Finally finished.

I finally breathed a sigh of relief...

The ending ended very hastily, and many things were not explained.

For example, how did Guan Feng pass through the Deep Realm Spiral, what was the price for him to register his identity, where should he go in the future, and who is the true identity of the person named "Feng Mu"...

None of this was made clear.

I originally wanted to write them all, but after thinking about it, I'd better leave these contents to the imagination of the gentlemen. (It's also another kind of open ending? Funny)

The initial outline of this book was to follow the main line of the game, but now the end of the main line of the game is far away. Where Ying will go in the future and what challenges await her in the future are all unknown.

Now let this book be the same as the main plot of the game, with some unknowns at this stage seems to be a good ending.

At least, it represents my initial expectations for this book.

The main plot of the game is not finished, and this book is not finished either...

To be honest, when I finished typing three words in the book.

I really breathed a long sigh of relief, feeling a little moved in my heart, but more of a feeling of relief.

The burden this book has placed on me is too great. Writing a book that has collapsed is simply a kind of torture for me.

[To be honest, I have been using Yeguo to read and catch up on books recently. I can switch sources and read aloud with many sounds. www. Android and Apple are available.]

The plot is poor, the character creation is messed up, I write whatever I think of, and even give up on myself in the end.

I really want to say something here: I am a fool!!!

******(This contains 10,000 words of swear words)

Okay, I’m done scolding, now let’s start self-reflection.

To be honest, Lao Fei hates the plots he set up more than the other men.

First of all, the biggest problem is that there are too many characters!!!

Regardless of the original world, in the Teyvat continent, I added many new characters, such as Dean and Dudley, who were initially able to reveal Guan Feng's identity, and later the protagonist of the rice wife plot, Xing Luo.

These characters were initially added to serve the plot and do things that game characters would not do.

For example, Xing Luo's original design was to allow her to infect the God of Thunder with her own will, so that the God of Thunder could understand the meaning of mortal wishes.

.....................

Let me make a digression first. When it comes to the plot settings of Rice Wife, I have to complain about the official version. At least when I was going through the plot, I was stunned for a moment.

First, when Ying rescued Toma, why didn't General Raiden pursue her? With her strength, it should be very simple to stop the two of them, right? Let Ying and Toma go, can I think that,

General Raiden is also looking forward to seeing the wind from a foreign land bring new changes to Inazuma? If this is the case, I can only say that the eternity General Raiden insists on is really just like playing.

Secondly, I really want to complain about Xinhai’s intelligence setting.

Especially the scene before Goro and Manyo rushed to the castle tower, I really don’t know where to start.

First of all, in your official setting, the resistance army and the shogunate army have been at war for a long time. The reason why the resistance army was able to deal with the shogunate army was because of Xinhai's plan.

However, if you let Goro and Manyo appear in front of the castle tower, what kind of trouble are you going to make?

Are the front-line generals of the shogunate army just for a living? They actually let these two people lead the resistance through the Kujo family's position.

Of course, the official also added a patch to Ayato's character pv later, saying that it was Ayato's help that allowed them to successfully enter Inazuma Castle to ambush.

What next? What if they go to Inazuma Castle?

In the eyes of that heart, Goro + Manyo = General Thunder, right?

Lei Qian is a demon god who has come through the Demon God War. Their two original gods combined are not powerful enough for the God of Thunder, right? Lei Qian is still a powerful god of war in your background.

Of course, it's also possible that I don't understand your settings, and have over-strengthened Thor's combat power, or underestimated the abilities of Manyo and others. Maybe Manyo can open an island with a knife, or lift the island from the ground.

Not sure (funny).

Thirdly, I really want to complain about General Thunder and Lightning’s mental journey.

Defeat her in the spiritual world and make her give up eternity, and cracks will immediately appear in her eternity.

To be honest, this setting is really random...

The more you portray how pitiful the holders who have lost the Eye of God are in the early stage, the more abrupt the transformation of the God of Thunder will appear.

I complained a little bit about the plot of the original book, mainly because when writing a book, one must understand the logic of the plot. Compared with the main plot of Mond and Liyue, I think there are many logical loopholes in the plot of Rice Wife.

Perhaps due to space constraints, I cannot write down all the details, which is understandable. After all, a plot that is too long will only make players impatient, and not everyone will read the plot seriously.

Of course, I'm not qualified to comment on the official plot.

Because I write worse.

............

Okay, let’s get down to business…

Because of my lack of experience, I designed too many characters. Before the game characters were clearly written, I added so many original characters.

This also results in each character appearing to be thin, superficial, and nondescript.

And it is very simple to solve this problem, that is to delete the game character!

Yes, you read that right, the game characters are indeed deleted...

Novels are different from games. The character settings in novels generally revolve around the plot and the core of the novel, while in games, the plot revolves around the characters.

There is a fundamental contradiction between the two.

In order to sell a character, the game will set up a plot to enrich the character and make players like it.

But novels set up a character to enrich a plot and allow the protagonist to grow.

If you insist on comparing the game to a novel, then it must be a group portrait novel, a group portrait novel that is destined to fail, because there are too many characters in this novel that have nothing to do with the main plot.

For example, Liyue's Yanfei, Daozhu's Huanglong Yidou, and Mondstadt's Noel.

These people have nothing to do with the main plot of the Demon God, and some are even added just to make money.

During the final battle between Ying and Tianli, the most these characters could do was turn into memories to give Ying power.

And in the process of my creation, they are like nails nailed to my white paper.

No plot I set can circumvent them, and even in order to highlight their characteristics, I need to change the plot to serve them.

There is no problem with this, because fanfics are meant to make money from these original characters.

Novels should serve them.

But their presence also put me in a dilemma.

In order to give the gentlemen a different experience, I need to rewrite the plot, but the rewritten plot must conform to the settings of these characters. If I compromise and add a brand new character to serve as the lubrication between them and the new plot

liquid, then limited by the length, the original characters will appear very thin.

After thinking about this, I finally came to a conclusion.

That means I'm not suitable for writing fan fiction.

The original characters would restrict my performance and prevent me from making drastic changes to them.

Of course, if you only look at the original parts I wrote, I can only say that the original writing is like shit.

The plot is not coherent, and the top-heavy phenomenon is particularly obvious!

The characters that we spent a lot of time creating in the past turned out to be just soy sauce in the ending????

For example, Minamoto Koji from the Youkai Arc, Pang from the Become a God Arc, and Yagiri from the Third Divine Power Arc.

The three male characters, in the endings of each chapter, are like passers-by and have no role at all.

I don't even know why I created them...

Then, the second biggest problem with this novel is that it has no outline, and it started to give up on itself after it collapsed.

The point of self-destruction and self-abasement is particularly evident in the original chapters.

As mentioned before, in my initial thoughts, Pang, Minamoto Koji, and Yagi, these three people will determine the direction of the final plot of each chapter and are the key figures in the plot.

But by the end of writing, I got tired of writing myself...

Seeing that the characters I created were nondescript and did not meet my psychological expectations, I got angry and cut off all their plots and made a hasty ending.

This is why I say that the original chapters are top-heavy.

This is a problem with my writing attitude, and the other is that I didn’t make a complete outline before writing, which caused the plot to just let myself go.

I will definitely reflect on this.

Of course, not all of the original characters in this book dissatisfied me.

Xing Luo in the Rice Wife Chapter is a character who has met a little bit of my psychological expectations, almost 10% of my psychological expectations. If I add some more space, I am confident that I can make her more successful, and she can also be regarded as my psychological expectation.

A small step towards a new novel.

Moving on to the third question in this article, I think most people have already criticized it.
To be continued...