous spirit, which is the righteous spirit in the world.

When a man is born with good nature, he is naturally open-minded and bright.

A noble spirit can be naturally generated by one's own actions as long as one acts with one's own heart.

This is just "the heart is born."

This is the problem that Wu Jie solved in this article.

Unfortunately, no one could see it because the light was blown out.

It was dawn and it was pitch black all around. There were only stars and oil lamps in the kao house, looking like a brilliant galaxy.

In the morning breeze, Wu Jie stood up, writing hard, and his big sleeves floated, with an indescribable demeanor.

Seeing him blowing out the lantern, Wen Tongzhi was shocked and stood up suddenly, about to scold him loudly. However, Priest Lin smiled and grabbed his sleeve: "Let's take a look."

Wen Tongzhi then woke up and found that there was a red dark grid in the test paper, and the size of each character was the specification. This dark and ordinary people could not fill in the characters into the grid. If you were not careful, the paper would be completely scrapped and you would lose the qualification for the exam.

Only those who have a deep understanding of calligraphy can turn their pens casually, calmly and freely without going beyond the rules.

Wen Tongzhi also practiced calligraphy for many years when he was studying. At the beginning, this man emphasized that his pen was as heavy as a thousand pounds, and every word needed to penetrate the paper. At that time, in order to exercise his wrist strength, he even used a small sandbag on his hand.

Only when the hand is strong can you talk about the tip of the pen and strength.

Then, we should train our familiarity with the structure of each character. At this time, we need to write walnut characters, and only after we have a certain understanding can we start writing fly-headed small regular script.

In this way, no matter how big or small, it is written in three or five years, and it is strictly legal, not airtight, and can be smooth and can be written.

Therefore, for a qualified calligrapher, even if he is blindfolded, he can write on a grain of rice.

Wen Tongzhi was shocked when he saw Wu Jie writing an essay on a dark night. At the beginning, he didn't attend the Jinjiang night banquet and had no chance to see Wu Jie's crazy cursive script. At this moment, he couldn't help but take a breath: It seems that Wu Jie has been immersed in calligraphy for many years, otherwise he would not have dared to delay it like this.

But if you close your eyes and write, Wen Tongzhi can do it even if you think about it. But now in the exam room, you have to consider the words and answer the paper while doing it with one mind and use it both minds and if you are not careful, you will waste the paper.

Wu Jie's move, did he have already written the draft in an instant and then wrote it smoothly?

A eight-legged article was thought of in just a moment, even Cao Zijian, who had seven steps to become a poem, was just like this.

Is this Wu Jie really a natural geek?

Wen Tongzhi was deeply shocked.

The same shocked candidates were also the same period. Wu Jie happened to be sitting in the middle of the small square and surrounded by a circle of test rooms. His every move was seen by more than two hundred people at the same time.

No one dared to write, or even grind the ink, just stared at Wu Jie.

I just feel that Wu Jie is alone in the vast morning light, dancing back with deep black mid-high sleeves, very much like a text that is about to emerge from the long river of rolling Chinese characters, constantly changing and walking with God.

Yes, Chinese characters were firstly held in the hands of the priests and engraved on oracle bones, and were used to communicate with heaven and earth, and naturally had a magical power.

And in this eternal night, Wu Jie is the soul of the literary soul that is about to shine.

"A person who practices the Tao fights when he is angry and forgets his body, which is because of his energy. When he fights, he does not know that his body is small, does not know that the greatness of heaven and earth, and that good fortune and misfortune are feared, but it is because of the unnourished energy."

This is the subject.

"If the unfooded energy is rampant, then you will do everything without knowing it yourself, so you will be brave enough to advance and fearful enough to retreat."

This is the beginning.

Then, "If you go forward, you are brave, you are not brave, and you are not banned if you don't raise your energy. If you go back, you are not timid, you are not timid, and you are not timid if you don't raise your energy. If you don't raise, you are not timid, and you are not timid if you don't raise your energy. "

Such writing is much higher than that of the contemporaries, and is even more than eight-legged essay masters like Zhang Juzheng and Wang Yangming.

