As for the current plot, many viewers subconsciously believe that Cole is a child who has suffered abuse.

And he was afraid of his mother, and he looked like his mother was the perpetrator!

But seeing the interaction between mother and son, it doesn't look like each other, which makes people even more confused.

At this time.

The doorbell rang.

Cole shouted, "Tommy is here, mom."

Cole quickly stood up and ran out.

Lin held the sandwich cookies and said while reminding, "Put the tie in. Do you want this?"

Cole turned around and saw Lin holding the sandwich pie. She ran back and took it and left.

Lin glanced at the desktop, and the two whirlwind handprints on the desktop attracted her eyes. She walked to the window very uneasy.

Tommy and Cole can be said to be very different. Tommy is more like a little villain, standing at the door of Cole's house in school uniforms.

Cole walked down the steps.

Tommy took Cole's schoolbag, held it on himself, and walked towards the school with her arms around Cole. Cole turned around and waved to his mother.

After a while turning around and out of Lin's sight, Tommy immediately put down his arm and said, "Hey, freak, what's the trick of putting on his shoulders? I thought temporarily that I'm really talented. A first-class actor can do it, and this is called improvisation." As he said that, he returned the bag to Cole and ran away by himself.

Cole looked around uneasily.

The last class bell rang in the school, and the boys and girls in school uniforms ran into the school gate.

Cole was the last one to go in. He stood alone in the aisle, as if he didn't go to school, he could go anywhere. He put his hand in his pocket and walked into the school carefully.

This little boy can be said to make people feel distressed when they look at it.

I just don’t know why others call him a freak, but he is obviously out of place with the outside world.

The camera cuts back to Cole's home.

Lin sat in a chair at the entrance of the study, and Malcolm sat opposite her.

The door opened, and Cole came home from school and closed the door carefully.

"Baby, how are you doing today?" Lin got up and walked to Cole, leaned over and took off Cole's coat and schoolbag.

Cole shrugged.

Lin whispered: "Say whatever you want."

Cole didn't answer.

Lin asked softly: "Do you know what I'm doing today?"

Cole shook his head and said he didn't know.

Lin: "I won the Pennsylvania lottery early in the morning. I quit my job and went to the park. I ate a lot of chocolate pies and swim in the fountain in the afternoon...What did you do?"

Cole started to laugh, thought for a while, and said, "After class I was selected as the number one player on the baseball team. I played a full home run, and my classmates lifted me up and cheered loudly."

The mother and son looked at each other and smiled.

Lin: "It's really good. I'll fry the triangle muffin for you. It's enough for an hour."

Lin got up and went into the kitchen.

This made the audience's doubts even stronger.

The conversation between Cole and Lin is even more suspicious. Lin should not be the mother that everyone imagines.

But what does the scars on Cole's body mean?

how come?

But there was no time to think about it, the movie showed Cole's study.

The study room is also an amusement room with many toys piled up in the corner.

From these things, Lin seems to be very good to Cole. Otherwise, how could he change the study into an amusement room?

At this time, Cole appeared at the door. Malcolm pointed to the empty chair beside the coffee table and asked Cole: "Do you want to sit?"

Cole shook his head gently.

Malcolm said patiently: "Don't you want to talk about it today?"

Cole shook his head again.

Malcolm asked again: "Do you want to play games?"

Cole seemed a little interested in the game.

Malcolm smiled and said, "This is a guessing game."

Cole watched quietly.

Malcolm began to teach him: "This is how you play: I guess what you are thinking. If I say it right, you go forward; if I say it wrong, you go back to the door. If you go to the chair, you have to sit down; if you go back to the door, you can go. Do you want to play?"

Cole thought for a while and nodded.

Malcolm: "Okay."

Malcolm put his hand on the celestial cover, as if he was juggling. He closed his eyes tightly and said, "When your parents first divorced, your mother had found a doctor like me, and he couldn't help her. So you don't think I can help you either."

Cole was surprised and took a small step forward.

Malcolm said again: "You're very worried. She said she told the doctor something, something she didn't tell others. Some secrets."

Cole took another step. Obviously this is right!

Malcolm looked at Cole and said, "You don't want to tell me either."

In fact, these are foreshadowings, but the audience at this moment did not realize that this is probably the unique feature of this movie.

Any movie does not mean that a good plot will definitely make a good movie, but it also depends on how the director controls the rhythm of the movie.

Obviously, so far, the pace of "The Sixth Sense" has been well grasped.

Of course, the biggest difficulty of this kind of movie is that you cannot always set suspense and lay the groundwork from time to time, but you cannot let the audience discover it.

Otherwise, it will fail!

On the big screen, I heard Malcolm's words.

Cole took another step. He should have sat in the chair just one step away.

Malcolm smiled and glanced at Cole's wrist. He was wearing a huge silver watch on his hand. The watch slid on his wrist and could almost fit his shoulders. Malcolm said confidently: "Your dad left that watch for you before he left."

Cole took a step back and said, "He forgot in the drawer. It's bad."

Malcolm was less confident, and he looked at Cole's school uniform and said, "You are very quiet in school, you are a good student and never get into trouble."

Cole slowly took a step back and said, "Once one time, we were in art class, let's draw whatever we wanted. I drew one person and another stabbed his neck with a screwdriver."

Malcolm: "Did you see it on TV?"

Cole took a step back and replied: "Everyone was very angry. They asked mom for a meeting. Mom started crying. Later, I never drew these things again."

Malcolm: "What are you drawing now?"

Cole: "Drawing people who smile, running dogs, and rainbows. They won't have meetings because of rainbows."

Malcolm: "Yes, I don't think they won't."

Cole's feet were just one step away from the door. Cole stood quietly and asked, "What am I thinking now?"

Malcolm looked at Cole, just looking: "I don't know what you're thinking."

Cole quietly retreated to the door of another room and said, "I'm thinking, you're a good person, but you can't help me."

Cole's figure disappeared by the door.

Seeing this, the audience was silent.

Cole obviously has a secret, but everyone is even more confused about why Cole paints such a terrifying painting.

He is just a child!

And obviously, he didn't watch it on TV, so where did he see it?

At the same time, it also expresses the importance of communication from another aspect.

Cole was obviously unwilling to communicate, and although her mother seemed to love Cole, she seemed to have no communication with Cole.

For example, why did Cole draw such paintings?
Chapter completed!