At least, the people of the Ming Dynasty could not write such articles. It was not about the level of the situation, but without the baptism of the vast Tang style and the elegant Song style.

Yes, this is the legendary Eight Great Prose.

It is Su Che, the second in the Three Sus.

The eight-legged essay is the main style of the imperial examinations in the Ming and Qing Dynasties. When people from later generations mentioned this style, most of the articles began in the early Ming Dynasty. In fact, the source was the classical examinations of the Northern Song Dynasty.

The Northern Song Dynasty classical examination was not as strong as the Ming and Qing dynasties, and the work was free and unrestrained. In terms of its artistic conception and beauty, compared to later generations, it was simply a difference between the vast moon and the fireflies.

Especially the most representative of San Su and Wang Anshi, they are even more skillful.

At the beginning, Wu Jie thought about copying an article about the eight-legged essay masters in the late Ming Dynasty, Gu Xiancheng and others. With their mature and harmonious essays in the eight-legged essay, he wanted to get the first one but just take a look.

But when he realized that this exam not only had to win, but also won beautiful things, Wu Jie decided to copy the articles of the Eight Great Masters.

Originally, Wang Anshi and Su Dongpo were the best choice, but unfortunately they had never written an article with the same title. Su Che happened to have an essay with the same title, so he had to settle for the second best.

But even so, it is still enough to kill everything in seconds.

Su Che was Su Shi's younger brother and had achieved great success in writing ancient Chinese, otherwise he would not have been able to join the Eight Great Masters of the Tang and Song Dynasties.

Su Che's articles are indifferent and elegant, and they also have a profound and mellow spirit. Wu Jie became famous because of Du Fu's poem "Ode to Thoughts" and Li Bai's "Preface to the Peach Blossom Garden of the Spring Night". Although the themes of the three works are different, they all contain a magnificent atmosphere, which is in line with the profound and exquisite texts of Su Che, and is just right for you.

I don’t know how long it took, but in the darkness of the dawn that was so strong that it could not be dissolved, Wu Jie finished his last sentence: "Therefore, it is said: Ambition is the commander of qi; qi is the fullness of body. To nourish ambition is to lead to qi, to strengthen qi to overcome the body, and no one dares to rebel, and then its qi will be blocked into the heaven and earth."

At this point, this 900-word eight-legged essay has finally been written.

The palms were slightly hot, but their emotions were completely mobilized.

Wu Jie felt that his energy seemed to have been exhausted by this last stroke.

He threw away his pen, sat down slowly, turned his head and smiled at the yamen runner next to him, "Please, hold the light!"

Looking up, a ray of sky light came from the east.

Wu Jie suddenly sighed: Once such an article was published, no examiner would use this sentence as a test question within ten years! Even if he changed to Zhang Juzheng, Tan Lun, and Gao Gong, he would not be able to write better than Su Ziyou.

This is the generational difference of culture.

The lantern finally lit up, and the brightness in front of Wu Jie's eyes slightly raised.

Wen Tongzhi suddenly ran over quickly and looked down. He saw that every word written by Wu Jie was just the size of a broad bean, and was filled in the red dark grid in a square manner, so clean that it seemed like a woodblock printing, without any words.

But all of this was written in the darkness where you couldn't see your fingers.

After calming down again, Wen Tongzhi carefully read the content of the article. He finished reading the three pages of the manuscript in just a moment, then took a deep breath of the cold wind in the morning, and wanted to say something, but he couldn't help but let out an involuntary sob in his throat: such an article, every word and sentence is about the heart. What are the small things in poetry and lyrics compared to the words of saints and the meaning of the words and meanings of the words of the saints?

At this time, he suddenly heard someone sighing behind his head: "Sichuan is too small to be able to hold on to Wu Shizhen."

Looking back, it was Magistrate Lin and Professor Fuxue.

Both of them were full of warm moisture flashing in their eyes.

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